The Arcades Project - Operi

The Arcades Project - Operi The Arcades Project - Operi

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No. 198 {The merit of this little volume lies in the evocation of the different districts of a great city. It is not their picturesque aspect that concerns the author, nor anything exterior. It is, rather, the unique character conferred on each of these quartiers by the social strata informing them and the occupations of the residents.} If the speculative phenomena attendant on "Haussmannization" remain for the most part in shadow, the tactical interests of the reform-interests which Napoleon III willingly concealed behind his impelal ambitions­ emerge more clearly. A contemporary apology for Haussmann's project is comparatively frank on this subject. It commends the new streets for "not subserving the customary tactics of the local insurrections." Before this, Paris had already been paved in wood so as to deprive the revolution of its building material. As Karl Gutzkow writes in his Pariser Bri'!ftn, "no one builds barricades out of blocks of wood." To appreciate what is meant by this, recall that in 1830 some six thousand barricades were counted in the city. Louis Philippe already had the nickname "Roi-Maon" . With Napoleon III, the mercantile, hygienic, and military forces bent on trans­ forming tl,e city's image were allied with the aspiration to immortalize in monuments of lasting peace. In Haussmann he found the energy necessary for implementation of the plan. Putting the energy to work was, of course, not easy for him. A careerist in the service of a usurper III. Haussmarm and Napoleon III II. Strategic embellishment III. Fantastic accounts of Haussmann Strategic embellishment The technique ofbamcade fighting The strategic lines The theoretic base Jurisprudence 'The spectacles; aesthetics Destluctive-Pacific Imperialism or lThe Haussmannization of Paris II Haussmann's means The careerist serving the usurper Napoleon as pretender to the throne TIle coup d \ etat and Haussmarm Intran The police and Orsini's assassination attempt Significance of substructions The railroads The world exhibitions The new city planning Haussmalill and the parlimnent Haussmann's later career

;': No. 20" 0> Plan of March 1934 +Haussmann, or Strategic Embellishment Grandville, or the World Exhibition**) Baudelaire, or the Streets of Paris***) Louis Philippe, or the Intcrior****) *****) ++) "i"Daguerre, or the Panorama Fourier, or the Arcades [[ Psychology of the newspaper: the need for novelty JJ ****) Fashion ***) FHineur Boredom *****) ****) ++ the collector Paris Capital of the Nineteenth Century [[portrait of Haussmann; destructive energies in him II Class warfare }fetish character of the commodity The boheme The collective unconscious [[Cross-schemas Paris Metaphysics Proletariat Physiognomies (?) Dialectics 11 Jugendsll1 (Jugendstil as end of the interior) 201a: Le Travail I. Fourier, or the Arcades His figure set off against the Empire / Antiquity and Cockaigne / Historical hedomsll1*** Fourier andJean Paul /Why there was no French idealism (II. Daguerre, or the Panorama (passage des Panoramas, 1800) Panoranlas / Museums / Exhibitions / TI,e premature syntheses / TI,e breakthrough of the daguerreotype / Irruption of technology into the realm of art} III. Louis Philippe, or the Interior The dream house** / (The collector / The fianeur / The gambler J IV Grandvll1e, or the Wo rld Exhibition Collector Happiness in machinery / The commodity in the cosmos / Gambler Fourier's dream Forger Plekhanov on 1889 Baneur V Haussmann, or the Embellislmlent of Paris *** Origin of the arcades and prinlal history ** the chthonic Paris

No. 198<br />

{<strong>The</strong> merit of this little volume lies in the evocation of the different districts<br />

of a great city. It is not their picturesque aspect that concerns the author,<br />

nor anything exterior. It is, rather, the unique character conferred on each<br />

of these quartiers by the social strata informing them and the occupations<br />

of the residents.}<br />

If the speculative phenomena attendant on "Haussmannization" remain for<br />

the most part in shadow, the tactical interests of the reform-interests<br />

which Napoleon III willingly concealed behind his impelal ambitions­<br />

emerge more clearly. A contemporary apology for Haussmann's project is<br />

comparatively frank on this subject. It commends the new streets for "not<br />

subserving the customary tactics of the local insurrections." Before this,<br />

Paris had already been paved in wood so as to deprive the revolution of its<br />

building material. As Karl Gutzkow writes in his Pariser Bri'!ftn, "no one<br />

builds barricades out of blocks of wood." To appreciate what is meant by<br />

this, recall that in 1830 some six thousand barricades were counted in the<br />

city.<br />

Louis Philippe already had the nickname "Roi-Maon" . With<br />

Napoleon III, the mercantile, hygienic, and military forces bent on trans­<br />

forming tl,e city's image were allied with the aspiration to immortalize<br />

in monuments of lasting peace. In Haussmann he found the<br />

energy necessary for implementation of the plan. Putting the energy to<br />

work was, of course, not easy for him.<br />

A careerist in the service of a usurper<br />

III. Haussmarm and Napoleon III<br />

II. Strategic embellishment<br />

III. Fantastic accounts of Haussmann<br />

Strategic embellishment<br />

<strong>The</strong> technique ofbamcade fighting<br />

<strong>The</strong> strategic lines<br />

<strong>The</strong> theoretic base<br />

Jurisprudence<br />

'<strong>The</strong> spectacles; aesthetics<br />

Destluctive-Pacific Imperialism<br />

or<br />

l<strong>The</strong> Haussmannization of Paris II<br />

Haussmann's means<br />

<strong>The</strong> careerist serving the usurper<br />

Napoleon as pretender to the throne<br />

TIle coup d \ etat and Haussmarm<br />

Intran<br />

<strong>The</strong> police and Orsini's assassination<br />

attempt<br />

Significance of substructions<br />

<strong>The</strong> railroads<br />

<strong>The</strong> world exhibitions<br />

<strong>The</strong> new city planning<br />

Haussmalill and the parlimnent<br />

Haussmann's later career

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