The Arcades Project - Operi

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A factory producing cockades for weddings and banquets, "finery for marrieds." 1. {Not long ago, a piece rf old Paris disappeared-the Passage de rOpera, which once led from the boulevards to the old opera theater. Construction of the Boulevard Haussmann swallowed it up. And so we turn our attention to the arcades that still exist, to the brighte1; livelier, and in some cases renovated arcades rf the opera district, to the narrow, often empty and dust-covered arcades rf more obscure neighborhoods. They work., the arcades-sometimes in their totality, sometimes only in certain parts-as a past become space; they harbor antiquated trades, and even those that are thoroughly up to date acquire in these inner spaces something archaic.} Since the light comes only from above through glass roofS, and all stairways to the left or right, at entranceways between the shops, lead 11110 darkness, our conception rf life within the rooms to which these stairv.;ays ascend remains somewhat shadowy. 1 a. The Illustrated Guide to Paris, a complete picture rf the city on the Seine and its environsJrozn the year 1852, writes rfthe arcades: . no resbollSibilitv toward the new age.' it can come no more in the jitlure 2. At the entrance gates rfthe arcades (one couldjust as well say 'xit gates," since, with these peculiar hybrid firms rz/llOUSC and street, eve,y gate is simultaneously entrance and exit}-at the entrance gates one}inds, on either side) remarkable and sometimes enigmatic inscriptions and signs, which oftentimes multiply along the walls within where, here and there, between the shops, a spiral staircase fises into darkness. We surmise that "Albert au 83" will be a hairdresse1; and ''Maillots de Thedtre " will most likely be sdk tights, pink and liglzt blue,fin· young singers and dancers; but these insistent letterings want to sco' more to us and something dfffirent. And should we find ourselves crowded out by those who actually buy and sell, and lefl standing between overloaded coatracks at the bottom rf the spiral staircase, where we read "Institut de Beaute clu Prqftsseur Alfred Bitter/in," we cannot butjeel anxious. And the "Fabrique de Cravates au 2'''-Does it make necktiesfor strangling? Oh, the needlework there will be quite inqffinsivcJ q/coursc, but these dark dilapidated stairs make us fiel qfraid. But: "Union artistique de rance au 3c" -VVhat can that be? (In all arcades-the wide and crowded ones rf the boulevard, no less than the narrow deserted ones near the Rue Saint-Denis-there are displays rf canes and umbrellas: serried ranks rf colorful crooks.)
.". '" m '. .1j G " '" -*I . '(Baudelaire. ''La chevelure." Redan. Baudelaire, who have made a sbecial world out o[hair. "Betrayed and sold"-that is a tate that .first becomes intelligible within these spaces. Here, the head o[ Salome itsel[ has become an ornament,· or rather, a !;hostly head that-now Salome's and now Anna Czvllak's-flits here and 3. (Ojien, these inner spaces harbor antiquated trades, and even those that are thoroughly up to date will acquire in them something (archaic) obsolete) In the wide and crowded arcades if the boulevards, as in the narrow deserted arcades near the Rue Saint-Denis, there are always displays ifumbrellas and canes: serried ranks if colorful crooks (Many are the institutes if /zygiene, where gladiaton have on orthopedic belts, and there are bandages around the white bellies qf mannequins. ) (In the shop windows if the hairdressers, one sees the last women with long hair; they have richly undulating masses qf haitj which are
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THE ARCADES PROJECT
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CONTENTS T"anslators' Foreword Expo
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A A page of Benjamin's manuscript m
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Saturnring oder Etwas vom Eisenbau"
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The The German German edition of th
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trace in a thousand configurations
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III. Grandville, or the World Exhih
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impinge impinge on on social social
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Paris, Capital of the the Nineteent
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Pericles could ah-eady have underta
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D. D. Baudelaire, or the Streets of
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witnesses its birth. Here we meet t
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plantation owner among his slaves:'
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Overview A Arcades, Magasins de Nou
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The Passage des Panoramas. Watercol
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eaders will be be disturbed by this
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For the first time in history, with
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A branch of La BelleJardiniere in M
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Au Bon Marche department store in P
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B B [Fashion] Fashion: Madam Death!
