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SOPHOCLES IN LONDON 127<br />

realism and Celtic romance, all details and<br />

suggestions, are implicit.<br />

It states just those<br />

fundamental things of which all the rest are<br />

but manifestations or consequences. There is<br />

as much psychology in the scene between<br />

CEdipus and Jocasta, a matter of some seventy<br />

lines, as could be forced into seventy pages by<br />

a modern novelist. A change of feeling that<br />

it would take Mr. Henry James a chapter to<br />

elaborate is indicated by a statement, a<br />

question, and a reply. Sophocles could never<br />

be satisfied with anything short of the essen-<br />

tial : that he stated the rest he left out.<br />

;<br />

Though Prof. Gilbert Murray is, as every one<br />

knows, a charming and sensitive scholar, he is<br />

not the ideal translator of Sophocles. Perhaps<br />

the Zolas and Merediths especially the Merediths<br />

impress him too easily ; perhaps he loves<br />

too well the literary tradition, the European<br />

tradition of five hundred years, to understand<br />

that the greatest poetry is rarely poetical :<br />

A Voice, a Voice, that is borne on the Holy Way !<br />

What art thou, Heavenly One, O Word of the<br />

Houses of Gold ?<br />

Thebes is bright with thee, and my heart it leapeth ;<br />

yet is it cold,<br />

And my spirit faints as I pray.<br />

I_g! i_e!<br />

What task, Affnghter of Evil, what task shall thy<br />

people essay ?

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