07.04.2013
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in GlO,l is on p. 239. Benjamin cites the text in German (with an English title) ; translator unknown. 14. A. Toussenel, Pasional Zoolof!Y; Or, Spirit qf the Beasts qfFrance, trans. M. Edgeworth Lazarus (New York: Fowlers and Wells, 1852), 1'1'. 140, 142. 15. Ibid., p. 355. 16. Ibid., Pl'. 337-339. 17. Ibid., p. 340. 18. Ibid., pp. 135, 136. 19. Ibid., p. 346. 20. Ibid., Pl'. 91-92. 21. Ibid., pp. 346, 347. 22. Marx, Capital, vol. 1, pp. 293-294. 23. Victor Hugo, Les Miserables, trans. ChaTles E. Wilbour (1862; rpt. New York: Modem Library, 1992), p. 767. 24. The International Working Men's Association (the Fi.Tst International), the General Council of which had its seat in London, was founded in September 1864. 25. Marx, Capital, vol. 1, p. 76. "Material immaterial" translates sinnlidl iibersinnlich. 26. For another English version, translated from the Russian, see Nikolai Gogol, Arabesques, trans. Alexander Tulloch (Ann Arbor, Mich.: Ardis, 1982), p. 130. 27. J. W. Goethe, "Nachtgedanken;' Gedenkau.rgabe, vol. 1, Siimtliche Gedichh: (Zurich, 1961), p. 339. [R.T.] In English in Selected Verse, trans. David Luke (London: Penguin, 1964), p. 75. SeeJ22a,1. 28. Charles Baudelai.Te, Th e Mirror ?f Art, trans. Jonathan Mayne (London: Phaidon, 1955), p. 84. 29. Baudelaire as a Literat) Critic, trans. Lois Boe Hyslop and Francis E. Hyslop, Jr. (University Park: Permsylvania State University Press, 1964), Pl'. 79-80. 30. See Sw, vol. 2, Pl'. 85-90 ("Main Features of My Second Inrpression of Hashish"). Also below, 12,6, MIa,!, and Mla,3. H [The Collector 1 1. Letter of December 30, 1857, to his mother. In Baudelaire: A Self-Portrait, cd. and trans. Lois Boe Hyslop and Francis E. Hyslop,]r. (London: Oxford University Press, 1957), p. 135. 2. Dr. Miracle and Olympia, the automated puppet, appear in Les Contes d'Hrffmann (1.881), an opera byJacques Offenbach. Dr. Miracle has been interpreted as genius of death; see Siegfried Kracauer, OrjJ/teuJ in Paris: Offinbach and the Paris (!llu:)' Time, trans. Gwenda David and Eric Mosbacher (New Yo rk: Knopf, 1938) p. 355. 3. The Passage du Pont-Neuf. See The rese Raquin, trans. Leonard Tancock (New Yo rk: Penguin, 1962), pp. 31-35. First published in 1867. 4. This reference remains obscure. 5. Phaedrus, 247c. 6. August Strindberg, "The Piloes Trials;' in Strindberg, Telles} trans. L.J. Potts (London: Chatto and Windus, 1930), Pl'. 45, 46, 50. 7. Baudelaire, Artificial Parad.se, trans. Ellen Fox (New York: Herder and Herder, 1971), 1'. 68. 8. But see below, H2,7; H2a,1, on the singular "gaze" (Blick) of the collector. 9. Charles Dickens, The Old Curiosity SllOj) (London: Heron Books, 1970), p. 16 (ch. 1). 1.0. 111eodor W. Adorno, "On Dickens' Tlte Old Curiosif)' Shop: A Lecture;' in Notes to Literature, vol. 2, trans. Shierry Weber Nicholsen (New York: Columbia University
Press, 1992), p. 177. Adomo's essay was first published in the Frankfurter Zeitung (April 18, 1931), pp. 1-2. The passages from Dickens are in chs. 12 and 44, respectively. 11. Karl Marx, "Economic and Philosoplrical Manuscripts [of 1844]:' in Karl Marx: Selected Wiitings, ed. David McLellan (New York: Oxford Urriversity Press, 1977), p. 9I. 12. The Portable Karl Marx, trans. Eugene Kamenka (New Yo rk: Viking Penguin, 1983), p. lSI. 13. Marx, Selected Wiitings, p. 92. 14. Ibid., pp. 91-92. 15. This passage is not found in the English-language edition ofJohan Huizinga's book The waning of the Middle Ages (New York: Doubleday Anchor, 1954). 16. In this passage, "dispersion" translates Zerstreuung, "profundity1) translates Tiqfiinn, and "patchwork1) translates Stiickwerk. 17. Marcel Proust, The Past Recaptured, trans, Frederick A. Blossom, in Remembrance 0/ Things Past, vol. 2 (New Yo rk: Random House, 1932), p. 1070. On the collector's relation to memory and the world of things, compare QO,7 in "First Sketches." I [Tbe Interior, Tbe Trace 1 1. "Know thyself." 2. Le Corbusier, The City qfTomorrow and Its Planning, trans. Frederick Etchells (1929; rpt. New York: Dover, 1987), p. 259. 3. See 14a,2. In Sue's novel The Mysteries rfParis, the archvillain Fenand, whose accomplice is a perfidious priest, is done in by the wiles of the Creole Cecily. 4. Jacques-Emile Blanche, Mes modiles (Paris, 1929), p. 117. Barres' phrase, which Benjamin misquotes in French, is: IUn conteur arabe dans 1a loge de la portiere!" (R.T] 5. Ths whole passage is adapted from the protocol to Benjamin's second experience with hashish inJanuary 1928. See Sf¥, vol. 2, pp. 85-90. 6. See GS, vol. 6, p. 567 (where the passage is attributed to Emst Bloch). 