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The Paradoxical World of Foucault 23<br />
of support for <strong>the</strong> two great reformers of <strong>the</strong> period, <strong>the</strong> Quaker William<br />
Tuke (1732-1822) in Engl<strong>and</strong> <strong>and</strong> <strong>the</strong> French <strong>revolution</strong>ary Phillippe Pinel<br />
(1745-1826). The two reformers had simply subjected <strong>the</strong> insane to <strong>the</strong> intense<br />
gaze of <strong>the</strong> " o<strong>the</strong>r." Gradually, through regimented work, observation,<br />
surveillance, <strong>and</strong> <strong>the</strong> alternation of reward <strong>and</strong> punishment, <strong>the</strong>y had instilled<br />
a system of self-observation <strong>and</strong> self-discipline. The purpose of this<br />
new treatment was not to underst<strong>and</strong> <strong>the</strong> mentally ill better or even to relieve<br />
<strong>the</strong>m of <strong>the</strong>ir traumas. It was to control <strong>the</strong>ir behavior <strong>and</strong> conduct in<br />
order to make <strong>the</strong>m adhere to society's codes of normality <strong>and</strong> proper morality.<br />
Here again, Foucault followed Nietzsche in his negative assessment of<br />
<strong>the</strong> French Revolution. Where Nietzsche argued that <strong>the</strong> French Revolution<br />
represented <strong>the</strong> triumph of <strong>the</strong> slave morality, of "Ieveling" <strong>and</strong> of "wanting<br />
to set up a supreme rights of <strong>the</strong> majority" (Nietzsche 1967, 54), Foucault<br />
critiqued <strong>the</strong> normative power of <strong>the</strong> French Revolution <strong>and</strong> its new institutions.6<br />
Foucault made a similar argument in 1963, in The Birth of <strong>the</strong> Clinic,<br />
where he wrote that a new medical "gaze" emerged in <strong>the</strong> eighteenth century,<br />
breaking with <strong>the</strong> earlier, traditional form of medicine, which had relied<br />
on classifying illness <strong>and</strong> curing a particular category of illness. Instead,<br />
medicine began focusing on <strong>the</strong> symptoms of <strong>the</strong> individual. This transformation<br />
took place as a result of <strong>the</strong> new sociopolitical climate of <strong>the</strong> French<br />
Revolution. Once <strong>the</strong> patient is treated as an individual, a new conception<br />
of life <strong>and</strong> death also emerges: "Disease breaks away from <strong>the</strong> metaphysic<br />
of evil, to which it had been related for centuries" (Foucault 1994a, 196).<br />
This new empirical science of medicine immediately defines human beings<br />
by <strong>the</strong>ir limits. The magic of modem medicine is that it endlessly repudiates<br />
death: "health replaces salvation" <strong>and</strong> scientists become philosophers. Medicine<br />
"is fully engaged in <strong>the</strong> philosophical status of man." Contemporary<br />
thought was still in this empirical straitjacket: "We are only just beginning to<br />
disentangle a few of <strong>the</strong> threads which are still so unknown to us that we immediately<br />
assume <strong>the</strong>m Lo be ei<strong>the</strong>r marvelously new or absolutely archaic"<br />
(199).<br />
In The Order of Things, first published in 1966, Foucault developed similar<br />
perspectives, this time focusing on <strong>the</strong> evolution of language <strong>and</strong> its relation<br />
to scientific inquiry in <strong>the</strong> seventeenth century. Until <strong>the</strong> modern period,<br />
human beings had assumed that <strong>the</strong>re was a relationship of "sympathy <strong>and</strong><br />
similitudes" between <strong>the</strong> objects of nature <strong>and</strong> <strong>the</strong>ir purpose. For example,<br />
he noted, <strong>the</strong> walnut's shape was similar to <strong>the</strong> human head <strong>and</strong>, <strong>the</strong>refore,<br />
walnuts were regarded as a cure for various forms of head ailments. The Renaissance<br />
<strong>and</strong> <strong>the</strong> introduction of <strong>the</strong> printing press elevated language to <strong>the</strong>