145. Baudelaire, CotTespondance (Paris: Gallirnard, 1973), vol. 1, p. 30 (to his mother, probably written in Paris, 1845). [R.T.] lu English in Baudelaire: A Set/Portrait, p. 32. 146. Baudelaire had written, on March 4, 1863, "So you really do want to compromise roy dignity in a social set in which you've compromised your ownr Selected Letters ofCharies Baudelaire, p. 193. For his letter of March 6, see pp. 193-194. The female admirer was Frederique O'Connell, a painter whom Baudelaire mentions in the "Salons" of 1846 and 1859. 147. Baudelaire: A Self-Portmit, p. 133. The fine was reduced from 300 francs to 50 francs as a result of this letter. 148. Baudelaire, "The Painter a/Modern Lifo,"p. 156 ("On the Essence of Laughter"). 149. Ibid., p. 150. 150. Ibid., p. 157. 151. Baudelaire as a Literary Critic, p. 43. 152. Poe, The Complete Tales and Poems, p. 478 ("The Man of the Crowd"). 153. Baudelaire as a Literary Critic, p. 127. Compare the classic distinction between imagi nation and fancy in Chapters 4 and 13 of Coleridge's Biographia Litemria (1817). 154. Baudelaire as a Literary Critic) p. 131. The sentence is a viTtUal quotation from Poe's "TIle Poetic Principle:' 155. Baudelaire, The Mirror of Art, p. 251. 156. Ibid., p. 268. The journal in question was Le Siecle. 157. Ibid., p. 273. Pro domo: for his own cause. 158. Ibid., p. 274 (liCe ... je ne sais quoi de malicieux"). 159. Alfred de Vigny, Oeuvres completes, vol. 1 (paris, 1883), pp. 251-252. [R.T.] 160. Baudelaire, The Complete verse, p. 297 ("au plus noir de l'abilne, I Je vois distincte ment des mondes singuliers"). 161. Baudelaire, The Mirror ?! Art, p. 286. Sursum, ad sidera: upward, to the stars. Vitai lampada: torch of life. 162. Ibid., p. 283. 163. Ibid., p. 233. 164. Ibid., p. 224. 165. Baudelaire, Intimate Journals, pp. 29, 31. Baudelaire's word for both "ecstasy" and "intoxication" is ivresse. 166. Ibid., p. 33. 167. Ibid., p. 32. 168. Ibid., pp. 73-74. 169. Baudelaire, "My Heart Laid Bare,"pp. 155, 197. 170. Baudelaire: A Self-Portrait, p. 87. 171. Selected Letters ofChades Baudelaire, p. 159 (October 11, 1860). 172. The Letters of Victor Hugo, vol. 2, cd. Paul Meurice (Boston: Houghton, Mifflin, 1898), p. 152. 173. Baudelaire as a Literal)' Critic, p. 315. 174. Baudelaire, In timate Journals, p. 39. 175. Baudelaire as a LiteralY Critic, p. 307. Baudelaire's article first appeared November 24, 1845, in Le Corsaire-Satan and was republished a yeal' later in L'EdlO. 176. Baudelaire, The Mirror qf Art, p. 124. "Politics of art" translates Kunstpolitik. 177. Attributed to Poulet-Malassis by Marcel Ruff in his edition of Baudelaire, Oeuvres complete .. (Paris: Seuil, 1968), p. 50 (where the entire sheet is reproduced). 178. Baudelaire, Paris Spleen, p. 8. 179. Baudelaire, The Mirror of Art, p. 118. 180. "A. Strange Man's Dream"-pocm in LeJ Fleurs du mal.