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Le Pont des planetes (Interplanetar
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case, the woman would have been the
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Sudden past of a city: windows lit
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two lines by Baudelaire could serve
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this idea; for how can we be sure t
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"Eternal return" is the fimdamental
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trated the spirit of the times as a
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This This malicious statement state
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To Tools ols used by HaUSSlllaIm'S
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pas (Paris, 1857), pp. 47-49. These
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Critique sociale, vol. 1, Capital e
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F F [Iron [Iron Construction] Const
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Railroad stations used to be known
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possibilities. H A. G. Meyer Eisen
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Interior of the Crystal Palace, Lon
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marmer .... Each of the twelve thou
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like the tops of Boucher s gates."
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arts-a view which is, unhappily, de
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two words can meet" (p. 25; it rema
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Le 1iiomphe du kaleidoscope, ou Le
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G [Exhibitions, Advertising, Grandv
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course, in the end, the law accordi
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goods? The answer is very simple an
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ments, marble statues, and bubbling
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without the slightest detriment."
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""Despite all the posturing with wh
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Connection of the first world exhib
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Exterior of the Crystal Palace, Lon
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y t.he government against the Inter
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clipped, grain threshed, coal extra
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1851. These precautions included co
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infancy, the Cyclopean period . ...
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its first ordeal." A. Toussenel, L
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queer thing, abounding in metaphysi
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a contest of pastry cooks. The 600,
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"avenue" illuminated at night by ga
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D [The Collector] All these old thi
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at hand through its integration int
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nate for the previous century has c
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of the Holy Sacrament and The Schoo
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forms of argumentation to which the
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How the interior defended itself ag
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Under the bourgeoisie, cities as we
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ooms in coffeehouses. Each coffeeho
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""The drawing rooms of the Second E
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invent some sort of casing for! Poc
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ersP' Victor Fournel, Ce qu'on voit
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you are. The durability of products
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entiation. Changes in fashion disru
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Charles Baudelaire, 1855. Photo by
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Baudelaire-after his enforced sea v
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executed thus: the plate is set upr
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The title originally planned for Sp
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"Madame Bovary, in what is most for
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drawings, in distilling the bitter
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of the delivery was truly striking.
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lllire. -'Bnt your name is BlIudel
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heaven;' Baudelaire, OeuvreJ, vo!'
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"He is always polite to what is ugl
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horrible funk" writes the latter Ba
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makers as they are useless for form
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Thibaudet juxtaposes Baudelaire's '
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eing studiously contemplated, the e
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slowness from its long virtuality:
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of pure imagination, lose the use o
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I ... atin and Greek-in which I did
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Leconte de Lisle s opinion that Ba
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Dne Madone is a Baroque statue in
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The hidden figure that is the key t
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Apropos of "The greathearted servan
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Explore the question whether a conn
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fluttered like the sleeves of a cle
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v . 1 .. The definitive title for t
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Bourdin: son-in-law of Villemessant
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According to Le Dantec, the second
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concentration has caused him to red
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am convinced that, if the syllables
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The following passage shows the cro
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nard." Edmond J aloux, Le Centenair
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past, to think of things which are
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In the Dernieres Lettres (p. 145),
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In his commemorative address, Banvi
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suddenly reopened it under the lamp
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Note the rigor and elegance of the
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o o eo The importance of theory for
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Underneath that dark and fatal claw
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only if one took out a subscription
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""Baudelaire does not give us a lif
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00 o '" ""He was the first . .. to
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women give suck . .. , in their psy
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more deplorable than to be utterly
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and back." Ch. B., Oeuvres complete
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"Stupidity is often the ornament of
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The figure of the lesbian woman bel
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Sainte-Beuve with the words : "They
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v . 1 .. The unique importance of B
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.§ ) ... The mental capacities tha
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The image of petrified unrest, iu t
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On allegory: "L'Amour et Ie crane:
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the public . .. the mechanism behin
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to mention the transfiguration of P
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work of Poe, who thus became irrepl
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Les Fleun du mal may be considered
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forms an obstacle in its path. His
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This image has contributed greatly
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p. 133 ("Equilibrium between the Ae
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judging solely by the lights of a r
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his nonconformity, was in this resp
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The experience of allegory, which h
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o en M haschisch;' Oeuvres, vol. 1,
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no words could convey to the merely
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"On solemn eves of Heavenly harvest
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without jealousy, sympathetic and r
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tionary communists-from the public
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Closing lines of "Le Vin des chiffo
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a thousand splendors, / Is a sumptu
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For the materialist dialectician, d
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understanding its Baroque form. He
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I.I.While the parliamentary party o
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deed of nihilism, which is suicide"
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Modernity, in this work, is what a
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v . ] .. Allegory, as the sign that
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Among the legends which circulated
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No more hees sipping dewdrop and th
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o CO CD "BauclelaiI'c's weighty phr
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existence, to an attitude of patien
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first, vegetable kingdom next, mine
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America. Near the Capitol the roofs
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K [Dream City and Dream House, Drea
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configuration, they are as much nat
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than the nowbeing of "the present t
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More than a hundred years before it
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to disallow the pretentions of abst
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isolation . . . . The temple ought
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"There can be no doubt that from ..
