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THE COMPLEAT GARGOYLE - Graham School of General Studies ...

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Amy Thomas Elder and<br />

Charles Elder<br />

Ms. Thomas Elder holds degrees in<br />

biology, classics, and the study <strong>of</strong><br />

religion. She teaches in and directs<br />

the Odyssey Project, an Illinois<br />

Humanities Council program<br />

providing a college humanities<br />

course to adults living on low<br />

incomes. Mr. Elder holds a PhD from<br />

the Divinity <strong>School</strong> at the University<br />

<strong>of</strong> Chicago. His particular interests<br />

are philosophy, social and cultural<br />

theory, and issues <strong>of</strong> modernity.<br />

Course Code BPURTW<br />

Section 12U1<br />

Summer 2012<br />

Gleacher Center<br />

$190 Early registration ends June 13<br />

$220 Regular registration<br />

Thursdays<br />

June 21–July 12<br />

10 am–1:15 pm<br />

Teacher Recertification CPDUs: 12<br />

Please read the opening chapter,<br />

“Economy,” for the first meeting.<br />

(Note: we will use the Shanley<br />

edition, published by Princeton<br />

University Press, but any edition is<br />

acceptable.)<br />

The Early Sleuths:<br />

19th-Century Detective<br />

Fiction<br />

Many <strong>of</strong> us are avid readers <strong>of</strong><br />

detective fiction, but where did this<br />

popular genre begin? In this class,<br />

we will read some <strong>of</strong> the world’s<br />

great pioneering detective novels,<br />

including such early 19th-century<br />

writers as Edgar Allan Poe, Wilkie<br />

Collins (The Moonstone), and<br />

Charles Dickens (The Mystery<br />

<strong>of</strong> Edwin Drood). And we will, <strong>of</strong><br />

course, also explore some <strong>of</strong> the<br />

best Sherlock Holmes stories by Sir<br />

Arthur Conan Doyle, including The<br />

Hound <strong>of</strong> the Baskervilles.<br />

Cynthia Rutz<br />

Ms. Rutz is pursuing a PhD at the<br />

University <strong>of</strong> Chicago on Shakespeare.<br />

Other academic interests<br />

include mythology, folktales, and<br />

ancient Greek philosophy and<br />

literature. She served as chair <strong>of</strong> the<br />

Basic Program from 1999 to 2004,<br />

and currently teaches at Valparaiso<br />

University.<br />

Course Code BPUTES<br />

Section 12U1<br />

Summer 2012<br />

Gleacher Center<br />

$250 Early registration ends June 13<br />

$280 Regular registration<br />

Thursdays<br />

July 12–August 16<br />

10 am–1:15 pm<br />

Teacher Recertification CPDUs: 18<br />

For the first class, please read<br />

Poe’s short stories “The Murders<br />

in the Rue Morgue,” “The<br />

Purloined Letter,” and “The Mystery<br />

<strong>of</strong> Marie Roget.”<br />

The Poetry <strong>of</strong><br />

Emily Dickinson<br />

The mythos <strong>of</strong> Emily Dickinson in<br />

her life can sometimes s<strong>of</strong>ten and<br />

distort her greatness. In hopes <strong>of</strong><br />

redressing that situation, we will<br />

enter the conversation <strong>of</strong> her 1,775<br />

works, and focus intensively on<br />

selected poems. We will directly<br />

address the range, suppleness and<br />

fire <strong>of</strong> her intellect and emotion, and<br />

the startling mastery and inventiveness<br />

<strong>of</strong> her poetic forms. Dickinson’s<br />

conjoining the Bringing-to-Be <strong>of</strong><br />

artistic creation, with philosophy’s<br />

fierce Eros to comprehend Thatwhich-Is,<br />

powerfully bears out theologian<br />

David Tracy’s recognition <strong>of</strong><br />

poetry as “embodied philosophy.”<br />

Claudia Traudt<br />

See bio under James Joyce’s Ulysses.<br />

Course Code BPUPED<br />

Section 12U1<br />

Summer 2012<br />

Gleacher Center<br />

$335 Early registration ends June 13<br />

$365 Regular registration<br />

Tuesdays<br />

June 19–August 7<br />

6–9:15 pm<br />

Teacher Recertification CPDUs: 24<br />

The World <strong>of</strong> Fernando<br />

Pessoa<br />

We will devote the five weeks <strong>of</strong> this<br />

course to a selection <strong>of</strong> poetry and<br />

prose by one <strong>of</strong> the most fascinating<br />

artists <strong>of</strong> the 20th century, the<br />

Portuguese modernist Fernando<br />

Pessoa (1888–1935). Pessoa created<br />

70 different writing personalities<br />

(literary alter egos with their<br />

own identities and writing styles)<br />

and produced an immense oeuvre,<br />

which is becoming more and more<br />

12 Humanities Texts & Contexts<br />

popular in English translations.<br />

We will focus on poems by four <strong>of</strong><br />

Pessoa’s poetic incarnations, and<br />

the prose in his wise, imaginative<br />

Book <strong>of</strong> Disquietude, in which every<br />

second line makes the reader look<br />

for an occasion to quote it.<br />

Katia Mitova<br />

Ms. Mitova holds an MA in<br />

comparative Slavic studies from the<br />

University <strong>of</strong> S<strong>of</strong>ia, Bulgaria, and an<br />

MA and PhD from the Committee<br />

on Social Thought at the University<br />

<strong>of</strong> Chicago. She is working on a<br />

book on the dialogical character <strong>of</strong><br />

literary creativity. Her research and<br />

teaching interests include storytelling<br />

and artistic creativity. She<br />

received the 2008 <strong>Graham</strong> <strong>School</strong><br />

Excellence in Teaching Award for<br />

the Basic Program.<br />

Course Code BPUWFP<br />

Section 12U1<br />

Summer 2012<br />

Gleacher Center<br />

$210 Early registration ends June 13<br />

$240 Regular registration<br />

Tuesdays<br />

June 19–July 17<br />

6–9:15 pm<br />

Teacher Recertification CPDUs: 15<br />

Little Dorrit: Finance,<br />

Society, and Freedom<br />

A novel for our times, Charles<br />

Dickens’s Little Dorrit examines<br />

the effects <strong>of</strong> abstract financial and<br />

policy decisions on individuals,<br />

families, and entire neighborhoods.<br />

At the heart <strong>of</strong> the book<br />

is the infamous debtor’s prison<br />

from the author’s childhood, the<br />

Marshalsea; when coupled with an<br />

entire metropolis <strong>of</strong> unforgettable<br />

characters the result is a moving,<br />

comic, and incisive analysis <strong>of</strong> the<br />

many guises <strong>of</strong> imprisonment in<br />

modern life. To appreciate Dickens’s<br />

analysis <strong>of</strong> choice and freedom, and<br />

how these are linked to work, investment,<br />

inheritance, debt, and social<br />

services, we will also read excerpts<br />

from works by Adam Smith, Karl<br />

Marx, George Orwell, and others.<br />

Marissa Love<br />

Ms. Love is assistant director <strong>of</strong><br />

Humanities, Arts, and Sciences<br />

at the <strong>Graham</strong> <strong>School</strong> and has<br />

taught in the Basic Program since<br />

1998. Her areas <strong>of</strong> interest include<br />

19th-century novels, Shakespeare,<br />

Japanese literature, and lyric<br />

poetry.

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