7. Marcel Proust, "About Baudelaire," in Proust, A Selection from His Miscellaneous m'itings, trans. Gerard Hopkins (London: Allan Wmgate, 1948), p. 199. Citing, respectively, from Baudelaire, Pieces Condamnees) "Une martyre,l) Pieces condamnees. 8. Soren Kierkegaard, Stages on Lifo 's way, trans. Walter Lowrie (1940; rpt. New York: Schocken, 1967), p. 30. 9. The odor W. Adorno, Kierkegaard: Construction qfthe Aesthetic) trans. Robert Hullot Kentor (Minneapolis : University of Minnesota Press, 1989), p. 60. "Primordial" translates urgeschichtlich. See pp. 48-49, on Kierkegaard as rentier. 10. Ibid., pp. 43-44 (the term interieur has been translated after the first sentence). The passage from Kierkegaard is in Either/Or, vol. 1, trans. David F. Swenson and Lillian M. Swenson, with revisions by Howard A.Johnson (1944; rpt. New York: Anchor, 1959), pp. 384-386. 11. In Ibsen's Tlte Master Builder (1892), Mrs. Solness had kept nine dolls hidden from her husband until a ETe destroyed her family estate, catalyzing SohIess's career of building homes for happy fillnilies. See Four Major Plays, trans. James McFarlane and Jens Arup (New York: Oxford Urriversity Press, 1981), pp. 314-315, 335. 12. "Wolmen als Tr ansitivwn-im BegrifI des 'gewohnten Lebens' z.B." 13. The reign of Louis Philippe became known as the Middle-of-dle-Road Regime (Juste Milieu). In a speech of 1831, he stated: We must not only cherish peace; we must avoid everything that might provoke war. As regards domestic policy, we will en-
Page 2:
THE ARCADES PROJECT
Page 6 and 7:
CONTENTS T"anslators' Foreword Expo
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A A page of Benjamin's manuscript m
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Saturnring oder Etwas vom Eisenbau"
Page 14 and 15:
The The German German edition of th
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trace in a thousand configurations
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III. Grandville, or the World Exhih
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impinge impinge on on social social
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Paris, Capital of the the Nineteent
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Pericles could ah-eady have underta
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D. D. Baudelaire, or the Streets of
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witnesses its birth. Here we meet t
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plantation owner among his slaves:'
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Overview A Arcades, Magasins de Nou
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The Passage des Panoramas. Watercol
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eaders will be be disturbed by this
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For the first time in history, with
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A branch of La BelleJardiniere in M
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Au Bon Marche department store in P
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B B [Fashion] Fashion: Madam Death!
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Le Pont des planetes (Interplanetar
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case, the woman would have been the
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Sudden past of a city: windows lit
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two lines by Baudelaire could serve
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this idea; for how can we be sure t
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"Eternal return" is the fimdamental
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trated the spirit of the times as a
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This This malicious statement state
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To Tools ols used by HaUSSlllaIm'S
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pas (Paris, 1857), pp. 47-49. These
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Critique sociale, vol. 1, Capital e
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F F [Iron [Iron Construction] Const
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Railroad stations used to be known
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possibilities. H A. G. Meyer Eisen
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Interior of the Crystal Palace, Lon
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marmer .... Each of the twelve thou
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like the tops of Boucher s gates."