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Couldn't one compare the social dif
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discover there, where our muscles d
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today, in the age of the automobile
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they also arranged to have outstand
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the next in perspective, offering f
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that sheet of' alluvium, subterrane
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son of the princess. The intimacy o
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M [The FHtueur] A landscape haunts,
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pletely distances himself from the
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on as we would imagine them to do i
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"It is wonderful that in Paris itse
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anonymous engineering, a grade cros
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then ... there was scarcely a tavem
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pavement, so as not to delay the op
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knowing it; yet notlllng is more fo
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was a poor devil whose means forbad
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nomy. The difference between this p
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torrent where you are rolled, buffe
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door is closed. 'Dickens himself ha
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Frontispiece of the third volume of
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""That poetry of terror which the s
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In Le 6 o(/obn, in Chapter 17, "Le
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Description of the crowd in Baudela
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ary urban culture ... forces us to
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v Which last is a scheme of ' paper
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ahout the same faces, the same appe
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who, in the midst of his wanderings
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[On the Theory of .Knowledge, Theor
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down from the arcades in the readin
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Marx lays bare the causal connectio
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condition of technology. The old pr
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identical with the "now of recogniz
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The particular difficulty of doing
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these values originated, but of the
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fonns of appropriate behavior. What
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of the artist reaches back to the p
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The dialectical image is that form
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The archaic form of primal history,
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late, and politics always needs to
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tdalterliche Zeitanschauungen in il
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accentuate the rags of mendicants .
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tive . . , content hy the historica
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The now of recognizability is the m
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Focillon on technique: "It has been
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fills all wanton behavior with fate
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"Hirondelles-women who work the win
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of this decline fuses, as though of
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tated, provoked above all by the lo
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that only the superior strength of
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o o "' this woman from passing beyo
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8 '" oneself that the woman who at
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could withstand the exorbitant comm
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Should the flower fashions of the B
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00 o "' "'After the Cafe de Paris c
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strain of knowing that her life is
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way, in that red cotton fabric that
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the Palais-Royal of 1789 . ... In s
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[The Streets of Paris] In short, th
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'Pont d'Austerlitz! Its famous name
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well as their population, and havin
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of the inhabitants." J. B. Pujoulx,
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the bit of blue which the northern
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The importance accorded the traffic
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the coarse moustaches of these infe
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sentation of certain still-life obj
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Principal panoramic representations
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Diorama on the Rue de Bondy, 1837.
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The world exhibition of 1889 had a
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merged with tlus, his image. Even t
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figures . ... Before every door sto
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A look at the ambiguity of the arca
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inely unique-what will never recur.
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only holds good in the space of the
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of this Jugendstil than Barcelona,
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ing, frescoes, decorative tapestry,
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On the upside-down manor house: ""T
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ancient grandeur of painting to its
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This phony in sum knows how to mana
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The fundamental motif of Jug ends t
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In his "Salons;' Baudelaire has giv
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T [Modes of Lighting] Et noctumis f
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D this kind of lighting, which was
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weekly, on Thursdays and Sundays, a
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the glass tubing, and so forth-were
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[;; to this general illumination, u
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"The influence and development of S
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process for producing gas lighting.
