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Japan and the Japanese

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270 JAPAN. A. D. 1C90 1692.<br />

steward (<strong>the</strong> same forming a part of <strong>the</strong> imperial domains), who<br />

collected <strong>the</strong> rent, forming, with <strong>the</strong> house-tax, <strong>the</strong> entire imperial<br />

revenue. This rent amounted to four parts in ten of <strong>the</strong> crop ;<br />

whereas inferior l<strong>and</strong>lords exacted six parts in ten. Grain was<br />

delivered in kind ; garden grounds, orchards <strong>and</strong> woods, paid a<br />

compensation in money.<br />

We may close this account of Nagasaki with a description of<br />

<strong>the</strong> Mat*uri, or public spectacle exhibited on <strong>the</strong> birth-day of <strong>the</strong><br />

god Suwa, <strong>the</strong> patron of <strong>the</strong> city, one of <strong>the</strong> occasions on which <strong>the</strong><br />

Dutch were permitted to leave <strong>the</strong> isl<strong>and</strong> of Desi/na, for <strong>the</strong> pur-<br />

pose of witnessing <strong>the</strong> spectacle. This festival was, <strong>and</strong> still is,<br />

celebrated at <strong>the</strong> expense of ten or eleven streets, uniting each year<br />

for that purpose ; so that every street is called upon thus to con-<br />

tribute once in seven or eight years, except that in which <strong>the</strong> courtesans<br />

reside, which must pay every year. The celebration consists<br />

in processions, plays, dances, &c., <strong>and</strong> as something new must<br />

always be got up, at least in <strong>the</strong> way of dress,<br />

it is attended with<br />

heavy expense.<br />

The temple of Suwa, according to Kiimpfer's description, st<strong>and</strong>s<br />

not far from <strong>the</strong> town, upon <strong>the</strong> mountain Tutla. A fine stair-case,<br />

of two hundred stone steps, leads up to it. The temple court,<br />

somewhat lower than <strong>the</strong> Mia itself, extends down <strong>the</strong> declivity of<br />

<strong>the</strong> mountain. At <strong>the</strong> entry of this court, next <strong>the</strong> is<br />

gate,<br />

a<br />

long,<br />

open room, or<br />

gallery, where plays are acted, for <strong>the</strong> diversion both<br />

of Suwa <strong>and</strong> his worshippers. This room is curiously adorned with<br />

many pictures <strong>and</strong> carved images, placed <strong>the</strong>re by devout worship-<br />

pers in fulfilment of vows made in some moment of exigency.<br />

Fur<strong>the</strong>r off st<strong>and</strong> some small chapels of wood, clean <strong>and</strong> neat, but<br />

without ornaments. In <strong>the</strong> same court st<strong>and</strong> <strong>the</strong> temples of Mu-<br />

rasaki <strong>and</strong> Simios, each of whom has also his Mikosi, or small<br />

eight-angular shrine, curiously adorned, <strong>and</strong> hanging in beautiful<br />

polls, wherein <strong>the</strong>ir images or relics are carried about upon festi-<br />

vals. Kiimpfer also observed, in <strong>the</strong> same enclosure, ano<strong>the</strong>r small<br />

chapel, built in honor of <strong>the</strong> god <strong>and</strong> lord of thous<strong>and</strong> legs, hung<br />

about with numbers of his clients, that is, with legs of all sorts <strong>and</strong><br />

sizes, given by his worshippers.<br />

There are several festivals sacred to Suwa, of which <strong>the</strong> chief ii

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