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arts-a view which is, unhappily, de
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two words can meet" (p. 25; it rema
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Le 1iiomphe du kaleidoscope, ou Le
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G [Exhibitions, Advertising, Grandv
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course, in the end, the law accordi
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goods? The answer is very simple an
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ments, marble statues, and bubbling
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without the slightest detriment."
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""Despite all the posturing with wh
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Connection of the first world exhib
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Exterior of the Crystal Palace, Lon
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y t.he government against the Inter
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clipped, grain threshed, coal extra
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1851. These precautions included co
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infancy, the Cyclopean period . ...
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its first ordeal." A. Toussenel, L
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queer thing, abounding in metaphysi
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a contest of pastry cooks. The 600,
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"avenue" illuminated at night by ga
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D [The Collector] All these old thi
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at hand through its integration int
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nate for the previous century has c
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of the Holy Sacrament and The Schoo
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forms of argumentation to which the
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How the interior defended itself ag
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Under the bourgeoisie, cities as we
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ooms in coffeehouses. Each coffeeho
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""The drawing rooms of the Second E
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invent some sort of casing for! Poc
Page 238 and 239:
ersP' Victor Fournel, Ce qu'on voit
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you are. The durability of products
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entiation. Changes in fashion disru
Page 244 and 245:
Charles Baudelaire, 1855. Photo by
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Baudelaire-after his enforced sea v
Page 248 and 249:
executed thus: the plate is set upr
Page 250 and 251:
The title originally planned for Sp
Page 252 and 253:
"Madame Bovary, in what is most for
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drawings, in distilling the bitter
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of the delivery was truly striking.
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lllire. -'Bnt your name is BlIudel
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heaven;' Baudelaire, OeuvreJ, vo!'
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"He is always polite to what is ugl
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horrible funk" writes the latter Ba
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makers as they are useless for form
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Thibaudet juxtaposes Baudelaire's '
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eing studiously contemplated, the e
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slowness from its long virtuality:
Page 274 and 275:
of pure imagination, lose the use o
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I ... atin and Greek-in which I did
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Leconte de Lisle s opinion that Ba
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Dne Madone is a Baroque statue in
Page 283 and 284:
The hidden figure that is the key t
Page 285 and 286:
Apropos of "The greathearted servan
Page 287 and 288:
Explore the question whether a conn
Page 289 and 290:
fluttered like the sleeves of a cle
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v . 1 .. The definitive title for t
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Bourdin: son-in-law of Villemessant
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According to Le Dantec, the second
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concentration has caused him to red
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am convinced that, if the syllables
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The following passage shows the cro
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nard." Edmond J aloux, Le Centenair
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past, to think of things which are
Page 307 and 308:
In the Dernieres Lettres (p. 145),
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In his commemorative address, Banvi
Page 311 and 312:
suddenly reopened it under the lamp
Page 313 and 314:
Note the rigor and elegance of the
Page 315 and 316:
o o eo The importance of theory for
Page 317 and 318:
Underneath that dark and fatal claw
Page 319 and 320:
only if one took out a subscription
Page 321 and 322:
""Baudelaire does not give us a lif
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00 o '" ""He was the first . .. to
Page 325 and 326:
women give suck . .. , in their psy
Page 327 and 328:
more deplorable than to be utterly
Page 329 and 330:
and back." Ch. B., Oeuvres complete
Page 331 and 332:
"Stupidity is often the ornament of
Page 333 and 334:
The figure of the lesbian woman bel
Page 335 and 336:
Sainte-Beuve with the words : "They
Page 337 and 338:
v . 1 .. The unique importance of B
Page 339 and 340:
.§ ) ... The mental capacities tha
Page 341 and 342:
The image of petrified unrest, iu t
Page 343 and 344:
On allegory: "L'Amour et Ie crane:
Page 345 and 346:
the public . .. the mechanism behin
Page 347 and 348:
to mention the transfiguration of P
Page 349 and 350:
work of Poe, who thus became irrepl
Page 351 and 352:
Les Fleun du mal may be considered
Page 353 and 354:
forms an obstacle in its path. His
Page 355 and 356:
This image has contributed greatly
Page 357 and 358:
p. 133 ("Equilibrium between the Ae
Page 359 and 360:
judging solely by the lights of a r
Page 361 and 362:
his nonconformity, was in this resp
Page 363 and 364:
The experience of allegory, which h
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o en M haschisch;' Oeuvres, vol. 1,
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no words could convey to the merely
Page 369 and 370:
"On solemn eves of Heavenly harvest
Page 371 and 372:
without jealousy, sympathetic and r
Page 373 and 374:
tionary communists-from the public
Page 375 and 376:
Closing lines of "Le Vin des chiffo
Page 377 and 378:
a thousand splendors, / Is a sumptu
Page 379 and 380:
For the materialist dialectician, d
Page 381 and 382:
understanding its Baroque form. He
Page 383 and 384:
I.I.While the parliamentary party o
Page 385 and 386:
deed of nihilism, which is suicide"
Page 387 and 388:
Modernity, in this work, is what a
Page 389 and 390:
v . ] .. Allegory, as the sign that
Page 391 and 392:
Among the legends which circulated
Page 393 and 394:
No more hees sipping dewdrop and th
Page 395 and 396:
o CO CD "BauclelaiI'c's weighty phr
Page 397 and 398:
existence, to an attitude of patien
Page 399 and 400:
first, vegetable kingdom next, mine
Page 401 and 402:
America. Near the Capitol the roofs
Page 403 and 404:
K [Dream City and Dream House, Drea
Page 405 and 406:
configuration, they are as much nat
Page 407 and 408:
than the nowbeing of "the present t
Page 409 and 410:
More than a hundred years before it
Page 411 and 412:
to disallow the pretentions of abst
Page 413 and 414:
isolation . . . . The temple ought
Page 415 and 416:
"There can be no doubt that from ..