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had run aground on metaphysics.' H
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purpose of stock market quotations?
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o 00 "' people who no longer threat
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2,700,000 volumes were put into cir
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only the hanknotes of paradise, and
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'" 00 "' proclaimed itself the wond
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00 00 '" is called "Le Voyageur du
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""Let us put an end to honors for A
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Primate of the Gauls; there was the
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Le Globe (October 31, 1331), with r
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federation, when their hands are no
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00 '" "' women, were in no way the
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o o '0 French bourgeoisie gains too
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N '" co they arrived on the day bef
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mediating power, the good sense of
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guine in character anyway like all
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00 o
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the uniform of Poly technicians, se
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. 1 CJ .. and simple, . .. who want
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Russia can huy the head of the Repu
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(May 1, 1937), pp. 695-696. The Jes
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the Provisional Goverrnnent to regi
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w [Fourier] Seas they fathom! Skies
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the heart, so as to bring the blood
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the sun and the harmonized planets.
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" Heine was well acquainted with so
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he saw it, took its rise from the i
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should govern him. Let us rescue it
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Fourier, Oeuvres, vol. , p. 260: "
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. can eventuate only in Harmony. Al
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since the invention of the chariot;
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those of Paris, who, as workers in
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and his soul fades into the planeta
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plants. m Armand and Maublanc, Four
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· . . on their clothing." ""Althou
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Fourier: 'Every calling has its cou
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Ten million francs would be needed
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quite eccentric in its outward aspe
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than consciousness of existing prac
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Time in technology: " As in a genui
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sanctioned by the so-called univers
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is what Marx is referring to when h
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time. They are nothing more than th
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show that the mythological mode of
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exchange. In fact, this 'equality'
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would he difficult to explain why,
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Korsch says very justly (and one mi
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ole of the immediate production of
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eform, working with only their one
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exposure time, I found it difficult
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Among the inventions that predate p
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like Paul Del.roche in his painting
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o 00
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NADAR_ ileValli la Photograpbie it
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not the process. Whoever possesses
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'" ro '" The first photographic int
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an image in the atmosphere, that al
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o m '" happy to have faithfully rep
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hasten to enrich the tourist's albu
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are bewitched, but the evil spell o
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which deals with the material-each
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a [Social Movement] Reveal to these
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o R breaking through walls. As soon
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f2 Episodes in the June Insurrectio
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f2 rigorously monitored the worker
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to him. m Eugene Buret, La Misere d
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ourgeoisie were already fearful of
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We arc nothing but machines. Our Ba
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incendiary deeds, spoke already of
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Chassin, La Legende du Petit Mantea
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I 1) o en Will Look out on an oce
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"'I will rouse the people with my u
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Jules Mercier "L'Arche de Dieu," in
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f! From Robert (du Var) l Ilistoire
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Adolphe Boyer, De l'Etat des ouvrie
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Ganneau's "Page prophetique ' was
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the author accentuates the "·pecul
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On Buret's De la Miser'e des classe
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g? Poetry . .. has sanctioned the g
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Cuvillier presents Proudhon as a pr
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the Sirens to he crew of his ship a
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symptoms of a disease that today in
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[Daumier] A paradoxical description
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Honore Daumier, ca. 1857. Photo by
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d [Literary History, Hugo] "'Thiel'
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exclusive glory of the triumphant B
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It is worthy of note that the prefa
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L'Artiste et I 'amateur du dix-neuv
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Alexandre Dumas pere, 1855. Photo b
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age of disonler and viee nUlS agt"O
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On Victor Hugo: He placed the ballo
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11,e novels of George Sand led to a
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arm the masses. Cited in eh. Paris
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prudent, will henceforth sap the pi
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the other hand, and that of Murger,
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interior. Events having brusquely r
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which had already come rather far o
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was, as a stupid politician, denyin
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dominating the serial format, and i
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in all seriousness by our salon sav
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hounds and the faxes are yelping, d
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The gargoyles of Notre Dame must be
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which were government bureaucrats.
