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MONISM OF DARKNESS - DUALISM OF LIMIT AND INDETERMINACY 75<br />

position <strong>of</strong> primary importance is given to <strong>the</strong> Orphics. Philodemus,<br />

De pietate 13. 16 sqq. p. 80 Gomerz = VI. 16 sqq. p. 17, A. Henrichs,<br />

Die Kritik der Stoischen Theologie im Pherc. 1428, Cronache<br />

Ercolanensi 4 (1974): âÓ ‰b Ùˇá ‰Â˘Ù¤Úˇˆ (sc. book <strong>of</strong> <strong>the</strong> treatise ÂÚd<br />

£ÂáÓ) Ù¿ Ù Âå˜ \OÚʤ· ηd MÔ˘Û·ÖÔÓ àÓ·ÊÂÚfiÌÂÓ· ηd Ùa apple·Ú’<br />

^OÌ‹Úˇˆ ηd ^HÛÈfi‰ˇˆ ηd EéÚÈapple›‰FË Î·d appleÔÈËÙ·Ö˜ ôÏÏÔȘ ó˜ ηd<br />

KÏ¿Óı˘ appleÂÈÚÄÙ·È Û˘ÓÔÈÎÂÈÔÜÓ (sc. Chrysippus) Ù·Ö˜ ‰fiͷȘ ·éÙáÓ<br />

(sc. <strong>of</strong> <strong>the</strong> Stoics). In <strong>the</strong> context <strong>of</strong> such assimilative associations <strong>and</strong><br />

with reference to Orphic doctrine it is attested that he considered<br />

Night to be <strong>the</strong> very first goddess; op. cit. 14. 18 sqq. p. 81 Gomperz<br />

= VII. 18 p. 18 Henrichs: ηd ‰c ÎàÓ Ùˇá appleÚÒÙˇˆ (sc. book <strong>of</strong> ÂÚd<br />

º‡Ûˆ˜) ÙcÓ N‡ÎÙ· ıÂ¿Ó ÊËÛÈÓ ÂrÓ·È appleÚˆÙ›ÛÙËÓ.<br />

The Middle Comedy poet Antiphanes (first half <strong>of</strong> <strong>the</strong> fourth c.<br />

B.C.) exhibits in one <strong>of</strong> his plays a <strong>the</strong>ogony 31 like Aristophanes’ in<br />

<strong>the</strong> Birds. According to Irenaeus, Contra Haereses II, 18,1 II pp. 366-<br />

7 Harvey, Antiphanes spoke more truly <strong>and</strong> acceptably about <strong>the</strong> first<br />

principles than <strong>the</strong> Gnostic Valentinians: ille enim de Nocte et Silentio<br />

Chaos emissum dicit, dehinc de Chao et Nocte Cupidinem, et ex hoc<br />

Lumen, dehinc reliquam secundum eum primam deorum genesim;<br />

post quos rursus secundam deorum generationem inducit et mundi<br />

fabricationem; dehinc de secundis diis narrat hominum<br />

plasmationem. From Silence <strong>and</strong> Night Chaos springs, from Chaos<br />

<strong>and</strong> Night Eros, from Eros Light <strong>and</strong> <strong>the</strong> first divine Generation<br />

emerge, <strong>the</strong>n <strong>the</strong> second divine Generation <strong>and</strong> World-Formation<br />

come out, <strong>and</strong> later Anthropogony occurs, man being fashioned by<br />

<strong>the</strong> second gods. Silence corresponds to <strong>the</strong> hypostasized Quiescence<br />

<strong>of</strong> Valentinian Gnosis <strong>and</strong> to ‘<strong>the</strong> god-nurtured (or, ra<strong>the</strong>r, <strong>the</strong> godnurturing)<br />

silence <strong>of</strong> <strong>the</strong> Fa<strong>the</strong>rs’ (ıÂÔıÚ¤ÌÌÔÓ· ÛÈÁc ÙáÓ ·Ù¤ÚˆÓ)<br />

<strong>of</strong> <strong>the</strong> Chaldaean Oracles (fr. 16 des Places. The Fa<strong>the</strong>rs’ silence st<strong>and</strong>s<br />

on <strong>the</strong> same level as paternal depth, apple·ÙÚÈÎe˜ ‚˘ıfi˜, fr. 18 des Places.<br />

Cf. e.g. Lewy, Chaldaean Oracles <strong>and</strong> Theurgy p. 160, <strong>and</strong> also<br />

Heracleitus, Homerica Problemata 65, 3). This presents a dualistic<br />

insertion into <strong>the</strong> Monism <strong>of</strong> Darkness <strong>of</strong> <strong>the</strong> underlying system:<br />

Night functions as Male vis-à-vis Silence <strong>and</strong> as Female with reference<br />

to Chaos. In all likelihood X¿Ô˜ is named after ¯‡ÛȘ (pouring forth),<br />

as in <strong>the</strong> Stoic interpretation <strong>of</strong> Hesiodic Chaos, to denote <strong>the</strong> flowing<br />

stream <strong>of</strong> <strong>the</strong> Water <strong>of</strong> Abyss; hence it fits in <strong>the</strong> ontological plane <strong>of</strong><br />

Ocean-Time-Ophioneus, not in <strong>the</strong> truly presupposed plane <strong>of</strong> <strong>the</strong>

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