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58 CHAPTER 10 ·ûÚ·, ıÂáÓ ù¯ËÌ· ÙÈÌÈÒÙ·ÙÔÓ it is possible that a reference to the Breeze and the Air of Phoenician theology (the Sidonian in particular according to Eudemus’ account) is involved. To the end of the fourth century B.C. belongs also the relevant and characteristic fragment of Philemon, Fr. 95 PC Gr. VII p. 278). The Hippocratic text ÂÚd º˘ÛáÓ grounds medicine in the cosmology of Air (v. chapter III; cf. ÂÚd ^IÂÚÉ˜ NfiÛÔ˘ I, pp. 612-4 Kuehn). The interpretation of Orphic poems contained in the famous Derveni papyrus identifies Zeus with the all-subduing, omnipresent Air, and Orphic fate with the spirit (the breath) of Air and the Wisdom of Zeus 17 . According to the Stoics, everything is permeated by Spirit as by a tone (tension) that unifies being, holds it together and sustains it in existence; Spirit is the active factor of the world, the very divinity in its activeness that binds together the Whole Universe and con-sists each particular thing inside the world (V. A. Pierris, Excursus III: On Spirit and Tension, to: First principles and the Beginning of World-Formation in Stoicism, in K. Boudouris (ed.) Hellenistic Philosophy vol. II, pp. 170-5). More specifically, the bonds (≤ÍÂÈ˜) that constitute and hold fast the peculiar quality of inanimate things are winds (à¤ÚÂ˜) (cf. SVF II 449). The significance of Wind-Spirit is also obvious in Greek mythology as testified by religious poetry. According to the rhapsodic Orphic epics, the spirit-winds together with cosmogonic Eros are begotten by primaeval Time (Kern OF 37). Conversely, in the Phoenician account of Sanchouniathon we find that the Wind-of-the-Bay or the Wind-of-the-Womb, ï KÔÏapple›·˜ ôÓÂÌÔ˜ (the basic wind, maybe Zephyr as would suit Phoenicia) and Baan (which Philo interprets as Night, and signifies the primordial Chaos) give birth to Aeon (Cosmogonical Time) and to Primogenitus, ÚˆÙfiÁÔÓÔ˜, the First-Born (FGrH 790F2, 10§7). We are in the origin of things, the beginning of cosmogony. Alcaeus (Fr. 327 Voigt) makes Eros the offspring of Zephyr and Iris. One of the versions mentioned in Antagoras’ poem (Powell, Collectanea Alexandrina, 120) assumes Eros to be the son of the Winds. The importance of the Winds as life-generating and fertile principles of high ontological rank was not only the product of logico-mythical symbolism but had also a religious cult and ritual basis, especially in Attica. The Tritopatores (or Trotopatreis) were worshipped as the founders of social groups
MONISM OF DARKNESS - DUALISM OF LIMIT AND INDETERMINACY 59 (families, clans, phratries) or even of an entire city, in many places (cf. F. Jacobi FrGrH IIIb Supplement, A Commentary on the Ancient Historians of Athens vol. I, p. 182). The Athenians in particular, sacrificed to the Tritopatores before getting married and prayed to them for children (Phanodemus FGrH 325F6: º·Ófi‰ËÌÔ˜ ‰b âÓ Çã ÊËÛ›Ó ¬ÙÈ ÌfiÓÔÈ \AıËÓ·ÖÔÈ ı‡Ô˘Û› ÙÂ Î·d Âû¯ÔÓÙ·È ·éÙÔÖ˜ ñapplebÚ ÁÂÓ¤- ÛÂˆ˜ apple·›‰ˆÓ ¬Ù·Ó Á·ÌÂÖÓ Ì¤ÏÏˆÛÈÓ. There existed a relevant and similarly attested ritual of consecration to the primary couple of Heaven and Earth that functioned as a preliminary initiation in every marriage ceremony (OF 112 p. 176). The combination of this cult practice with the aforementioned sacrifice to Tritopatores led, in all likelihood, to the assumption that the Tritopatores were children of Heaven and Earth and, furthermore, to their identification with the Hesiodian Hecatoncheires (Kottos, Briareos and Gyges) (FGrH 352F1). The Winds as the One-Hundred-Handed were beings of many, and indefinite, ‘handles’. The Tritopatores were deities of the Winds (Demon FGrH 327F2). (Hesychius combines the three features: s.v. TÚÈÙÔapple¿ÙÔÚÂ˜Ø àÓ¤ÌÔ˘˜ âÍ OéÚ·ÓÔÜ Î·d °É˜ ÁÂÓÔÌ¤ÓÔ˘˜ Î·d ÙÉ˜ ÁÂÓ¤ÛÂˆ˜ àÚ¯ËÁÔ‡˜Ø Ôî ‰b ÙÔf˜ appleÚÔapple¿ÙÔÚ·˜. The last explanation apparently refers to the use of the word in a poetic text and in a general sense, although it is probable that those intended as Ôî ‰¤ are, even so, in the wrong.) Orphic tradition was in line with Demon: âÓ ‰b Ùˇá \OÚÊ¤ˆ˜ Ê˘ÛÈÎˇá (OF 318) çÓÔÌ¿˙ÂÛı·È ÙÔf˜ TÚÈ- ÙÔapple¿ÙÔÚ·˜ \AÌ·ÏÎÂ›‰ËÓ (maybe better \AÏ·ÏÎÂ›‰ËÓ with Budimir and Radermacher) Î·d ÚˆÙÔÎÏ¤· Î·d ÚˆÙÔÎÚ¤ÔÓÙ·, ı˘ÚˆÚÔf˜ Î·d Ê‡Ï·Î·˜ ùÓÙ·˜ ÙáÓ àÓ¤ÌˆÓ (cf. Scholia in Odys. Î 2). Porters and guardians or masters (Scholia) of the winds are the main winds regarded as lords of the (other) winds, or winds offsprings of winds. For in Photius’ Lexicon there is also a second abbreviated explanation s.v. TÚÈÙÔapple¿ÙˆÚ where the Orphic poems are taken to consider Tritopatores to be àÓ¤ÌˆÓ apple·Ö‰·˜. This may of course be only an interpretation of ı˘ÚˆÚÔf˜ Î·d Ê‡Ï·ÎÂ˜ ÙáÓ àÓ¤ÌˆÓ. They are then bodyguards, not masters (as the Homeric commentators imply), of the winds. The difference between masters and children is here mythological, not logico-mythical nor truly symbolic. What is of importance is the windy nature of Tritopatores. Their being grafted onto the Hesiodic Theogony by means of their enticing identification with the Hecatoncheires corroborates their role as masters of the
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