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MONISM OF DARKNESS - DUALISM OF LIMIT AND INDETERMINACY 91<br />

ÛfÓ KÚfiÓˇˆ 䉒 ôÏÏÔÈÛÈ à‰ÂÏÊÔÖ˜, ÔQ appleÂapplefiıÔÓÙÔ<br />

ÌËÙÚd Ê›ÏFË, j ÙÔ‡˜ Á ÏÈapplegÓ Ì¤ÓÔÈ öÓ‰ÔÓ ≤ÎËÏÔ˜.<br />

appleÔÏÏa ‰b appleÔÚÊ‡ÚˆÓ Ì¤ÓÂÓ ≥ÌÂÓÔ˜ âÓ ÌÂÁ¿ÚÔÈÛÈ,<br />

Û΢˙fiÌÂÓÔ˜ Fw ÌËÙÚ›, ηÛÈÁÓ‹ÙÔÈÛÈ ‰b ÌÄÏÏÔÓ. 51<br />

Proclus who preserves <strong>the</strong> fragment (Comment. in Timaeum 40e,<br />

III, 185. 30 sqq. Diehl) goes on to interpret <strong>the</strong> passage using two<br />

opposite tendencies that counteract <strong>and</strong> balance one ano<strong>the</strong>r: on <strong>the</strong><br />

one h<strong>and</strong>, <strong>the</strong> Ocean st<strong>and</strong>s firm in his attachment to fa<strong>the</strong>r Sky while<br />

Cronos <strong>and</strong> <strong>the</strong> o<strong>the</strong>r Titans become estranged <strong>and</strong> turn against him;<br />

on <strong>the</strong> o<strong>the</strong>r h<strong>and</strong>, Cronos reigns over Heavenly Olympus (its highest<br />

<strong>and</strong> most extreme part, that is), while Ocean rules middle Heaven<br />

which lies on Olympus’ base where marvelous streams (ıÂÛapple¤ÛÈ·<br />

ÚÂÖıÚ·) encircle <strong>and</strong> bind fast <strong>the</strong> Earth as her embracing <strong>and</strong><br />

bounding ‘horizon’ (ïÚ›˙ˆÓ) (OF 115, including Proclus, Comment.<br />

in Timaeum III, 178. 16 Diehl). Proclus speaks <strong>of</strong> a Heaven that has<br />

fallen from Olympus (i.e. <strong>the</strong> Summit, <strong>the</strong> upper pole <strong>of</strong> <strong>the</strong> Sky) <strong>and</strong><br />

been placed at <strong>the</strong> earthly horizon, OF 117: η›ÙÔÈ Á ¬ÙÈ ï KÚfiÓÔ˜<br />

ñapple¤ÚÙÂÚfi˜ âÛÙÈ ÙÔÜ \øηÓÔÜ ‰Â‰‹ÏˆÎÂÓ ï ıÂÔÏfiÁÔ˜ (sc. \OÚʇ˜)<br />

apple¿ÏÈÓ Ï¤ÁˆÓ ÙeÓ ÌbÓ KÚfiÓÔÓ ·éÙeÓ Î·Ù·Ï·Ì‚¿ÓÂÈÓ ÙeÓ OéÚ¿ÓÈÔÓ<br />

òOÏ˘ÌappleÔÓ ÎàÎÂÖ ıÚÔÓÈÛı¤ÓÙ· ‚·ÛÈχÂÈÓ ÙáÓ TÈÙ¿ÓˆÓ, ÙeÓ ‰b \øÎÂ-<br />

·ÓeÓ ÙcÓ ÏÉÍÈÓ ±apple·Û·Ó ÙcÓ Ì¤ÛËÓØ Ó·›ÂÈÓ ÁaÚ ·éÙeÓ âÓ ÙÔÖ˜ ıÂÛappleÂ-<br />

Û›ÔȘ Ú›ıÚÔȘ ÙÔÖ˜ ÌÂÙa ÙeÓ òOÏ˘ÌappleÔÓ Î·d ÙeÓ âÎÂÖ appleÂÚȤappleÂÈÓ OéÚ·-<br />

ÓfiÓ, àÏÏ’ Ôé ÙeÓ àÎÚfiÙ·ÙÔÓ, ó˜ ‰¤ ÊËÛÈÓ ï ÌÜıÔ˜, ÙeÓ âÎappleÂÛfiÓÙ·<br />

ÙÔÜ \OχÌappleÔ˘ ηd âÎÂÖ ÙÂÙ·Á̤ÓÔÓ. As it is, <strong>the</strong> passage assumes that<br />

Heaven (or a heaven) has fallen from Olympus <strong>and</strong> been located at <strong>the</strong><br />

earthly horizon, while ano<strong>the</strong>r Sky (<strong>the</strong> Sky par excellence) remains in<br />

place. It is not likely that <strong>the</strong> reference is to Heaven’s torn genitals<br />

because <strong>the</strong> genitals fell into <strong>the</strong> sea, not into Ocean. The sequence <strong>of</strong><br />

meaning fails after <strong>the</strong> word ÌÜıÔ˜ <strong>and</strong> a lacuna is plausibly detectable,<br />

in which case Proclus might have referred to Ophioneus mythology<br />

<strong>and</strong> <strong>the</strong> passage should be complemented somehow in this way: ó˜ ‰¤<br />

ÊËÛÈÓ ï ̇ıÔ˜, ÙeÓ âÎappleÂÛfiÓÙ· ÙÔÜ \OχÌappleÔ˘ ηd âÎÂÖ<br />

ÙÂÙ·Á̤ÓÔÓ. The basic point, however, is, as Proclus later explains,<br />

that because <strong>the</strong> couple <strong>of</strong> Ocean <strong>and</strong> Tethys has stayed (remained<br />

stationed in immanence, ÌÔÓ‹) with <strong>the</strong>ir parents Sky <strong>and</strong> Earth, <strong>the</strong>y<br />

may be regarded as giving birth toge<strong>the</strong>r with <strong>the</strong>ir parents to Cronos<br />

<strong>and</strong> <strong>the</strong> rest <strong>of</strong> <strong>the</strong> Titans (ibid.): ÙÔ‡ÙˆÓ ‰’ ÔsÓ Ô≈Ùˆ˜ â¯fiÓÙˆÓ ï

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