Page 417 and 418:
Couldn't one compare the social dif
Page 419 and 420:
discover there, where our muscles d
Page 421 and 422:
today, in the age of the automobile
Page 423 and 424:
they also arranged to have outstand
Page 425 and 426:
the next in perspective, offering f
Page 427 and 428:
that sheet of' alluvium, subterrane
Page 429 and 430:
son of the princess. The intimacy o
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M [The FHtueur] A landscape haunts,
Page 433 and 434:
pletely distances himself from the
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on as we would imagine them to do i
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"It is wonderful that in Paris itse
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anonymous engineering, a grade cros
Page 441 and 442:
then ... there was scarcely a tavem
Page 443 and 444:
pavement, so as not to delay the op
Page 445 and 446:
knowing it; yet notlllng is more fo
Page 447 and 448:
was a poor devil whose means forbad
Page 449 and 450:
nomy. The difference between this p
Page 451 and 452:
torrent where you are rolled, buffe
Page 453 and 454:
door is closed. 'Dickens himself ha
Page 455 and 456:
Frontispiece of the third volume of
Page 457 and 458:
""That poetry of terror which the s
Page 459 and 460:
In Le 6 o(/obn, in Chapter 17, "Le
Page 461 and 462:
Description of the crowd in Baudela
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ary urban culture ... forces us to
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v Which last is a scheme of ' paper
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ahout the same faces, the same appe
Page 469 and 470:
who, in the midst of his wanderings
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[On the Theory of .Knowledge, Theor
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down from the arcades in the readin
Page 475 and 476:
Marx lays bare the causal connectio
Page 477 and 478:
condition of technology. The old pr
Page 479 and 480:
identical with the "now of recogniz
Page 481 and 482:
The particular difficulty of doing
Page 483 and 484:
these values originated, but of the
Page 485 and 486:
fonns of appropriate behavior. What
Page 487 and 488:
of the artist reaches back to the p
Page 489 and 490:
The dialectical image is that form
Page 491 and 492:
The archaic form of primal history,
Page 493 and 494:
late, and politics always needs to
Page 495 and 496:
tdalterliche Zeitanschauungen in il
Page 497 and 498:
accentuate the rags of mendicants .
Page 499 and 500:
tive . . , content hy the historica
Page 501 and 502:
The now of recognizability is the m
Page 503 and 504:
Focillon on technique: "It has been
Page 505 and 506:
fills all wanton behavior with fate
Page 507 and 508:
"Hirondelles-women who work the win
Page 509 and 510:
of this decline fuses, as though of
Page 511 and 512:
tated, provoked above all by the lo
Page 513 and 514:
that only the superior strength of
Page 515 and 516:
o o "' this woman from passing beyo
Page 517 and 518:
8 '" oneself that the woman who at
Page 519 and 520:
could withstand the exorbitant comm
Page 521 and 522:
Should the flower fashions of the B
Page 523 and 524:
00 o "' "'After the Cafe de Paris c
Page 525 and 526:
strain of knowing that her life is
Page 527 and 528:
way, in that red cotton fabric that
Page 529 and 530:
the Palais-Royal of 1789 . ... In s
Page 531 and 532:
[The Streets of Paris] In short, th
Page 533 and 534:
'Pont d'Austerlitz! Its famous name
Page 535 and 536:
well as their population, and havin
Page 537 and 538:
of the inhabitants." J. B. Pujoulx,
Page 539 and 540:
the bit of blue which the northern
Page 541 and 542:
The importance accorded the traffic
Page 543 and 544:
the coarse moustaches of these infe
Page 545 and 546:
sentation of certain still-life obj
Page 547 and 548:
Principal panoramic representations
Page 549 and 550:
Diorama on the Rue de Bondy, 1837.
