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The Arcades Project - Operi

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No. 22<br />

<strong>The</strong> sex appeal of the commodity<br />

Mobilization of the inorganic through fashion; its triumph in the doll<br />

(<strong>The</strong> love market of Paris)<br />

Paris as material offashion; psychology of the quartier in Janin and<br />

Lefeuve<br />

(<strong>The</strong> battle between utopia and cynicism in Grandville)<br />

Grandville as precursor of advertising graphics<br />

<strong>The</strong> world exhibition of 1867; triumph of cynicism; Offenbach as its<br />

demon<br />

Grandville and the Fourierists (Toussenel's philosophy of nature)<br />

<strong>The</strong> universal extension 0/ commodity character to the world 0/ things<br />

Body and wax figure<br />

Chthonic elements in Grandville I (Chthonic elements in the image of<br />

Paris)<br />

<strong>The</strong> spicialite<br />

On V<br />

{Critique of modernity (presumably a separate section). <strong>The</strong> new has the<br />

character of a semblance and coincides with the semblance<br />

of the eternally recurrent. <strong>The</strong> dialectical semblance of the new and<br />

always identical is tl,e basis of "cultural history;'}<br />

On V<br />

Four digressions on boredom. <strong>The</strong> snob, who lives in the semblant world of<br />

the new and ever identical, has a constant companion: boredom. With<br />

Proust, snobbism becomes the key to the social analysis of the upper cmst.<br />

11,e total work of art represents an attempt to impose myth on society (myth<br />

being, as Raphael rightly says

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