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ice . ... [He] thinks he has been very good to Baudelaire ... in the complete dearth<br />

of encouragement?'<br />

217. Marcel Proust, "Ab out Baudelaire;' in Marcel Proust: A SelectionJrom His Miscellaneous<br />

Wi-itingJ, tTans. Gerard Hopkins (London: Allan Wm gate, 1948), p. 192. Proust<br />

cites the fourteenth stanza of "<strong>The</strong> Little Old Wo men;" Les Flew·s du mal (trans.<br />

Howard), pp. 95-96.<br />

218. Marcel Proust: A Selection, p. 204.<br />

219. Ibid., p. 194.<br />

220. Etienne Pivert de Senancour, Obermann, trans. anonymous (London: Philip Wellby,<br />

1903), p. 231 Oetter 52). Senancour actually wrote "naturelle a l'honune."<br />

221. This passage does not appear in the English translation of Joseph de Maistre, "TIle<br />

Saint-Petersburg Dialogues," in <strong>The</strong> Works of Joseph de Mairtre, trans . Jack Lively<br />

(New York: Macmillan, 1965).<br />

222. Selected Leiters of Charles Baudelaire, p. 123.<br />

223. Ibid., p. 151 (ca. MaTch 1860).<br />

224. Baudelaire, Tile Prose Poems and "La Fanforlo,"p. 115.<br />

225. Marcel Proust: A Selection, pp. 191, 190.<br />

226. Ibid., p. 199. Proust's phrase, several times cited in succeeding entries of Convolute<br />

J, is "un etrange sectimmement du temps."<br />

227. Ibid., p. 199. Passages by Baudelaire are from Tile Complete Verse, pp. 236, 71.<br />

228. Marcel ProUJt: A Selection, p. 202.<br />

229. Ibid., pp. 203-204 (passages !i·om Viguy translated into English).<br />

230. Thomas a Kempis, De imitatione Christi, in Thomas a Kempis, Opera Omnia, vol. 7<br />

(Freiburg, 1904), p. 38. [R.T.l ln English in Tile Imitation of Christ, trans. anony­<br />

mous (1504; rpt. London:]. M. Dent, 1910), pp. 38-39 ("On Love of Silence and<br />

Solitude" ): "What canst thou see elsewhere that thou canst not see here? Lo here<br />

heaven earth and all elements and of these all things are made."<br />

23l. Baudelaire: J1 Self Portrait, p. 43.<br />

232. Ibid., p. 54.<br />

233. Ibid., p. 65 ("hastily written in order to eanl some money").<br />

234. Ibid., p. 68.<br />

235. Ibid., p. 95.<br />

236. Ibid., p. 102.<br />

237. Selected Letters ofCharies Baudelaire, p. 97.<br />

238. Baudelaire: A Self Portrait, p. 172.<br />

239. Ibid., p. 174.<br />

240. Selected Lelten of Charles Baudelaire, p. 190.<br />

241. Ibid., p. 195.<br />

242. Tbe article, by ATthur Arnould, "Edgar Poe: 11homme, l'artiste et l'oeuvre;' appear-<br />

ing in the April,June, andJuly issues, referred to Baudelaire's translations.<br />

243. Baudelaire: A Self Portrait, p. 234.<br />

244. Selected Letters of Charles Baudelaire, p. 237.<br />

245. Baudelai1·e as a LiteralY Critic, pp. 62, 63 (written in an album for Mme. Francine<br />

Ledoux in 1851,just before the appearance of "L'Ecole pa"ienne").<br />

246. Ibid., p. 74.<br />

247. "Tile Painter of Modem Lift," p. 36.<br />

248. See GS, vol. 1, p. 647n. [R.T.l ln English in Benjamin, "On Some Motifs in Baude­<br />

laire;' Illuminations, p. 200nl7.<br />

249. Baudelai.Te, Tlte Complete Verse, p. 258.<br />

250. Baudelaire, 'My Heart Laid Bare," pp. I71, 173-174.

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