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70 CHAPTER <strong>10</strong><br />

The image <strong>of</strong> a serpent fits rivers <strong>and</strong> <strong>the</strong> Ocean is <strong>the</strong> very first<br />

river, source <strong>of</strong> rivers <strong>and</strong> <strong>of</strong> all unsalted waters <strong>and</strong> <strong>of</strong> <strong>the</strong> sea.<br />

Acheloous is thus represented, Sophocles, Trachiniae, 11-2, Ovid,<br />

Metamorphoses IX, 62 sqq. (In <strong>the</strong> red-figured stamnos <strong>of</strong> British<br />

Museum (B471) we see <strong>the</strong> battle between Hercules <strong>and</strong> Acheloous in<br />

which <strong>the</strong> latter is painted as a snake with human head, arms <strong>and</strong><br />

h<strong>and</strong>s <strong>and</strong> a fish tail; Corpus Vasorum Antiquorum, Br. Mus. 3, III<br />

1C, Plate 19, 1b). The continuous flowing <strong>of</strong> rivers resembles <strong>the</strong><br />

continuous legless movement <strong>of</strong> serpents. Already in <strong>the</strong> Homeric<br />

cosmic geography <strong>the</strong> Ocean is a river (Ilias Ξ 245-6, Σ 607), a current<br />

(ÚfiÔ˜ O 151) with no source, but one that comes back to itself in a<br />

full circle (as it is represented in <strong>the</strong> famous iconography <strong>of</strong> Achilles’<br />

shield at <strong>the</strong> outer cirmumference <strong>the</strong>re<strong>of</strong>, Ilias Σ 606-7:<br />

\EÓ ‰b Ù›ıÂÈ (sc. ≠HÊ·ÈÛÙÔ˜) appleÔÙ·ÌÔÖÔ Ì¤Á· Ûı¤ÓÔ˜ \øηÓÔÖÔ<br />

ôÓÙ˘Á· appleaÚ apple˘Ì¿ÙËÓ Û¿ÎÂÔ˜ apple‡Î· appleÔÈËÙÔÖÔ.<br />

The adjective à„fiÚÚÔÔ˜ that characterizes <strong>the</strong> Ocean Σ 399,<br />

Odyssey ˘ 65, signifies <strong>the</strong> coming-back-to-itself <strong>of</strong> <strong>the</strong> current that<br />

encloses <strong>the</strong> earth (cf. Eustathius, In Dionysium Periegetam 1, GG II<br />

217, 15). Crates rightly insisted on <strong>the</strong> flowing-riverness <strong>of</strong> <strong>the</strong> whole<br />

Ocean against some rationalistic tendencies à la Poseidonius which<br />

assumed that <strong>the</strong> Homeric image refers to <strong>the</strong> oceanic ebb <strong>and</strong> flow (v.<br />

Strabo, Geographica, A, 1, 7).<br />

According to <strong>the</strong> Gnostic text Pistis-Sophia 319 sqq. (p. 207 sq. ed.<br />

W. Till, German translation <strong>of</strong> <strong>the</strong> Coptic original), <strong>the</strong> outer<br />

Darkness that envelops <strong>the</strong> World is a Large Dragon whose tail is in<br />

his mouth. He is <strong>of</strong> course <strong>the</strong> acclaimed Uroboros whom we also find<br />

in <strong>the</strong> Magical Papyri (cf. Preisendanz, Papyri Graecae Magicae 2 , VII,<br />

586 sqq. vol. II p. 26 <strong>and</strong> picture in Table I, 4). Cf. Pap. Gr. Mag. IV,<br />

2769-71 vol. I, p. 160: ëappleÙa ñ‰¿ÙˆÓ ÎÚ·ÙÂÖ˜ ηd Áɘ ηd ÛÎfiÙÔ˘ nÓ<br />

Î·Ï¤Ô˘ÛÈÓ ‰Ú¿ÎÔÓÙ· ̤Á·Ó (with Wuensch’s emendation ηd ÛÎfiÙÔ˘<br />

instead <strong>of</strong> <strong>the</strong> meaningless papyrus reading ηÈÛÎ (j ¯)ÔÔÓÔÓ.<br />

Dieterich, Abraxas p. 123, presents —building upon Miller— a verse<br />

in hexametre: ≤Êı’ ñ‰¿ÙˆÓ ÎÚ·Ù¤ÂȘ ηd Á·›Ë˜ ä‰b ÛÎfiÙÔÈÔ).<br />

The Orphic <strong>the</strong>ology according to Hieronymus <strong>and</strong> Hellanicus<br />

(OF 54 from Damascius De primis principiis 123 bis, I 317, 15

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