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Crime and Punishment The most important things to read on this are ...

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volume by Freud <str<strong>on</strong>g>and</str<strong>on</strong>g> Breuer, Studies <strong>on</strong> Hysteria (1895) is <str<strong>on</strong>g>important</str<strong>on</strong>g> background <str<strong>on</strong>g>read</str<strong>on</strong>g>ing: I<br />

hesitate <str<strong>on</strong>g>to</str<strong>on</strong>g> recommend anything by Lacan, but his work provides an essential c<strong>on</strong>text.<br />

<str<strong>on</strong>g>The</str<strong>on</strong>g> Turn of the Screw<br />

Henry James's short s<str<strong>on</strong>g>to</str<strong>on</strong>g>ry (call it a novella) was first published as a serial in a magazine in<br />

1898 <str<strong>on</strong>g>and</str<strong>on</strong>g> then issued in book-form. It was revised ten years later for Henry James's definitive<br />

editi<strong>on</strong> of his books, <str<strong>on</strong>g>The</str<strong>on</strong>g> New York editi<strong>on</strong>, with a Preface added. <str<strong>on</strong>g>The</str<strong>on</strong>g> Nor<str<strong>on</strong>g>to</str<strong>on</strong>g>n Critical<br />

Editi<strong>on</strong> of the novella prints it <str<strong>on</strong>g>to</str<strong>on</strong>g>gether with some older criticism; but good modern criticism<br />

of it includes<br />

Shoshana Felman, in Writing <str<strong>on</strong>g>and</str<strong>on</strong>g> Madness 1985. This essay first appe<strong>are</strong>d in 1982 in the<br />

journal Yale French Studies.<br />

Ned Lukacher, Primal Scenes<br />

Peter G Beidler, - anthology of criticism of the text. 1995. This reprints <strong>on</strong>ly part of Felman's<br />

essay.<br />

Terry Heller, <str<strong>on</strong>g>The</str<strong>on</strong>g> Turn of the Screw: Bewildered Visi<strong>on</strong> 1989<br />

T.J. Lustig, Henry James <str<strong>on</strong>g>and</str<strong>on</strong>g> the Ghostly 1994. See Bibliography.<br />

Jeremy Tambling: Henry Jmaes: Critical Issues 2000<br />

For a comparis<strong>on</strong> with Freud <strong>on</strong> hysteria, <str<strong>on</strong>g>and</str<strong>on</strong>g> Freud's treatment of "Dora," <strong>on</strong>e of the famous<br />

analyses of Freud, which has been much commented <strong>on</strong>, see Paula Marantz Cohen, essay in<br />

the journal Criticism 28, 1986, 73-87.<br />

On Alice James <str<strong>on</strong>g>and</str<strong>on</strong>g> the hysteria in <str<strong>on</strong>g>The</str<strong>on</strong>g> Turn of the Screw see Oscar Cargill, in Kimbaugh's<br />

Nor<str<strong>on</strong>g>to</str<strong>on</strong>g>n editi<strong>on</strong>. Cargill also suggested that Freud <str<strong>on</strong>g>and</str<strong>on</strong>g> Brauer's "Studies <strong>on</strong> Hysteria"<br />

influenced James.<br />

On Alice James, her Diaries, <str<strong>on</strong>g>and</str<strong>on</strong>g> her letters <strong>are</strong> both available in the library; so <strong>are</strong><br />

biographies of the James family; including William James (philosopher, psychologist), <str<strong>on</strong>g>and</str<strong>on</strong>g><br />

Henry James. See the biographies by R.W. B. Lewis, by F.O. Matthiessen <str<strong>on</strong>g>and</str<strong>on</strong>g> of James'<br />

father, by Alfred Habegger.<br />

On hysteria in the 19th century, see Elaine Showalter, <str<strong>on</strong>g>The</str<strong>on</strong>g> Female malady; 1985; <str<strong>on</strong>g>and</str<strong>on</strong>g> her<br />

essay in S<str<strong>on</strong>g>and</str<strong>on</strong>g>er L. Gilman (ed.) Hysteria Bey<strong>on</strong>d Freud. <str<strong>on</strong>g>The</str<strong>on</strong>g> material <strong>on</strong> 19th century<br />

hysteria is vast: see my notes <strong>on</strong> Emily Dickins<strong>on</strong>.<br />

Other places where you might look for material <strong>on</strong> <str<strong>on</strong>g>The</str<strong>on</strong>g> Turn of the Screw would be American<br />

Literature <str<strong>on</strong>g>and</str<strong>on</strong>g> Nineteenth Century Literature. <str<strong>on</strong>g>The</str<strong>on</strong>g>se <strong>are</strong> solid journals. <str<strong>on</strong>g>The</str<strong>on</strong>g>re is much other<br />

material <strong>on</strong> James in the American literature secti<strong>on</strong>, <str<strong>on</strong>g>and</str<strong>on</strong>g> you should look at <strong>this</strong>.<br />

<str<strong>on</strong>g>The</str<strong>on</strong>g> best idea for an essay would be <str<strong>on</strong>g>to</str<strong>on</strong>g> ask whether you think the ghosts <strong>are</strong> "real" or a feature<br />

of the governess's hysterical imaginati<strong>on</strong>. <str<strong>on</strong>g>The</str<strong>on</strong>g> view that they <strong>are</strong> not real was first out<br />

forward by Edmund Wils<strong>on</strong> in an essay called "<str<strong>on</strong>g>The</str<strong>on</strong>g> Ambiguity of Henry James" , <str<strong>on</strong>g>The</str<strong>on</strong>g> Triple<br />

Thinkers.<br />

D<strong>on</strong>'t forget the frame-narrative: the questi<strong>on</strong> why the s<str<strong>on</strong>g>to</str<strong>on</strong>g>ry is <str<strong>on</strong>g>to</str<strong>on</strong>g>ld by Douglas. This could<br />

make a good basis for an essay. <str<strong>on</strong>g>The</str<strong>on</strong>g> novella is basically au<str<strong>on</strong>g>to</str<strong>on</strong>g>biographical in form, but does<br />

the governess think of herself as anything but absolutely normal? Are the children normal?<br />

D<strong>on</strong>'t forget the comparis<strong>on</strong> with Jane Eyre <str<strong>on</strong>g>and</str<strong>on</strong>g> the "madwoman in the attic."

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