The Arcades Project - Operi

In English in The Complete Time, p. 228. Double meaning of the word Wirtschafl:
"husbandry" and "lodging"; "farm" and "public Urn." Baudelaire refers to life as an
auberge ("inn") at dlC conclusion of Les Paradis artjJiciels.
424. Goethe, Selected Verse, p. 240.
425. Auguste Blanqui, L'Etemiti !Jar les astres (Paris, 1872), p. 74. [R.T.]
426. Blanqui, L'Elemili par les aslres, p. 74. [R.T.] Baudelaire, Les Fleurs du mal (trans.
Howard), p. 93; and Tlte Complete Verse, p. 179.
427. Baudelaire, Oeuvres completes, vol. 1, p. 87 ("Les Sept Vieillards"). [R.T.] In English
in Tlte Complele Vene, p. 17Z
428. Emile Verhaeren, Ies Villes tentaculaires (paris, 1904.), p. 119 ("l1Arnc de la ville").
[R.T.]
429. Allusion to the Gospels. See Mark, 4:21.
430. Baudelaire, Th e Flowers if Evil, p. 111 (trans. Roy Campbell).
431. Baudelaire, 'J1.1y Heart Laid Bare,"p. 110 ("The Poem of Hashish," section 4).
432. Ibid., p. 111.
433. Marx, Caj)ilal, vol. 1, trans. Samuel Moore and Edward Aveling (1887; rpt. New
York: International Publishers, 1967), pp. 359-360.
434. Baudelaire, Th e Flowers q/Evil, trans. James McGowan (New York: Oxford Univer­
sity Press, 1993), p. 25.
435, See Friedrich von Bezold, Das Fort/eben der antiken Go"tteT zln mittelalterlichen Human­
,smus (Bonn and Leipzig, 1922). [R.T.]
436. Reference has not been traced,
437, Baudelaire, Oeuvres completes) vol. 1, p, 104 (,'Le Crepuscule du matin"). [R.T] In
English in TIle Complete Verse) p, 203: "Tbe debauched made their way homeward,
racked by their labors."
438. Baudelaire, Tlte Flowen q/Evil, p. 12, "Conespondences" (traIls. Richard Wilbur) .
439. Marx, Tlte Eighteentlt Brumaire rf Louis Bonaparte, p. 106.
440. Baudelaire, Les Fleurs du mal (trans. Howard), p. 5 ("To the Reader").
441. 'Jerky gait" (pas saccade; is from Nadar's description of Baudelaire: see Benjarnin,
GS, vol. 1, p. 583 n.35. [R.T.] In English in Charles Baudelaire: A Lyric Poet in Ihe
Era if High Capitalism, trans . Han-y 7n hn (London: Verso, 1973), p. 80. The phrase
of Baudelaire's is from "T1,e Salon of 1846" (The MilTor v/Art, p. 128).
442. Marx, Capilal, vol. 1, p. 76.
443. Benjamin, Tlte Ong'£n rfGenllan Tragic DrallUl) p. 155. Acedia: sloth.
444. Nietzsche, PltilosojJlry in tlte 11'agic Age rf tlte Greeks, trans . Marianne Cowan (VVash­
ington, D.G.: Reguery Gateway, 1962), p. 67.
445, Nietzsche, Tlte Will to Power, trans. Walter Kaufmaml aIld R.j, Hollingdale (New
York: Vintage, 1968), p. 21 (no. 31).
446. Ibid., p. 143 (no. 247).
447. Baudelaire, Les Fleurs du mal (trans. Howard), p. 174 ("Tbe Abyss"). Nietzsche,
TItus Sj)oke Zarathuslra, trans. R.J. Hollingdale (Baltimore: Penguin, 1961), p. 167
("The Stillest Hour") .
448. Baudelaire, Les Fleurs du mal (trans. Howard), p. 164.
449. Baudelaire as a Literary Critic, pp. 338-339.
450. Arthur Rimbaud, ComjJlete f;VorkJ, Selected Letters, trans. Wallace Fowlie (Chicago:
University of Chicago Press, 1966), p. 239.
451. Ibid., p. 175.
452. Baudelaire, "My Hem·t Laid Bare,"p. 168 ("Fusees"). See note toJ1,1.
453. A paperbound documentary literature popular in Paris during the 1840s. See Ben­
jaIuin's Cltarles Baudelaire: A L)'l'ic Poet in the Era 0/ High Cajn'talis1ll, pp. 35-36.