The Arcades Project - Operi
The Arcades Project - Operi The Arcades Project - Operi
42. Baudelaire, "The Painter of Modern Ljft,"p. 21 ("'The Painter of Modern Life"). 43. Ibid., p. 24. 44. Ibid., p. 32. 45. Ibid., p. 40. 46. Baudelaire, Selected U'h'tings Oll Art and Literature) trans. P. E. Charvet (1972; rpt. New York: Penguin, 1992), p. 435. 47. Baudelaire as a Literal)' Cn'tic pp. 296-297 ("The Painter of Modern Life," section 4, "Modernity"). Baudelaire here anticipates Nietzsche's critique of the antiquarian in the second of the Unuitgemarse BetracMungen: Vom Nutr..en und Nachteil der Historie for das Leben . In the sentence that follows dus quotation from Baudelaire, BCrYamin delineates a dialectical process that is somewhat blurred in translation: the stamp of time that, literally, "impresses itself into )) antiquity (sich in sie eindriickt) brings out of it {treibt . .. aUJ ihr hervo1 that is, brings into relief-the allegorical configuration. 48. Baudelaire as a Literary Oitie, p. 296; and "The Painter of Modern Life," pp. 14, 16. 'ISpleen et ideal" is the first book of Les Fleurs du mal. 49. Baudelaire, "The Painter a/Modern Ljft," pp. 29, 12. 50. Ibid., pp. 8, 66. 51. Ibid., pp. 10, 11. 52. Ibid., p. 48. 53. Ibid., p. 3. 54. Baudelaire, Les Fleu," du mal, trans. Richard Howard (Boston: Godine, 1982), p. 77. 55. Baudelaire, "Tile Painter 0/ Modern L.ife/J p. 32. 56. Ibid., p. 14. SeeJ6a,2. 57. Selected Leltm of Charles Baudelaire, pp. 79-80. Baudelaire had received a copy of Alphonse To ussenel's book L'Esprit des betes. 58. Baudelaire's unsuccessful effort to gain membership in the Academie Fram,;:aise at the end of 1861 entailed mandatory visits to each of the forty Academicians. He was received by about half of them before he withdrew his application. 59. Selected Leiters ofCharies Baudelaire, p. 210 (November 13, 1864, to Ancelle) . 60. Victor Hugo, Poems) trans. anonymous (Boston: Harcourt Bindery, 189?), pp. 190, 192. IlLes Metamorphoses du vampire" (Metamorphoses of the Vampire) and Illes Petites Vieilles" (!be Little Old Women) are poems in L(s Flew's du mal. For Athalie's dream of her dead mother,Jezabel, see scene 5 of Act 2 of Racine's Athali( (1691). 61. Jules Laforgue, Selected f/Vritings) trans. William Jay Smith (New York: Grove Press, 1956), p. 212. References are to Baudelaire's poems "Le Balcon" and "Le Serpent qui danse," in Les Fleurs du mal. 62. Laforgue, Selected Wiitinp, p. 213. 63. Ibid. 64. Ibid., pp. 215-211. Citations from Les Fleu," du mal (trans. Howard), p. 173 ("Medita tion"), p. 14 ("Elevation"), p. 82 ("'Dle Clock"), p. 87 ("Parisian Landscape"). 65. Baudelaire: A Self Portrait, ed. and trans. Lois Boe Hyslop and Francis E. Hyslop,Jr. (London: Oxford University Press, 1957), p. 51 ("Pauvre Belgique"). 66. Baudelaire, "My Heart Laid Bare,"p. 177 ("My Heart Laid Bare"). 67. Baudelaire, ne Complete Verse, trans. Francis Scarfe (London: Anvil, 1986), pp. 326- 321. 68. Laforgue, Selected Wi'itings, p. 211. 69. Ibid., p. 213. 70. Baudelaire, Intimate Journals, trans. Christopher Isherwood (1930; rpt. Westport, Com.: Hyperion, 1978), pp. 113-114.
