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94 CHAPTER <strong>10</strong><br />

because <strong>of</strong> which Cronos is absent from his position in <strong>the</strong> sequence,<br />

<strong>the</strong>n <strong>the</strong>re is an inexplicable confusion in Alex<strong>and</strong>er’s scheme. A fusion<br />

<strong>of</strong> two distinct Orphic traditions (<strong>the</strong> older archaic-classical <strong>and</strong> <strong>the</strong><br />

hellenistic-Rhapsodic) properly interpreted suffices to clarify <strong>the</strong><br />

problem.<br />

Order -1 0 1 2 3 4 5 6<br />

Old Orphism - Night Ocean (Egg) Phanes Heaven Cronos Zeus Dionysus<br />

Rhapsodic Time Ae<strong>the</strong>r (Egg) Night Heaven Cronos Zeus Dionysus<br />

Orphism Chaos Phanes<br />

Alex<strong>and</strong>er - Chaos Ocean Night Heaven Zeus <br />

<strong>of</strong> Aphrodisias<br />

(numbers indicate sequence <strong>of</strong> kingdom <strong>and</strong> generation)<br />

Members 3-6 are all common. To position 2 Alex<strong>and</strong>er assigns <strong>the</strong><br />

Night <strong>of</strong> <strong>the</strong> Sacred Doctrines. As to 0 <strong>and</strong> 1 he follows <strong>the</strong> Archaic<br />

sequence with <strong>the</strong> difference that having used <strong>the</strong> Night in her<br />

Rhapsodic position <strong>and</strong> function he substitutes, for <strong>the</strong> first principle<br />

Nyx <strong>of</strong> early Orphic doctrine, Chaos as <strong>the</strong> ontological equivalent<br />

which in fact partially (but extrinsically as remarked above) overlaps<br />

with <strong>the</strong> level <strong>of</strong> first principle (<strong>of</strong> beginning) in <strong>the</strong> Rhapsodic<br />

Theogony. From this mixture ano<strong>the</strong>r paradox can be best explained,<br />

namely that in an Orphic schema <strong>of</strong> <strong>the</strong> progression <strong>and</strong> production<br />

<strong>of</strong> reality Phanes (<strong>and</strong> <strong>the</strong> accompanying Egg) may be absent. Phanes<br />

<strong>and</strong> Egg being assigned to different stages <strong>of</strong> cosmic procession in <strong>the</strong><br />

two Orphic patterns, Alex<strong>and</strong>er’s source, conflating both, omitted<br />

incompetently <strong>the</strong> most characteristic Orphic feature (Cosmic Ovum<br />

<strong>and</strong> Primogenitus) from ei<strong>the</strong>r position in <strong>the</strong> sequence, adopting for<br />

each <strong>the</strong> o<strong>the</strong>r occupant in <strong>the</strong> two series, i.e. Ocean from ancient<br />

Orphism for place 1 <strong>and</strong> Night from Rhapsodic Orphism for place 2.<br />

17. Poetic awareness preserved in <strong>the</strong> purest form <strong>the</strong> original<br />

Orphic idea <strong>and</strong> experience that <strong>the</strong> Night as very first cosmogonic<br />

principle expresses <strong>the</strong> abyssmal Darkness <strong>of</strong> aboriginal Chaos. On <strong>the</strong>

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