Page 551 and 552:
The world exhibition of 1889 had a
Page 553 and 554:
merged with tlus, his image. Even t
Page 555 and 556:
figures . ... Before every door sto
Page 557 and 558:
A look at the ambiguity of the arca
Page 559 and 560:
inely unique-what will never recur.
Page 561 and 562:
only holds good in the space of the
Page 563 and 564:
of this Jugendstil than Barcelona,
Page 565 and 566:
ing, frescoes, decorative tapestry,
Page 567 and 568:
On the upside-down manor house: ""T
Page 569 and 570:
ancient grandeur of painting to its
Page 571 and 572:
This phony in sum knows how to mana
Page 573 and 574:
The fundamental motif of Jug ends t
Page 575 and 576:
In his "Salons;' Baudelaire has giv
Page 577 and 578:
T [Modes of Lighting] Et noctumis f
Page 579 and 580:
D this kind of lighting, which was
Page 581 and 582:
weekly, on Thursdays and Sundays, a
Page 583 and 584:
the glass tubing, and so forth-were
Page 585 and 586:
[;; to this general illumination, u
Page 587 and 588:
"The influence and development of S
Page 589 and 590:
process for producing gas lighting.
Page 591 and 592:
had run aground on metaphysics.' H
Page 593 and 594:
purpose of stock market quotations?
Page 595 and 596:
o 00 "' people who no longer threat
Page 597 and 598:
2,700,000 volumes were put into cir
Page 599 and 600:
only the hanknotes of paradise, and
Page 601 and 602:
'" 00 "' proclaimed itself the wond
Page 603 and 604:
00 00 '" is called "Le Voyageur du
Page 605 and 606:
""Let us put an end to honors for A
Page 607 and 608:
Primate of the Gauls; there was the
Page 609 and 610:
Le Globe (October 31, 1331), with r
Page 611 and 612:
federation, when their hands are no
Page 613 and 614:
00 '" "' women, were in no way the
Page 615 and 616:
o o '0 French bourgeoisie gains too
Page 617 and 618:
N '" co they arrived on the day bef
Page 619 and 620:
mediating power, the good sense of
Page 621 and 622:
guine in character anyway like all
Page 623 and 624:
00 o
Page 625 and 626:
the uniform of Poly technicians, se
Page 627 and 628:
. 1 CJ .. and simple, . .. who want
Page 629 and 630:
Russia can huy the head of the Repu
Page 631 and 632:
(May 1, 1937), pp. 695-696. The Jes
Page 633 and 634:
the Provisional Goverrnnent to regi
Page 635 and 636:
w [Fourier] Seas they fathom! Skies
Page 637 and 638:
the heart, so as to bring the blood
Page 639 and 640:
the sun and the harmonized planets.
Page 641 and 642:
" Heine was well acquainted with so
Page 643 and 644:
he saw it, took its rise from the i
Page 645 and 646:
should govern him. Let us rescue it
Page 647 and 648:
Fourier, Oeuvres, vol. , p. 260: "
Page 649 and 650:
. can eventuate only in Harmony. Al
Page 651 and 652:
since the invention of the chariot;
Page 653 and 654:
those of Paris, who, as workers in
Page 655 and 656:
and his soul fades into the planeta
Page 657 and 658:
plants. m Armand and Maublanc, Four
Page 659 and 660:
· . . on their clothing." ""Althou
Page 661 and 662:
Fourier: 'Every calling has its cou
Page 663 and 664:
Ten million francs would be needed
Page 665 and 666:
quite eccentric in its outward aspe
Page 667 and 668:
than consciousness of existing prac
Page 669 and 670:
Time in technology: " As in a genui
Page 671 and 672:
sanctioned by the so-called univers
Page 673 and 674:
is what Marx is referring to when h
Page 675 and 676:
time. They are nothing more than th
Page 677 and 678:
show that the mythological mode of
Page 679 and 680:
exchange. In fact, this 'equality'
Page 681 and 682:
would he difficult to explain why,
Page 683 and 684:
Korsch says very justly (and one mi
Page 685 and 686:
ole of the immediate production of
Page 687 and 688:
eform, working with only their one
Page 689 and 690:
exposure time, I found it difficult
Page 691 and 692:
Among the inventions that predate p
Page 693 and 694:
like Paul Del.roche in his painting
Page 695 and 696:
o 00
Page 697 and 698:
NADAR_ ileValli la Photograpbie it
Page 699 and 700:
not the process. Whoever possesses
Page 701 and 702:
'" ro '" The first photographic int
Page 703 and 704:
an image in the atmosphere, that al
Page 705 and 706:
o m '" happy to have faithfully rep
Page 707 and 708:
hasten to enrich the tourist's albu
Page 709 and 710:
are bewitched, but the evil spell o
Page 711 and 712:
which deals with the material-each
Page 713 and 714:
a [Social Movement] Reveal to these
Page 715 and 716:
o R breaking through walls. As soon
Page 717 and 718:
f2 Episodes in the June Insurrectio
Page 719 and 720:
f2 rigorously monitored the worker
Page 721 and 722:
to him. m Eugene Buret, La Misere d
Page 723 and 724:
ourgeoisie were already fearful of