181. See Selected Leiters ofCharies Baudelaire, pp. 1l4-115. 182. Title of the volume of Baudelaire's criticism published posthumously in 1868 by Asselineau and Banville. 183. Baudelaire, The Mirror of Art, p. 191. 184. Baudelaire as a Literar), Critic) p. 80. 185. Ibid., p. 81. 186. il'id., pp. 83-84. 187. Ibid., p. 83. 188. Baudelaire, The MilTor of Art, pp. 195-196. 189. Ibiel., p. 38. 190. Baudelaire as a Literary Cn'tic, pp. 43-45. 191. Baudelaire, The MilTor of Art, p. 246. 192. Ibid., pp. 46, 68. 193. Ibid., p. 12. 194,. Baudelaire, Intimate Journals, p. 97. Gauloisene: licentious or improper remark, coarse jest. 195. Baudelaire, "M)' flear! Laid Bare/J p. 189. "In unison" here translates en Jociite. 196. Ibid., p. 166. 197. Baudelaire, Intimate Journals) p. 45, 198. Baudelaire, The MilTOr of Art, pp. 222-223 ("The Salon of 1859"); Flowers of Evil (trans. Fowlie), p. 97 ("The Voyage"). 199. Baudelaire, The Mirror (?fArt, p. 99. On gauloisen'e) see note 194 above. Vaudevilles were light theatrical entertainments with song and dance. 200. Ibid., p. 103 ("la loi fatale du travail attrayant"). 201. Ibid" p. 68, Rolf Tiedemann points out that the emphasis on "fathomless" (it/sondes) is Benjamin's. 202. Ibid., p. 13. 203. Edmond and Jules de Goncourt, 17ze Goncourt Journals, 1851-1870, trans. Lewis Galanti"re (Garden City, N.Y.: Doubleday, Doran, 1937), p. 35. 204·. Baudelaire, Oeuvres cOJJljJldes, voL 1, p. 152 ("Femmes damnees: Delphine et Hip polyte"). [RT] In English in Tlte Flowers of Evil, ed. Marthiel andJackson Mathews (New York: New Directions, 1963), p. 152 (trans. Aldous Huxley) . 205. Baudelaire, Pari.!" SjAeeu, p. 3 ("Artist's Confiteor"). 206. This article is not found in Le TemjJs of June 4, 1917. [R.T] 207. Baudelaire, 'iV .. {y Heart Laid Bare," p. 160 CFuseesn). 208. Baudelaire, Les r7eurs du mal (traIlS. Howard), p. 136 ("A Voyage to Cythera"). 209. Baudelaire, Intimate Journal.!", p. 84 CMy Heart Laid Bare" ). 210. Gide, "Baudelaire and M. Faguet," Pretexts, p. 168. 211. Thid., pp. 168, 170. Baudelaire's phrase is from The Salon of 1859" (The Mirror f!/ Art, p. 232). Gide emphasizes the importance of the critical faculty to Baudelaire's poetic production. 212. Gide, PretextJ, p. 167. 213. Ibid., p. 159. 214. Thid., p. 163n. Baudelaire's phrase, Je hais Ie mouvemcnt," is from "La Beaute." In English in Flowers e/Evil (trans. Fowlie), p. 37. 215. Proust, preface to Paul Morand, Fanq Goo{h, trans. Ezra Pound (New Yo rk: New Directions, 1984), pp. 5-6, For the line from Baudelaire's FemIlles damnees," sec J41a,2. 216. See Proust, preface to Morand, Fat/G)' Goods, pp. 6-8: "Sainte-Beuve, whose stupid ity displays itself to the point where one asks whether it isn't a feint or a coward-
181. See Selected Leiters ofCharies Baudelaire, pp. 1l4-115.<br />
182. Title of the volume of Baudelaire's criticism published posthumously in 1868 by<br />
Asselineau and Banville.<br />
183. Baudelaire, <strong>The</strong> Mirror of Art, p. 191.<br />
184. Baudelaire as a Literar), Critic) p. 80.<br />
185. Ibid., p. 81.<br />
186. il'id., pp. 83-84.<br />
