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145. Baudelaire, CotTespondance (Paris: Gallirnard, 1973), vol. 1, p. 30 (to his mother,<br />

probably written in Paris, 1845). [R.T.] lu English in Baudelaire: A Set/Portrait,<br />

p. 32.<br />

146. Baudelaire had written, on March 4, 1863, "So you really do want to compromise<br />

roy dignity in a social set in which you've compromised your ownr Selected Letters<br />

ofCharies Baudelaire, p. 193. For his letter of March 6, see pp. 193-194. <strong>The</strong> female<br />

admirer was Frederique O'Connell, a painter whom Baudelaire mentions in the<br />

"Salons" of 1846 and 1859.<br />

147. Baudelaire: A Self-Portmit, p. 133. <strong>The</strong> fine was reduced from 300 francs to 50<br />

francs as a result of this letter.<br />

148. Baudelaire, "<strong>The</strong> Painter a/Modern Lifo,"p. 156 ("On the Essence of Laughter").<br />

149. Ibid., p. 150.<br />

150. Ibid., p. 157.<br />

151. Baudelaire as a Literary Critic, p. 43.<br />

152. Poe, <strong>The</strong> Complete Tales and Poems, p. 478 ("<strong>The</strong> Man of the Crowd").<br />

153. Baudelaire as a Literary Critic, p. 127. Compare the classic distinction between imagi­<br />

nation and fancy in Chapters 4 and 13 of Coleridge's Biographia Litemria (1817).<br />

154. Baudelaire as a Literary Critic) p. 131. <strong>The</strong> sentence is a viTtUal quotation from Poe's<br />

"TIle Poetic Principle:'<br />

155. Baudelaire, <strong>The</strong> Mirror of Art, p. 251.<br />

156. Ibid., p. 268. <strong>The</strong> journal in question was Le Siecle.<br />

157. Ibid., p. 273. Pro domo: for his own cause.<br />

158. Ibid., p. 274 (liCe ... je ne sais quoi de malicieux").<br />

159. Alfred de Vigny, Oeuvres completes, vol. 1 (paris, 1883), pp. 251-252. [R.T.]<br />

160. Baudelaire, <strong>The</strong> Complete verse, p. 297 ("au plus noir de l'abilne, I Je vois distincte­<br />

ment des mondes singuliers").<br />

161. Baudelaire, <strong>The</strong> Mirror ?! Art, p. 286. Sursum, ad sidera: upward, to the stars. Vitai<br />

lampada: torch of life.<br />

162. Ibid., p. 283.<br />

163. Ibid., p. 233.<br />

164. Ibid., p. 224.<br />

165. Baudelaire, Intimate Journals, pp. 29, 31. Baudelaire's word for both "ecstasy" and<br />

"intoxication" is ivresse.<br />

166. Ibid., p. 33.<br />

167. Ibid., p. 32.<br />

168. Ibid., pp. 73-74.<br />

169. Baudelaire, "My Heart Laid Bare,"pp. 155, 197.<br />

170. Baudelaire: A Self-Portrait, p. 87.<br />

171. Selected Letters ofChades Baudelaire, p. 159 (October 11, 1860).<br />

172. <strong>The</strong> Letters of Victor Hugo, vol. 2, cd. Paul Meurice (Boston: Houghton, Mifflin,<br />

1898), p. 152.<br />

173. Baudelaire as a Literal)' Critic, p. 315.<br />

174. Baudelaire, In timate Journals, p. 39.<br />

175. Baudelaire as a LiteralY Critic, p. 307. Baudelaire's article first appeared November<br />

24, 1845, in Le Corsaire-Satan and was republished a yeal' later in L'EdlO.<br />

176. Baudelaire, <strong>The</strong> Mirror qf Art, p. 124. "Politics of art" translates Kunstpolitik.<br />

177. Attributed to Poulet-Malassis by Marcel Ruff in his edition of Baudelaire, Oeuvres<br />

complete .. (Paris: Seuil, 1968), p. 50 (where the entire sheet is reproduced).<br />

178. Baudelaire, Paris Spleen, p. 8.<br />

179. Baudelaire, <strong>The</strong> Mirror of Art, p. 118.<br />

180. "A. Strange Man's Dream"-pocm in LeJ Fleurs du mal.

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