Page 725 and 726:
We arc nothing but machines. Our Ba
Page 727 and 728:
incendiary deeds, spoke already of
Page 729 and 730:
Chassin, La Legende du Petit Mantea
Page 731 and 732:
I 1) o en Will Look out on an oce
Page 733 and 734:
"'I will rouse the people with my u
Page 735 and 736:
Jules Mercier "L'Arche de Dieu," in
Page 737 and 738:
f! From Robert (du Var) l Ilistoire
Page 739 and 740:
Adolphe Boyer, De l'Etat des ouvrie
Page 741 and 742:
Ganneau's "Page prophetique ' was
Page 743 and 744:
the author accentuates the "·pecul
Page 745 and 746:
On Buret's De la Miser'e des classe
Page 747 and 748:
g? Poetry . .. has sanctioned the g
Page 749 and 750:
Cuvillier presents Proudhon as a pr
Page 751 and 752:
the Sirens to he crew of his ship a
Page 753 and 754:
symptoms of a disease that today in
Page 755 and 756:
[Daumier] A paradoxical description
Page 757 and 758:
Honore Daumier, ca. 1857. Photo by
Page 759 and 760:
d [Literary History, Hugo] "'Thiel'
Page 761 and 762:
exclusive glory of the triumphant B
Page 763 and 764:
It is worthy of note that the prefa
Page 765 and 766:
L'Artiste et I 'amateur du dix-neuv
Page 767 and 768:
Alexandre Dumas pere, 1855. Photo b
Page 769 and 770:
age of disonler and viee nUlS agt"O
Page 771 and 772:
On Victor Hugo: He placed the ballo
Page 773 and 774:
11,e novels of George Sand led to a
Page 775 and 776:
arm the masses. Cited in eh. Paris
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prudent, will henceforth sap the pi
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the other hand, and that of Murger,
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interior. Events having brusquely r
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which had already come rather far o
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was, as a stupid politician, denyin
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dominating the serial format, and i
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in all seriousness by our salon sav
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hounds and the faxes are yelping, d
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The gargoyles of Notre Dame must be
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which were government bureaucrats.
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the Stock Exchange, diverted for te
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Balzac's portrait of the speculator
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• I [Reproduction Technology, Lit
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k [The Commune] "The history of the
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Then, in the Assemblies of the Comm
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ACTUAlly[ Actualite (Actuality), a
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A barricade of the Paris Commune, R
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I [The Seine, the Oldest Paris] Aro
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sance des mathematiques pour assnre
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m [Idleness] Noteworthy conjunction
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a product of chance, and have about
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evinced in the theory of "modern be
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"" o 00 often, idleness is the very
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00 o 00 the redeemer of man ' 8 bet
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;:: threshold of the hedroom, a dev
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Publication date of the first issue
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Jesus had yielded to the natural in
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Around the time that "physiologies"
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[Ecole Poly technique ] On commerce
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Poly technique. The student would d
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In Le Cure de village, which Balzac
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points. His primer hegins ... with
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Trade and traffic are the two compo
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If one wanted to characterize the i
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stations make good starting points,
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All this is the arcade in our eyes.