187. Ibid., p. 83.<br />
188. Baudelaire, <strong>The</strong> MilTor of Art, pp. 195-196.<br />
189. Ibiel., p. 38.<br />
190. Baudelaire as a Literary Cn'tic, pp. 43-45.<br />
191. Baudelaire, <strong>The</strong> MilTor of Art, p. 246.<br />
192. Ibid., pp. 46, 68.<br />
193. Ibid., p. 12.<br />
194,. Baudelaire, Intimate Journals, p. 97. Gauloisene: licentious or improper remark,<br />
coarse jest.<br />
195. Baudelaire, "M)' flear! Laid Bare/J p. 189. "In unison" here translates en Jociite.<br />
196. Ibid., p. 166.<br />
197. Baudelaire, Intimate Journals) p. 45,<br />
198. Baudelaire, <strong>The</strong> MilTOr of Art, pp. 222-223 ("<strong>The</strong> Salon of 1859"); Flowers of Evil<br />
(trans. Fowlie), p. 97 ("<strong>The</strong> Voyage").<br />
199. Baudelaire, <strong>The</strong> Mirror (?fArt, p. 99. On gauloisen'e) see note 194 above. Vaudevilles<br />
were light theatrical entertainments with song and dance.<br />
200. Ibid., p. 103 ("la loi fatale du travail attrayant").<br />
201. Ibid" p. 68, Rolf Tiedemann points out that the emphasis on "fathomless" (it/sondes)<br />
is Benjamin's.<br />
202. Ibid., p. 13.<br />
203. Edmond and Jules de Goncourt, 17ze Goncourt Journals, 1851-1870, trans. Lewis<br />
Galanti"re (Garden City, N.Y.: Doubleday, Doran, 1937), p. 35.<br />
204·. Baudelaire, Oeuvres cOJJljJldes, voL 1, p. 152 ("Femmes damnees: Delphine et Hip<br />
polyte"). [RT] In English in Tlte Flowers of Evil, ed. Marthiel andJackson Mathews<br />
(New York: New Directions, 1963), p. 152 (trans. Aldous Huxley) .<br />
205. Baudelaire, Pari.!" SjAeeu, p. 3 ("Artist's Confiteor").<br />
206. This article is not found in Le TemjJs of June 4, 1917. [R.T]<br />
207. Baudelaire, 'iV .. {y Heart Laid Bare," p. 160 CFuseesn).<br />
208. Baudelaire, Les r7eurs du mal (traIlS. Howard), p. 136 ("A Voyage to Cythera").<br />
209. Baudelaire, Intimate Journal.!", p. 84 CMy Heart Laid Bare" ).<br />
210. Gide, "Baudelaire and M. Faguet," Pretexts, p. 168.<br />
211. Thid., pp. 168, 170. Baudelaire's phrase is from <strong>The</strong> Salon of 1859" (<strong>The</strong> Mirror f!/<br />
Art, p. 232). Gide emphasizes the importance of the critical faculty to Baudelaire's<br />
poetic production.<br />
212. Gide, PretextJ, p. 167.<br />
213. Ibid., p. 159.<br />
214. Thid., p. 163n. Baudelaire's phrase, Je hais Ie mouvemcnt," is from "La Beaute." In<br />
English in Flowers e/Evil (trans. Fowlie), p. 37.<br />
215. Proust, preface to Paul Morand, Fanq Goo{h, trans. Ezra Pound (New Yo rk: New<br />
Directions, 1984), pp. 5-6, For the line from Baudelaire's FemIlles damnees," sec<br />
J41a,2.<br />
216. See Proust, preface to Morand, Fat/G)' Goods, pp. 6-8: "Sainte-Beuve, whose stupid<br />
ity displays itself to the point where one asks whether it isn't a feint or a coward-
Attention! Your ePaper is waiting for publication!
By publishing your document, the content will be optimally indexed by Google via AI and sorted into the right category for over 500 million ePaper readers on YUMPU.
This will ensure high visibility and many readers!
Change language