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Paganism an overview introduction - South African Pagan Council

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• Hades - the underworld in Greek myth, ruled over by a god of the same name.<br />

The underworld is the final destination of the souls of the dead; while some<br />

descriptions suggest it is a misty <strong>an</strong>d gloomy place, others suggest it is a<br />

place of peace, <strong>an</strong>d at least one realm within the underworld, Elysium, is a<br />

blessed place destined for the souls of the heroic <strong>an</strong>d the virtuous.<br />

These <strong>an</strong>d other such depictions of otherworldly realms offer insight into the variety<br />

of beliefs that various Pag<strong>an</strong>s might hold.<br />

The Summerl<strong>an</strong>d<br />

The Summerl<strong>an</strong>d is the name given by Wicc<strong>an</strong>s <strong>an</strong>d some other earth-based religions<br />

for their conceptualisation of <strong>an</strong> afterlife. The common portrayal of the Summerl<strong>an</strong>d<br />

is as a place of rest for souls in between their earthly incarnations. Some believe that<br />

after one experiences life to its fullest, <strong>an</strong>d has come to know <strong>an</strong>d underst<strong>an</strong>d every<br />

aspect <strong>an</strong>d emotion of physical hum<strong>an</strong> life (usually after m<strong>an</strong>y reincarnations), their<br />

deity will allow them to stay in the Summerl<strong>an</strong>d for <strong>an</strong> eternal afterlife, although this<br />

belief is not universal amongst Pag<strong>an</strong>s. Another common element is that the soul has<br />

little, if <strong>an</strong>y, recollection of the Summerl<strong>an</strong>d once it arrives on the mortal pl<strong>an</strong>e again.<br />

The Summerl<strong>an</strong>d is also envisioned as a place for recollection <strong>an</strong>d reunion with<br />

deceased loved ones. As the name suggests, it is often envisaged as a place of beauty<br />

<strong>an</strong>d peace, where everything people hold close to their hearts is preserved in its<br />

fullest beauty for eternity. In m<strong>an</strong>y ways, this ideology is similar to the Welsh view of<br />

Annwn as <strong>an</strong> afterlife realm.<br />

http://en.wikipedia.org/wiki/The_Summerl<strong>an</strong>d<br />

PAGAN RITUAL, WORSHIP, DEVOTION <strong>an</strong>d SYMBOLISM<br />

Cycles of the sun <strong>an</strong>d moon establish a sense of sacred time for Pag<strong>an</strong>s, while some<br />

<strong>an</strong>cient fertility or agricultural festivals are still celebrated today.<br />

Ancient Pag<strong>an</strong> sacred sites, such as Stonehenge in Engl<strong>an</strong>d or Newgr<strong>an</strong>ge in Irel<strong>an</strong>d,<br />

often have <strong>an</strong> astronomical orientation, with key features of the site oriented toward<br />

specific dates of the year. For example, Stonehenge is oriented toward the sunrise of<br />

the summer solstice, while the doorway of Newgr<strong>an</strong>ge is oriented toward sunrise of<br />

the winter solstice. Sites like these suggest not only a high degree of astronomical <strong>an</strong>d<br />

architectural sophistication among <strong>an</strong>cient Pag<strong>an</strong>s, but also imply that the dates like<br />

the solstices may have had ritual signific<strong>an</strong>ce to their cultures.<br />

The Pag<strong>an</strong> movement that emerged in the 20th century draws on a variety of folkloric,<br />

mythological <strong>an</strong>d archaeological sources to establish its own sense of sacred time. As<br />

is always the case among Pag<strong>an</strong> religions, different traditions often observe different<br />

holy days.<br />

The mythological sources of <strong>Pag<strong>an</strong>ism</strong> are m<strong>an</strong>y, including Celtic, Norse, Greek,<br />

Rom<strong>an</strong>, Sumeri<strong>an</strong>, Egypti<strong>an</strong> <strong>an</strong>d others. Some groups focus on one tradition; others<br />

draw from several or m<strong>an</strong>y — for example, Doreen Valiente’s text “The Charge of

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