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Tl isit, Wagram, Calais, Antwerp, L
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What is une psychi?19 . The city ma
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VVhat was otherwise reserved for on
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Death and fashion. Rilke, the passa
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Hermes, the masculine god. It is ch
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The writings of the Surrealists tre
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00 .". 00 Around the same time, the
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something very characteristic of th
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How Blucher gambled in Paris. (See
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Superposition accordiug to the rhyt
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slot machines, the mechanical fortu
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00 "' 00 It must be kept in mind th
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o '"' 00 of Schiller's we read of
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ance, we have to experience indire
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Concretion extinguishes thought; ab
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Thomasius, Vam Recht des Schlafi un
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Fashion is intention that ignites;
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Arcades This brief essay, dating fr
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These originally untitled texts (G
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on the tip of one's tongue. Nter al
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information bureaus and detective a
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inclined to linger before the trans
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ealized: here, at one time, after P
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superstition. Thus in gambler and p
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The Ring of Saturn or Some Remarks
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allow our steel furnishings of toda
Page 904:
Walter BeIamin at the card catalogu
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Expose of 1935, Early Version The e
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The flaneur as counterpart of the "
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essence of the images which the dre
Page 914 and 915:
Materials for the Expose of 1935 Th
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Gaslight in Baudelaire Passage de l
Page 918 and 919:
The untranslatable literature of fl
Page 920 and 921:
To ols and workers with Haussmann (
Page 922 and 923:
Dialectic of the commodity A canon
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No. 10 (Boredom) EconOll1ic rudimen
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No. 12 Methodological Dialectical i
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No. 198 {The merit of this little v
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No. 21 I Fragments of the general l
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(The cashier as livillg image, as a
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Materials for "Arcades" Among Benja
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How a first-class restaurant comes
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A factory producing cockades for we
Page 940:
A bookstore places together an neig
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Dialectics at a Standstill Approach
Page 946 and 947:
with and finally overgrown by quota
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teenth century, and in it a specifi
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the immersion of what has been into
Page 952 and 953:
various reasons. Retrospectively, h
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(Expose of 1935, section I). To beg
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image. Physiognomic thought was ass
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two meanings in Belamin's texts; th
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clocks, as during the July revoluti
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continued, "told me how to find you
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He said that his decision to spend
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Mter the vineY31-d, we rested on a
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For all that came later. l11en, bac
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Translators' Notes Abbreviations GS
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Expose of 1939 The second expose, "
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2. The Passage du Caire was the fir
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ing; Friederike Kempner (1836-1904)
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3. Benjamin is quoting from an open
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deavor to maintain a Juste milieu.)
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42. Baudelaire, "The Painter of Mod
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96. Baudelaire, The Complete verse)
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145. Baudelaire, CotTespondance (Pa
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ice . ... [He] thinks he has been v
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287. Ibid. 288. Ibid., p. 230. "Ill
Page 994 and 995:
tion between the jack of hearts and
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In English in The Complete Time, p.
Page 998 and 999:
was a site in Paris occupied by wor
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Frederick A. Blossom) . The lines b
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29. Ibid., pp. 45-46. "Drifting" is
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2. Reference is to Louis Aragon, Le
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50. TIlls passage is not found in t
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different parts of the world. But t
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26. Paul Valery, HIstory and Politi
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aid of two other young republicans.