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the Stock Exchange, diverted for te
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Balzac's portrait of the speculator
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• I [Reproduction Technology, Lit
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k [The Commune] "The history of the
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Then, in the Assemblies of the Comm
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ACTUAlly[ Actualite (Actuality), a
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A barricade of the Paris Commune, R
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I [The Seine, the Oldest Paris] Aro
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sance des mathematiques pour assnre
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m [Idleness] Noteworthy conjunction
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a product of chance, and have about
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evinced in the theory of "modern be
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"" o 00 often, idleness is the very
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00 o 00 the redeemer of man ' 8 bet
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;:: threshold of the hedroom, a dev
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Publication date of the first issue
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Jesus had yielded to the natural in
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Around the time that "physiologies"
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[Ecole Poly technique ] On commerce
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Poly technique. The student would d
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In Le Cure de village, which Balzac
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points. His primer hegins ... with
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Trade and traffic are the two compo
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If one wanted to characterize the i
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stations make good starting points,
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All this is the arcade in our eyes.
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Tl isit, Wagram, Calais, Antwerp, L
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What is une psychi?19 . The city ma
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VVhat was otherwise reserved for on
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Death and fashion. Rilke, the passa
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Hermes, the masculine god. It is ch
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The writings of the Surrealists tre
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00 .". 00 Around the same time, the
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something very characteristic of th
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How Blucher gambled in Paris. (See
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Superposition accordiug to the rhyt
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slot machines, the mechanical fortu
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00 "' 00 It must be kept in mind th
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o '"' 00 of Schiller's we read of
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ance, we have to experience indire
Page 879 and 880:
Concretion extinguishes thought; ab
Page 881 and 882:
Thomasius, Vam Recht des Schlafi un
Page 883 and 884:
Fashion is intention that ignites;
Page 886 and 887:
Arcades This brief essay, dating fr
Page 888 and 889: These originally untitled texts (G
Page 890 and 891: on the tip of one's tongue. Nter al
Page 892 and 893: information bureaus and detective a
Page 894 and 895: inclined to linger before the trans
Page 896 and 897: ealized: here, at one time, after P
Page 898 and 899: superstition. Thus in gambler and p
Page 900 and 901: The Ring of Saturn or Some Remarks
Page 902 and 903: allow our steel furnishings of toda
Page 904: Walter BeIamin at the card catalogu
Page 908 and 909: Expose of 1935, Early Version The e
Page 910 and 911: The flaneur as counterpart of the "
Page 912 and 913: essence of the images which the dre
Page 914 and 915: Materials for the Expose of 1935 Th
Page 916 and 917: Gaslight in Baudelaire Passage de l
Page 918 and 919: The untranslatable literature of fl
Page 920 and 921: To ols and workers with Haussmann (
Page 922 and 923: Dialectic of the commodity A canon
Page 924 and 925: No. 10 (Boredom) EconOll1ic rudimen
Page 926 and 927: No. 12 Methodological Dialectical i
Page 928 and 929: No. 198 {The merit of this little v
Page 930 and 931: No. 21 I Fragments of the general l
Page 932 and 933: (The cashier as livillg image, as a
Page 934 and 935: Materials for "Arcades" Among Benja
Page 936 and 937: How a first-class restaurant comes
Page 940: A bookstore places together an neig
Page 944 and 945: Dialectics at a Standstill Approach
Page 946 and 947: with and finally overgrown by quota
Page 948 and 949: teenth century, and in it a specifi
Page 950 and 951: the immersion of what has been into
Page 952 and 953: various reasons. Retrospectively, h
Page 954 and 955: (Expose of 1935, section I). To beg
Page 956 and 957: image. Physiognomic thought was ass
Page 958 and 959: two meanings in Belamin's texts; th
Page 960 and 961: clocks, as during the July revoluti
Page 962 and 963: continued, "told me how to find you
Page 964 and 965: He said that his decision to spend
Page 966 and 967: Mter the vineY31-d, we rested on a
Page 968 and 969: For all that came later. l11en, bac
Page 970 and 971: Translators' Notes Abbreviations GS
Page 972 and 973: Expose of 1939 The second expose, "
Page 974 and 975: 2. The Passage du Caire was the fir
Page 976 and 977: ing; Friederike Kempner (1836-1904)
Page 978 and 979: 3. Benjamin is quoting from an open
Page 980 and 981: in GlO,l is on p. 239. Benjamin cit
Page 982 and 983: deavor to maintain a Juste milieu.)
