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Sonkinetic's Delphi Reference Manual PDF - Alexander Publishing

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<strong>Delphi</strong><br />

Historical Ancient Greek Ensemble<br />

“Tell Me, Oh Muse”<br />

Sonokinetic © 2012


<strong>Delphi</strong><br />

For centuries our modern ‘muse’ has been based on the early Greek arts and theaters<br />

with their music, drama and performances. Sonokinetic found a new goal to capture<br />

this “cradle of music performance art”. We invested in authenticity and reconstructed<br />

sampled instruments in extensive sampling recording sessions. These samples are<br />

based on modern science that interprets these ancient ‘in stone and clay written’<br />

music, songs and chants and how we believe this time-faded art would have sounded.<br />

We teamed up with renowned and ‘Greek classics schooled” Miss Veronica<br />

Iliopoulou who poured her heart and skills in this project. Sonokinetic also invested in<br />

reconstructing some of the long lost instruments thus creating a sample set that was<br />

‘lost in time’ in the truest sense of the word.<br />

What you will find in this collection are a wide range of playable ancient Greek multi<br />

sampled instruments like historical harp (Phorminx chromatic recorded<br />

reconstruction), several size drums (hand and stick played Tympanons), bells and<br />

rattles. “<strong>Delphi</strong>” wouldn’t be a Sonokinetic library if we didn’t feature a dramatic<br />

vocal performance. We’ve created a sample set from Greek vocals that provides you,<br />

the composer, with a unique and inspiring collection of melodies, chants and voice<br />

FX.<br />

“<strong>Delphi</strong>” dives into dramatic Grecian performance too, and covers a broad range of<br />

ancient texts and phrases from Greek Tragedies and Dramas by classical dramatists,<br />

Sophocles and Aeschylus. This unique peek into a forgotten world of poetic power is<br />

a truly inspiring environment to behold. These tools are essential for the<br />

contemporary composer that is looking for that ancient “Mythological” sound.<br />

Treat yourself with “<strong>Delphi</strong>” this and find your most base creative powers recharged<br />

by just listening and enjoying this amazing soundscape of historical human art.<br />

In early 2012 Sonokinetic committed to create a new corner stone in our collection<br />

and capture musical cultural heritage from around the world. We set our focus to<br />

archive unique ancient historical instruments and performances. By extensively<br />

researching historical music we have recreated and reconstructed lost civilization’s<br />

music and sound art in high quality recording sessions. This exhaustive research and<br />

performance capture is now available to you, the composer, in an easy-to-use and<br />

thought-provoking package.<br />

Sticking to our awarded multi sampling / performance capturing concepts and<br />

teaming up with the worlds greatest musicians, recording artist, programmers,<br />

designers and scripters we are proud to present to you:<br />

“<strong>Delphi</strong> Historical Ancient Greek Ensemble”<br />

We wish you the best inspiration and creativity.<br />

Stick around… there’s much more to come.<br />

With warm regards,<br />

The Sonokinetic <strong>Delphi</strong> Production Team


CONTENT<br />

1,3+ GB sample pool, 1500+ samples<br />

Instruments: Krotala Dio (small finger cymbals), Krotala <strong>Delphi</strong> (finger bells),<br />

Megalon Tympanon (Large 30” drum), Tympanon (18” membrane hand drum),<br />

Roptron (ancient tambourine like instrument), Phorminx (Ancient reconstructed harp)<br />

Vocals: Songs: Seikilos Epitaph, Stasimon From Orestis (oldest notated music<br />

anywhere found in the world), Dionysus Chants (Dionysus séances improvisations).<br />

Dramatic performances from Sophocles’s and Aeschylus’s “Agamemnon”,<br />

“Choeforoi”, “Eumenides” and “Electra”. (Theatre performance and cinematic<br />

whispered) and natural breath simulation samples.<br />

Temposynced & ITM based grouping and mapping for all melodic performance<br />

elements. Available for Kontakt 4 Time Machine 2 and Kontakt 5 with Time<br />

Machine Pro<br />

Graphic Phrase length & Harmonic key indicators<br />

3 band EQ adjustment<br />

Custom Impulse Response reverb setting with adjustable size and wet/dry<br />

Sonokinetic <strong>Delphi</strong> designed interface and artwork<br />

Programmed by Son Thomsen<br />

Vocal performances by: Veronica Iliopoulou<br />

Open Kontakt format for complete user customisation<br />

Royalty and copyright free content license<br />

<strong>Delphi</strong> <strong>Reference</strong> document (<strong>PDF</strong>)<br />