8 II Z 71. See Tile Mirror of Art, p. 51. Baudelaire quotes from E. T A. Hoffmarm's Hodzst zerstreute Gedanken, part of the "Kreisler papers)) on music, named after the author's popular mouthpiece, Johannes Kreisler. 72. Baudelaire delivered the first of five public lectures in Bnlssels on May 2, 1864. It was well received, but the other four were dismal failures. 73. This is a play on the famous words of Hemi. of Navarre. When he assumed the French throne in 1593, as Henri Iv, he converted to Catholicism with the words, "Paris vaut bien une messc," 74. The Leiters of Gustave Flaubert, 1830-1857, trans. Francis Steegmuller (Cambridge, Mass.: Harvard University Press, 1980), pp. 232-233 Oetter of July 13, 1857). 75. Baudelaire as a Literal) Critic) p. 7 Oetter of Febntary 18, 1860, to Armand Fraisse) . 76. "Elsewhere! To o far, too late, or never at all! I Of me you know nothing, I nothing of you-you I whom I might have loved and who knew that too!" "In Passing;' Les }i'leurJ du mal (trans. Howard), p. 98. 77. Selected Letters qfCharles Baudelaire, p. 175 (circa December 16, 1861, in reference to Les Fleurs du ma. 78. Gide, ItPreface to LeJ Fleurs du mal/' in Pretexts (New York: Meridian, 1959), p. 257 (trans. Blanche A. Price). 79. lbid., pp. 257-258. Gide quotes at the beginning from Baudelaire's first draft of a preface to Les Fleurs du mal. For the passages from Baudelaire's journals, see
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42. Baudelaire, "<strong>The</strong> Painter of Modern Ljft,"p. 21 ("'<strong>The</strong> Painter of Modern Life").<br />
43. Ibid., p. 24.<br />
44. Ibid., p. 32.<br />
45. Ibid., p. 40.<br />
46. Baudelaire, Selected U'h'tings Oll Art and Literature) trans. P. E. Charvet (1972; rpt.<br />
New York: Penguin, 1992), p. 435.<br />
47. Baudelaire as a Literal)' Cn'tic pp. 296-297 ("<strong>The</strong> Painter of Modern Life," section 4,<br />
"Modernity"). Baudelaire here anticipates Nietzsche's critique of the antiquarian in<br />
the second of the Unuitgemarse BetracMungen: Vom Nutr..en und Nachteil der Historie for<br />
das Leben . In the sentence<br />
that follows dus quotation from Baudelaire, BCrYamin delineates a dialectical process<br />
that is somewhat blurred in translation: the stamp of time that, literally, "impresses<br />
itself into )) antiquity (sich in sie eindriickt) brings out of it {treibt . .. aUJ ihr hervo1<br />
that is, brings into relief-the allegorical configuration.<br />
48. Baudelaire as a Literary Oitie, p. 296; and "<strong>The</strong> Painter of Modern Life," pp. 14, 16.<br />
'ISpleen et ideal" is the first book of Les Fleurs du mal.<br />
49. Baudelaire, "<strong>The</strong> Painter a/Modern Ljft," pp. 29, 12.<br />
50. Ibid., pp. 8, 66.<br />
51. Ibid., pp. 10, 11.<br />
52. Ibid., p. 48.<br />
53. Ibid., p. 3.<br />
54. Baudelaire, Les Fleu," du mal, trans. Richard Howard (Boston: Godine, 1982), p. 77.<br />
55. Baudelaire, "Tile Painter 0/ Modern L.ife/J p. 32.<br />
56. Ibid., p. 14. SeeJ6a,2.<br />
57. Selected Leltm of Charles Baudelaire, pp. 79-80. Baudelaire had received a copy of<br />
Alphonse To ussenel's book L'Esprit des betes.<br />
58. Baudelaire's unsuccessful effort to gain membership in the Academie Fram,;:aise at the<br />
end of 1861 entailed mandatory visits to each of the forty Academicians. He was<br />
received by about half of them before he withdrew his application.<br />
59. Selected Leiters ofCharies Baudelaire, p. 210 (November 13, 1864, to Ancelle) .<br />
60. Victor Hugo, Poems) trans. anonymous (Boston: Harcourt Bindery, 189?), pp. 190,<br />
192. IlLes Metamorphoses du vampire" (Metamorphoses of the Vampire) and Illes<br />
Petites Vieilles" (!be Little Old Women) are poems in L(s Flew's du mal. For Athalie's<br />
dream of her dead mother,Jezabel, see scene 5 of Act 2 of Racine's Athali( (1691).<br />
61. Jules Laforgue, Selected f/Vritings) trans. William Jay Smith (New York: Grove Press,<br />
1956), p. 212. References are to Baudelaire's poems "Le Balcon" and "Le Serpent qui<br />
danse," in Les Fleurs du mal.<br />
62. Laforgue, Selected Wiitinp, p. 213.<br />
63. Ibid.<br />
64. Ibid., pp. 215-211. Citations from Les Fleu," du mal (trans. Howard), p. 173 ("Medita<br />
tion"), p. 14 ("Elevation"), p. 82 ("'Dle Clock"), p. 87 ("Parisian Landscape").<br />
65. Baudelaire: A Self Portrait, ed. and trans. Lois Boe Hyslop and Francis E. Hyslop,Jr.<br />
(London: Oxford University Press, 1957), p. 51 ("Pauvre Belgique").<br />
66. Baudelaire, "My Heart Laid Bare,"p. 177 ("My Heart Laid Bare").<br />
67. Baudelaire, ne Complete Verse, trans. Francis Scarfe (London: Anvil, 1986), pp. 326-<br />
321.<br />
68. Laforgue, Selected Wi'itings, p. 211.<br />
69. Ibid., p. 213.<br />
70. Baudelaire, Intimate Journals, trans. Christopher Isherwood (1930; rpt. Westport,<br />
Com.: Hyperion, 1978), pp. 113-114.