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The Byzantine Empire - Pascack Valley Regional School District

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198<br />

PART I1| ¯ <strong>The</strong> PostclassicN Period, 500-!450: New Faith and New Commerce<br />

Ravenna, a key artistic center, embellished by some ~f<br />

the most beaugfful Christian mosaics known anywhere m<br />

the world (Figure 9.2). But the major Italian holdings<br />

¯ - ble to witbstand Germanic pressure,<br />

were short-hveCt, una<br />

and north African territory was soon besieged as well.<br />

Furthermore, Jusnman westward ambitions had<br />

weakened the empire in its own sphere. Persian forces<br />

attacked in the northern Middle East, while<br />

new Slavic groups, moving into the Balkans,<br />

pressed on another front (Map 9.1).Justinian<br />

finally managed to create a new line of<br />

<strong>The</strong> <strong>Byzantine</strong> defense and even pushed Persian ~{br~es back<br />

<strong>Empire</strong> Under<br />

Justinian<br />

again, but some Middle Eastern terrltory was<br />

lost. Furthermore, n!l these wars, ofi~nsive<br />

and defensive alike, created new tax pressures on the<br />

government and forcedJusdnian to exertions that contributed<br />

to his death in 565 c.I~.<br />

- - *--~.*;~ian’s successors began to con-<br />

Ati~er some setbacKs,3uam*<br />

centrate on defending the eastern empire itself. Persian<br />

successes in the nortbern Middle East were reversed in<br />

the 7th century, and the population was forcibly recon-<br />

¯<br />

verted to Cbristiamty. <strong>The</strong><br />

resultant empire, centered in<br />

the southern Balkans and the western and central portions<br />

of present-day Turkey, was a t~r cry from Rome’s<br />

greatness. However, it was sufficient to amplify a rich<br />

ATLANTIC<br />

MAP 9.1 <strong>The</strong> <strong>Byzantine</strong> <strong>Empire</strong><br />

holdings outside the northeastern MedRerranean within 50 years after his death.<br />

FIGUR~ 9.2 Dazzling mosaics from the early period of the<br />

<strong>Byzantine</strong> <strong>Empire</strong> illustrate some of the highest achievements<br />

of <strong>Byzantine</strong> religious art. This mosaic features a rather militant<br />

Christ the Redeemer¯<br />

Hellenistic culture and blend it more Ihally with Christianity<br />

while advancing Roman achievements in engineering<br />

and military tactics as well as law.<br />

<strong>The</strong> <strong>Byzantine</strong> <strong>Empire</strong> was also strong enough to<br />

withstand ’the great new threat of the 7th century, the

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