Page 984 and 985: 42. Baudelaire, "The Painter of Mod
Page 986 and 987: 96. Baudelaire, The Complete verse)
Page 988 and 989:
145. Baudelaire, CotTespondance (Pa
Page 990 and 991:
ice . ... [He] thinks he has been v
Page 992 and 993:
287. Ibid. 288. Ibid., p. 230. "Ill
Page 994 and 995:
tion between the jack of hearts and
Page 996 and 997:
In English in The Complete Time, p.
Page 998 and 999:
was a site in Paris occupied by wor
Page 1000 and 1001:
Frederick A. Blossom) . The lines b
Page 1002 and 1003:
29. Ibid., pp. 45-46. "Drifting" is
Page 1004 and 1005:
2. Reference is to Louis Aragon, Le
Page 1006 and 1007:
50. TIlls passage is not found in t
Page 1008 and 1009:
different parts of the world. But t
Page 1010 and 1011:
26. Paul Valery, HIstory and Politi
Page 1012 and 1013:
aid of two other young republicans.
Page 1014 and 1015:
36. As a child, Fourier would fill
Page 1016 and 1017:
56. Ibid., pp. 198-199. 57. Ibid.,
Page 1018 and 1019:
15. Honore de Balzac, Eugenie Grand
Page 1020 and 1021:
"workshop" and "graverll or 'burin"
Page 1022 and 1023:
The siege lasted until the end ofJa
Page 1024 and 1025:
(destroyed in 1919) took in a numbe
Page 1026 and 1027:
49. Proust, A la Recherche du temj}
Page 1028 and 1029:
trans. Manfred R. Jacobson and Evel
Page 1030 and 1031:
Benjamids in more than mere nuances
Page 1032 and 1033:
tion and was minister of war in the
Page 1034 and 1035:
Belleville. Wo rking·class neighbo
Page 1036 and 1037:
Buchez, Philippe (1796-1865). Frenc
Page 1038 and 1039:
in French, no confessional, and mar
Page 1040 and 1041:
Crepet,Jacques (1874-1952). Son of
Page 1042 and 1043:
Du Camp, Maxime (1822-1894). Writer
Page 1044 and 1045:
Flotte, Etienne-Gaston, baron de (1
Page 1046 and 1047:
Grand Chatelet. Ancient fortress in
Page 1048 and 1049:
laire and Rimbaud. Author of Umbra
Page 1050 and 1051:
Hebrew at the College of Rome. In 1
Page 1052 and 1053:
er of Deputies from 1841. A leader
Page 1054 and 1055:
Makar!, Hans (1840-1884). Austrian
Page 1056 and 1057:
Mode, comte Louis (1781-1855). Prem
Page 1058 and 1059:
Nisard, Desire (1806-1888).journali
Page 1060 and 1061:
La Plmlauge. Fourierist newspaper p
Page 1062 and 1063:
Restif de la Bretonne. Pseudonym of
Page 1064 and 1065:
Sarcey, Francisque (1827-1899). Fre
Page 1066 and 1067:
Taylor, Frederick Winslow (1856-191
Page 1068:
Villiers de l'Isle-Adarn, Auguste (
Page 1071 and 1072:
Balzac, Honore de (colltinued) cult
Page 1073 and 1074:
Baudelaire, Charles (wl1timwd) de 1
Page 1075 and 1076:
Chatelain, U.-Y., 250 Chaudes-Aigue
Page 1077 and 1078:
Escholier, Raymond, 225, 429, 442,
Page 1079 and 1080:
Hallays-Dabot, Victor, 695, 706, 78
Page 1081 and 1082:
754, 757, 758, 764, 765, 767, 768,
Page 1083 and 1084:
Millotaure, 549 Mirabeau, Honon::,
Page 1085 and 1086:
Pouson du Te rrail, Pierre-Alexis,
Page 1087 and 1088:
Soumct, Alexandre, 575 Soupault, Ph
Page 1089:
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