Artwork: “<strong>Delphi</strong>” DVD cover. Designed by Pavel Fuksa<br />

All files in 44.1 kHz, 24 Bit AIFF format.<br />

Programmed for Kontakt 4.2.4 and Kontakt 5.0.2<br />

Created, performed and produced by Sonokinetic


THE INTERFACE<br />

The main UI for <strong>Delphi</strong> consists of controls for EQ, Envelope & Reverb controls on<br />

the left. There are also 3 switches on the UI for selecting different sample groups;<br />

either Vocal, Instruments or Drama.<br />

Phrase Length and Harmonic Key Indication<br />

The length of a song, chant or dramatic read is displayed by a blue light that slides<br />

around the outer rim of the large round stone tablet. It slides from left to right<br />

indicating the position in the phrase that is triggered and played back. At the bottom<br />

of the song and text list there’s a harmonic root key displayed.<br />

Phrase Length Indicator Key Indicator


EQ<br />

Turn EQ controls on / off with the button on the left and hold<br />

the left mouse button to adjust the LOW, MID & HIGH dials to<br />

taste. Default frequencies are 250Hz, 1.4kHz & 7.5kHz. These<br />

can be easily adjusted by opening the Kontakt instrument editor<br />

and changing the frequencies in the Insert Effects panel.<br />

Impulse Response (IR)<br />

<strong>Delphi</strong> comes with a bespoke reverb to simulate a realistic<br />

playing environment. Turn this on / off with the button on the<br />

left. Adjust the start point of the reverb tail with the ‘size’ dial<br />

and the wetness of the reverb with the ‘amount’ dial. You can<br />

further customize or replace the IR within the Kontakt<br />

instrument editor Insert Effects panel.<br />

INTELLIGENT TIME MACHINE (ITM) OVERRIDE<br />

The ITM function syncs samples to half-time or double-time when extreme tempo<br />

values are used. This can also be turned off. Click the red button below the ‘ITM’<br />

graphic from ‘OFF’ to ‘ON’. You may prefer to have the ITM function turned off<br />

when using the new adaptive tempo-syncing functions previously mentioned, so that<br />

the samples do not suddenly switch to half/double-time when manipulating large<br />

tempo changes. When in ITM ‘OFF’ mode you can either select 120 BPM or 90 BPM<br />

of the original recorded tempos.


Keyswitches<br />

<strong>Delphi</strong> provides several colored key switches:<br />

The first colored set (from left to right) are the basic switches that are visible all time:<br />

YELLOW Key switches starting on C0: sample group selector<br />

(Vocals, Instruments or Drama). The active key is colored ‘red’.<br />

In this example the “Vocal” group is selected. These functions<br />

also work by clicking on the interface switches. When activated<br />

in the interface a small blue light will light up.<br />

GREEN Key switches starting from F0 switch between<br />

the different performances. You can also select by clicking<br />

on the text within the interface. When activated in the<br />

selected performance title will glow (See example:<br />

instance for the ‘Drama’ has been loaded)<br />

WHITE Key switches (for Songs & Chants) select the<br />

harmonic root key. In this example performances in “E”<br />

are selected<br />

BLUE Key switches trigger the sample<br />

TOP YELLOW Key switches control breath samples


Historical <strong>Reference</strong> and reconstructions<br />

Krotala <strong>Delphi</strong> & Krotala Dio:<br />

Megalon Tympanon & Tympanon<br />

Phorminx:<br />

Roptron:<br />

Dramas by Sophocles and Aeschylus<br />

Readings from:<br />

Agamemnon, Electra, Choeforoi & Eumenides


Seikilos:<br />

The Seikilos is an ancient sample of a complete composition,<br />

including traditional notation, surviving from the ancient<br />

world. The song and the melody including the text, in the<br />

ancient Greek musical notation, has been found engraved on a<br />

tombstone near Ephesus. The stones have been dated to be<br />

from the first century AD.


Veronica Iliopoulou<br />

THEATRE-Participation as a leader of chorus or as a role in the following Greek dramas:<br />

''ORESTEIA'' by Aeschylus,dir.L.Loizides,New York-off Broadway and USA tour<br />

''PROMETHEUS BOUND'' by Aeschylus,dir.S.Hatzakis,National Theatre of Greece-Hong-<br />

Kong,Germany and China tour<br />

''EUMENIDES'' by Aeschylus,dir.A.Synodinou, Greek tour<br />

''TROJAN WOMEN'' by Euripides,dir.A.Antypas, Greek tour<br />

''IPHIGENEIA EN TAURIS'' by Euripides,dir.St.Tsakiris,Municipal Regional Theatre of Kalamata<br />

''THE PHOENISSAE'' by Euripides,dir.N.Chourmousiades,National Theatre of Northern Greece<br />

''THE FROGS'' by Aristophanes,dir.K.Tsianos,National Theatre of Greece<br />

''PROMETHEUS BOUND'' by Aeschylus,dir.N.Tsakiroglou, Greek tour<br />

''ELECTRA'' by Sophocles,dir.L.Koniordou,National Theatre of Greece-New York Shows Iin Alvin<br />

Aley's theatre<br />

''IKETIDES'' by Euripides,dir.St.Douphexis, Greek tour<br />

DISCOGRAPHY- ''TROJAN WOMEN'' by Euripides,music Heleni Karaindrou-ECM 202<br />

'SAI LEELA'', Indian Religious songs-Bangalore/India 2008<br />

http://www.facebook.com/veronica.iliopoulou


…and a very special thanks to Stellita Loukas, for making the magic possible<br />

For more information check our website:<br />

www.sonokinetic.net<br />

Join us on facebook<br />

http://www.facebook.com/sonokinetic.sampling<br />

Follow us on twitter:<br />

http://twitter.com/sonotweet<br />

All the creative best,<br />

Sonokinetic

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