The Arcades Project - Operi

251. Ibid., pp. 171, 172, 173. Nietzsche's doctrine of '\he last man" is in section 5 of
"Zarathustra's Prologue," in Also sprach Zaratllllstra (TI1US Spoke Zarathustra) .
252. Baudelaire, ':My Hearl Laid Bare,"p. 190.
253. IbieL, p. 179. The note continues: "Nevertheless, a most vivid liking for life and
pleasure."
254. Baudelaire, TIle Minor qf Art, p. 42 ("La verite, pour etre multiple, n'est pas dou-
ble").
255. Ibid., p. IS.
256. Baudelaire as a Literal} Critic, p. 82.
257. Baudelaire, lntimate Journals, p. 114 (missing sentence supplied).
25S. Ibid., p. ll8.
259. Baudelaire as a LiteraJ} Criti[ p. 75. "Gist" is intended to translate Cellalt, a term
derived from Goethe. See Benjanun, CS, vol. 2, p. 105 (Cellalt as i}l11ere Form), and
vol. 4, p. 107 (Gehalt as unity of Form and Inhalt) . In English in Benjamin, Sw, vol.
1, pp. IS, 459.
260. Baudelaire as a Literal} Critic, pp. 75, 77.
261. SeeJ44a,2. Les Epavcs (Botsanl) was published in 1866; "Tableaux parisiens" is the
second section of Les Fleurs du mal.
262. Baudelaire, Les Fleurs du mal (trans. Howard), p. 76.
263. See Baudelaire, Paris Spleen, pp. 50-51.
264. Ibid., p. 7. On being roused from an opium trance.
265. Baudelaire, Th e Mirror a/Art, pp. 3-4.
266. He says tius in his "Notes sur Les LiaisoJls dallgereuses" (ca. 1864); see Oeuvres
completes, ed. Ruff, p. 644, and note to J27,3 (note 131 in Convolute J).
267. "A man of good will."
268. Baudelaire as a Literary Critic, p. 134.
269. Baudelaire, Les Fleurs du mal (trans. Howard) , p. 136; "My Heart Laid Bare,"p. 177.
270. Baudelaire, The ComjJlete Vene, p. lSI.
271. 3eeJ44,5.
272. A play on words is lost here : "ding-fest gemacht ... gegen die verdinglichte Welt.l)
273. Selected Letters of Charles Baudelaire, p. 244 (to Sainte·Beuve).
274. Ibid., p. 24·5. Followed by: "In truth, forgive me! I'M WA NDERING. I've never dared
say so much to you.ll
275. Ibid., p. 14S.
276. Baudelaire, "Tlte Painter o/Modern Liji:,"p. 195. On ie jJOllcif, see note toJ1,1 (note 3
in Convolute].
277. Ibid., p. ISS.
278. Ibid., p. lS2.
279. Ibid., pp. 176-177.
280. Baudelaire, Les Flew's du mal (trans. Howard) , p. 75 ("Spleen II"). For the citation
from Claudel, which appears in German here, seeJ33,8. On 'souvenirs,ll see 0°,76
in Fj.Tst Sketches."
281. See HermaIUl Usener, GO'tternalllen: Versuch ciner Lehre von der rel(p"iiisen Begriffibildung
(Bonn, lS96). [R.T]
282. In Les Fleurs du mal.
283. Benjanul1, Th e Origin q/ GtTmall Tragic Drama, trans. John Osborne (London:
Verso, 1977), p. 226. "Experience," in this entry, translates E!fitlmlllg.
284. Baudelaire, "T/", Painter of Modern Lije."pp. 152-153.
285. Belanun, The Origin fI./ German Tragic Drama, p. 227. "Experience," in dus entry,
translates ErlebJ/1'i.
286. Ibid., p. IS3.