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TRELAWNY'S LETTERS 117<br />

book we find him under the influence of the<br />

learned ladies of Pisa. Left to himself, he<br />

wrote with point and vigour prose as rich in<br />

colour and spirit as it is poor in grammar and<br />

spelling. His letter to the Literary Gazette,<br />

published in this volume, is a good example of<br />

his narrative style. But even his<br />

style could<br />

be :<br />

perverted<br />

" I must give you the consolation of knowing<br />

that you have inflicted on me indiscribable<br />

tortures that your letter has inflicted an<br />

incurable wound which is festering and in-<br />

flaming my blood and my pride and passion,<br />

warring against my ungovernable love, has in<br />

vain essayed to hide my wounded feelings by<br />

silently submitting to my evil destiny."<br />

So he wrote to Claire Clairmont in December<br />

1822 but under the ; language of the minor<br />

romantic throbs the lusty passion of a man.<br />

Shelley's influence was great ; with him<br />

Trelawny was always natural and always at<br />

his best but ; Shelley was a wizard who drew<br />

the pure metal from every ore. With Byron<br />

it was different. Trelawny was almost as vain<br />

as " the Pilgrim of Eternity," as sensitive, and,<br />

when hurt, as vindictive. He was jealous of<br />

Byron's success with women they were two<br />

of a trade and especially of his relations with<br />

Claire. When Byron posed Trelawny posed,

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