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36. As a child, Fourier would fill
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56. Ibid., pp. 198-199. 57. Ibid.,
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15. Honore de Balzac, Eugenie Grand
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"workshop" and "graverll or 'burin"
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The siege lasted until the end ofJa
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(destroyed in 1919) took in a numbe
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49. Proust, A la Recherche du temj}
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trans. Manfred R. Jacobson and Evel
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Benjamids in more than mere nuances
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tion and was minister of war in the
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Belleville. Wo rking·class neighbo
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Buchez, Philippe (1796-1865). Frenc
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in French, no confessional, and mar
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Crepet,Jacques (1874-1952). Son of
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Du Camp, Maxime (1822-1894). Writer
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Flotte, Etienne-Gaston, baron de (1
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Grand Chatelet. Ancient fortress in
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laire and Rimbaud. Author of Umbra
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Hebrew at the College of Rome. In 1
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er of Deputies from 1841. A leader
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Makar!, Hans (1840-1884). Austrian
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Mode, comte Louis (1781-1855). Prem
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Nisard, Desire (1806-1888).journali
Page 1060 and 1061:
La Plmlauge. Fourierist newspaper p
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Restif de la Bretonne. Pseudonym of
Page 1064 and 1065:
Sarcey, Francisque (1827-1899). Fre
Page 1066 and 1067:
Taylor, Frederick Winslow (1856-191
Page 1068:
Villiers de l'Isle-Adarn, Auguste (
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Balzac, Honore de (colltinued) cult
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Baudelaire, Charles (wl1timwd) de 1
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Chatelain, U.-Y., 250 Chaudes-Aigue
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Escholier, Raymond, 225, 429, 442,
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Hallays-Dabot, Victor, 695, 706, 78
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754, 757, 758, 764, 765, 767, 768,
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Millotaure, 549 Mirabeau, Honon::,
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Pouson du Te rrail, Pierre-Alexis,
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Soumct, Alexandre, 575 Soupault, Ph
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This book is set in the Adobe fonts
in GlO,l is on p. 239. Benjamin cites the text in German (with an English title) ;<br />
translator unknown.<br />
14. A. Toussenel, Pasional Zoolof!Y; Or, Spirit qf the Beasts qfFrance, trans. M. Edgeworth<br />
Lazarus (New York: Fowlers and Wells, 1852), 1'1'. 140, 142.<br />
15. Ibid., p. 355.<br />
16. Ibid., Pl'. 337-339.<br />
17. Ibid., p. 340.<br />
18. Ibid., pp. 135, 136.<br />
19. Ibid., p. 346.<br />
20. Ibid., Pl'. 91-92.<br />
21. Ibid., pp. 346, 347.<br />
22. Marx, Capital, vol. 1, pp. 293-294.<br />
23. Victor Hugo, Les Miserables, trans. ChaTles E. Wilbour (1862; rpt. New York: Modem<br />
Library, 1992), p. 767.<br />
24. <strong>The</strong> International Working Men's Association (the Fi.Tst International), the General<br />
Council of which had its seat in London, was founded in September 1864.<br />
25. Marx, Capital, vol. 1, p. 76. "Material immaterial" translates sinnlidl iibersinnlich.<br />
26. For another English version, translated from the Russian, see Nikolai Gogol, Arabesques,<br />
trans. Alexander Tulloch (Ann Arbor, Mich.: Ardis, 1982), p. 130.<br />
27. J. W. Goethe, "Nachtgedanken;' Gedenkau.rgabe, vol. 1, Siimtliche Gedichh: (Zurich,<br />
1961), p. 339. [R.T.] In English in Selected Verse, trans. David Luke (London: Penguin,<br />
1964), p. 75. SeeJ22a,1.<br />
28. Charles Baudelai.Te, Th e Mirror ?f Art, trans. Jonathan Mayne (London: Phaidon,<br />
1955), p. 84.<br />
29. Baudelaire as a Literat) Critic, trans. Lois Boe Hyslop and Francis E. Hyslop, Jr.<br />
(University Park: Permsylvania State University Press, 1964), Pl'. 79-80.<br />
30. See Sw, vol. 2, Pl'. 85-90 ("Main Features of My Second Inrpression of Hashish").<br />
Also below, 12,6, MIa,!, and Mla,3.<br />
H [<strong>The</strong> Collector 1<br />
1. Letter of December 30, 1857, to his mother. In Baudelaire: A Self-Portrait, cd. and<br />
trans. Lois Boe Hyslop and Francis E. Hyslop,]r. (London: Oxford University Press,<br />
1957), p. 135.<br />
2. Dr. Miracle and Olympia, the automated puppet, appear in Les Contes d'Hrffmann<br />
(1.881), an opera byJacques Offenbach. Dr. Miracle has been interpreted as genius of<br />
death; see Siegfried Kracauer, OrjJ/teuJ in Paris: Offinbach and the Paris (!llu:)' Time,<br />
trans. Gwenda David and Eric Mosbacher (New Yo rk: Knopf, 1938) p. 355.<br />
3. <strong>The</strong> Passage du Pont-Neuf. See <strong>The</strong>rese Raquin, trans. Leonard Tancock (New Yo rk:<br />
Penguin, 1962), pp. 31-35. First published in 1867.<br />
4. This reference remains obscure.<br />
5. Phaedrus, 247c.<br />
6. August Strindberg, "<strong>The</strong> Piloes Trials;' in Strindberg, Telles} trans. L.J. Potts (London:<br />
Chatto and Windus, 1930), Pl'. 45, 46, 50.<br />
7. Baudelaire, Artificial Parad.se, trans. Ellen Fox (New York: Herder and Herder, 1971),<br />
1'. 68.<br />
8. But see below, H2,7; H2a,1, on the singular "gaze" (Blick) of the collector.<br />
9. Charles Dickens, <strong>The</strong> Old Curiosity SllOj) (London: Heron Books, 1970), p. 16 (ch. 1).<br />
1.0. 111eodor W. Adorno, "On Dickens' Tlte Old Curiosif)' Shop: A Lecture;' in Notes to<br />
Literature, vol. 2, trans. Shierry Weber Nicholsen (New York: Columbia University
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