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142 THE FLIGHT OF THE DRAGON<br />

serves his purpose. The camera sees more than<br />

that, it sees all the details ; but it cannot see<br />

the spirit that has to be felt.<br />

Most Europeans think of boats as means<br />

of locomotion, of apples as eatables. They<br />

recognize such things by their serviceable<br />

their individuality, the universal in<br />

qualities ;<br />

these particulars, escapes them. In a picture<br />

of a boat or an apple they look for those<br />

unessential qualities which minister to their<br />

pleasure, and of which alone they are aware.<br />

The cleverness of a man who can paint fruit<br />

that tempts urchins impresses them but the<br />

;<br />

artist who feels, and tries to express, the soul<br />

of fruit and flowers they take for an incompetent<br />

dunce or a charlatan.<br />

" One might say that man has been a<br />

monarch, looking to his subject-world only<br />

for service and for flattery, and just because<br />

of this lordly attitude he has failed to understand<br />

that subject-world, and, even more, has<br />

failed to understand himself."<br />

In the East men have ever set the spiritual<br />

life above the practical, and artists have<br />

excelled in expressing the very essence of<br />

material things because they expressed what<br />

they felt, instead of representing what the<br />

ordinary man sees. Tkey kave felt that if

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