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MONISM OF DARKNESS - DUALISM OF LIMIT AND INDETERMINACY 67<br />

Watery Abyss. In <strong>the</strong> Babylonian Epic <strong>of</strong> Creation (Enuma Elish) <strong>the</strong><br />

primordial Liquidity <strong>of</strong> <strong>the</strong> Sea (Tiamat, Tiwawat or Tamtu which was<br />

possibly pronounced like Tethys in Ionia) after her defeat in <strong>the</strong><br />

struggle against Bel-Marduk (<strong>the</strong> Babylonian Zeus, heavenly god <strong>of</strong><br />

atmospheric phenomena) is dissected <strong>and</strong> her body moulded by <strong>the</strong><br />

victor into Heaven-Earth <strong>and</strong> <strong>the</strong> World (Tablet IV, 218- V, 66).<br />

In <strong>the</strong> so-called Vatican Mythographers (Vat. Myth. I, 204) we<br />

find <strong>the</strong> succession sequence Ophion-Sky-Cronos with <strong>the</strong> additional<br />

note that <strong>the</strong> philosophers call <strong>the</strong> Ophion Sky. In <strong>the</strong> Commentaria<br />

in Arati Phaenomena 16 is attested <strong>the</strong> view <strong>of</strong> some (ÙÈÓáÓ) that <strong>the</strong><br />

‘preceding generation’ (appleÚÔÙ¤ÚË ÁÂÓ‹) in Aratus’ text refers to ÙÔf˜<br />

appleÂÚd \OÊ›ˆÓ· ηd EéÚ˘ÓfiÌËÓ Î·d OéÚ·ÓfiÓ KÚfiÓÔÓ. The series<br />

is <strong>the</strong> one discussed: Ophion-Ouranos (Heaven)-Cronos.<br />

Ophion or Ophioneus is well known from <strong>the</strong> logico-mythical<br />

system <strong>of</strong> Pherecydes (where he competes with Cronos =Time for <strong>the</strong><br />

celestial kingship <strong>and</strong> rule <strong>of</strong> <strong>the</strong> world, but is defeated <strong>and</strong> falls into<br />

Ogenus=Ocean B4 DK. Ophioneus made an attempt but did not<br />

succeed in gaining <strong>the</strong> royal sceptre) <strong>and</strong> from poetic texts <strong>and</strong><br />

commentaries. Here however Ophion <strong>and</strong> Eurynome did possess <strong>the</strong><br />

kingdom before <strong>the</strong>y were driven away <strong>and</strong> precipitated to <strong>the</strong> Ocean<br />

by Cronos. Apollonius <strong>of</strong> Rhodes, Argonautica I, 503-6, where <strong>the</strong><br />

narration is characteristically put into <strong>the</strong> mouth <strong>of</strong> <strong>the</strong> singing<br />

Orpheus. Cf. Nonnus, Dionysiaca VIII, 158-61 (cf. II, 573-4). In<br />

Lycophron’s Alex<strong>and</strong>ra, Zeus is called ôÓ·Í ÙáÓ \OÊ›ÔÓÔ˜ ıÚfiÓˆÓ (v.<br />

1192), <strong>and</strong> as for Rhea it is said that she gave birth to Zeus in secret,<br />

ÙcÓ appleÚfiÛı’ ôÓ·ÛÛ·Ó âÌ‚·ÏÔÜÛ· T·ÚÙ¿Úˇˆ (v. 1197), i.e. Eurynome<br />

(cf. Tzetzes Scholia ad vv. 1191 <strong>and</strong> 1196). Defeat is here<br />

accompanied by precipitation into Tartarus, not by a simple falling<br />

into <strong>the</strong> Ocean. In Aeschylus Prome<strong>the</strong>us Bound 955-9 <strong>the</strong>re is a<br />

mention <strong>of</strong> ‰ÈÛÛáÓ Ù˘Ú¿ÓÓˆÓ that have fallen from Olympus prior to<br />

<strong>the</strong> third succession to power, i.e. Zeus kingship. An ancient scholium<br />

comments ad loc.: appleÚÒÙÔ˘˜ ÙÔf˜ appleÂÚd \OÊ›ÔÓ· ηd EéÚ˘ÓfiÌËÓ, ‰Â‡-<br />

ÙÂÚÔÓ ÙÔf˜ appleÂÚd KÚfiÓÔÓ. Aeschylus uses <strong>the</strong> idea again in his<br />

Agamemnon 167-74. Here <strong>the</strong> first Lord <strong>of</strong> Olympus <strong>and</strong> <strong>the</strong> World<br />

is described as ¬ÛÙȘ apple¿ÚÔÈıÂÓ qÓ Ì¤Á·˜, apple·ÌÌ¿¯ˇˆ ıÚ¿ÛÂÈ ‚Ú‡ˆÓ,<br />

Ôé‰b ϤÍÂÙ·È appleÚdÓ üÓ, something that suits <strong>the</strong> primordial <strong>and</strong> once<br />

omnipotent but now forgotten Ophion better than Ouranos; <strong>the</strong><br />

second Master is referred to with n˜ ‰’ öappleÂÈÙ’ öÊ˘, ÙÚÈ·ÎÙÉÚÔ˜ Ôú¯ÂÙ·È

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