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The Arcades Project - Operi

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325. Baudelaire, Oeuvres completes, voL 1, p. 89 ("Les Petites Vieilles"). [R.T] In English<br />

in Th e Complete v"rse, p. 180.<br />

326. Baudelaire, l),e Complete v"rse, p. 197.<br />

327. Or, alternatively: TIle figure of impotence is the key to Baudelaire's solitude.<br />

328. Mayeux and the ragpicker (chfffonnier philosophe) are characters created by the artist<br />

Charles Travies de Villers (1804-1859), discussed by Baudelaire in "Qlelques cari­<br />

caturistes fram;ais" (Some French Caricaturists). Thomas Vr reloque is a creation of<br />

Gavarni, and the Bonapartist Ratapoil is a creation of Daumier. See hl,9, <strong>The</strong><br />

Parisian urchin Gavroche is a character in Hugo's Les Miserables.<br />

329. Baudelaire, Les Fleurs du mal (trans . Howard), p. 62.<br />

330. "Girls" is in English in the original. SeeJ66,8.<br />

331. Friedrich Nietzsche, Dieji-Ohliche w,s",nsc/wjl (book 4, no. 295). [R.T] l'n English in<br />

JoyfUL Wisdom, trans. Thomas Common (New York: Frederick Ungar, 1960), p. 229.<br />

332. Soren Kierkegaard, Either/Or, vol. 1, trans. D. F. Swenson and L. M. Swenson, rev.<br />

H. AJohnson (1944; rpt. New York: Anchor, 1959), p. 36. Baudelaire, Les Fleurs du<br />

mal (traIls. HOWaI'd) , p. 75.<br />

333. Kierkegaard, Either/Or, voL 1, p. 41.<br />

334. Ibid., p. 281.<br />

335. Ibid., p. 287.<br />

336. Ibid.<br />

337. Ibid., pp. 221-222.<br />

338. Kierkegaard, Either/Or, voL 2, trans. Walter Lowrie, rev. Howard A Johnson<br />

(1944; rpt. New York: Anchor, 1959), p. 164.<br />

339. Ibid., p. 234. On the "strange sectioning of time;' seeJ44,5.<br />

340. Baudelaire, TIre Mirror of Art, p. 267.<br />

341. Gottfried Keller, "lad und Dichter;' Werke, voL 1 (Zurich, 1971), p. 385. [R.T.]<br />

342. Engels, "Socialism: Utopian and ScientificJJ (excerpt from Anti-Diiltring first published<br />

in French in 1880), in Marx and Engels, Basic Writings on Politics and Philosophy}<br />

ed. Lewis Feuer (New Yo rk: Anchor, 1959), p. 77 (trans . E. Aveling) . See W15a,1.<br />

343. Immanuel Kant, Critique of Practical Reason, trans. Lewis White Beck (Chicago:<br />

University of Chicago Press, 1949), p. 258.<br />

344. Baudelaire, Oeuvres completes, ed. Pichois, vol. 1, p. 76 ("Le Gout du neant"). [R.T.]<br />

In English in TI" Complete Verse, p. 160.<br />

345, "TIle Saint-Petersburg Dialogues," in <strong>The</strong> fl'orRs qlJoseph de Maistre, trans. Jack<br />

Lively (New York: Macmillan, 1965), Pl'. 203-204.<br />

346. Ibid., p. 253.<br />

347. Ibid., pp. 268-269.<br />

348. Ibid., p. 276.<br />

349. "A dire mystery.))<br />

350. Th e Works ofJosej)h de Maistre, p. 254.<br />

351. Baudelaire, TI" Flowers of Evil, p. 145 ("Destnrction;' trans. C. F. MacIntyre).<br />

352. A term popularized by the National Socialists beginuing in the early 1920s.<br />

353. Bertolt Brecht, Gesmmnelte Werke, 8 vols. (Frankfurt aru Main: 1967), vol. 4,<br />

pp. 271-273 ("Ich bin ein Dreck"). [R.T.] lu English in Brecht, Poems: 1913-1956,<br />

ed.Jolm Willett and Ralph Manheinl (New York: Methuen, 1987), pp. 135-136 ("A<br />

Reader for Those Who Live in Cities ").<br />

354. Lorettes was a term originated by the jOUTIla1ist Nestor Roqueplan in 1840 for ladies<br />

of easy virtue, many of whom lived in the reconstructed quarter surrounding the<br />

church of Notre-Dame de Lorette,<br />

355. Jules Renard, Joltrnal inidit, 1887-1895 (paris, 1925), p. 11. [R.T.] Citation above<br />

from Baudelaire's "<strong>The</strong> IlTcmediablc," in Tile ComjJ/ete f7erse, p. 166. TI1C conversa-

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