The Arcades Project - Operi
The Arcades Project - Operi The Arcades Project - Operi
The untranslatable literature of flanerie. "Paris street by street and house by house" The flaneur and the collector; the archaic Paris of flil.nerie (The flaneur skirts actuality) (The city as a landscape and a room) (Egalili as phantasmagoria) (The tempo of fliinerie and its cessation; exemplified by the restaurant and the means of transport) Indecision of the flil.neur; ambiguity of the arcades; opaqueness of class rela tions (The doll in the annex to the cocotte's) (Sexual-psychological interpretation of the cult of dolls; body and wax figure; disguise) Interior and museUll1 (Jugendstil, or the end of the interior (Jugendstil and poster) .} Emancipation and prostitution Girardin; the demoiselles of 1830; Fourier and Feuerbach Emancipation and the Saint-Simonians; the cashier Cult oflove: attempt to deploy the technical force of production in opposi tion to the natural force of production Rise of the proletariat; its awakening in the June Insurrection (The labor exchanges) The culture of the nineteenth century as a gigantic effort to stem the fo rces of production (Premature syntheses. Insurance against the proletariat) The Garde N ationale Precursors of stocks and bonds Change in the fonns of property as a result of the railroad Conuption in the awarding of contracts during construction on the railroad and during Haussmann's renovations (Plekhanov on the world exhibition of 1889) Museums and exhibitions rThe enthronement of the commodity (advertising and exhibitions)} co o co
Influence of industry on language later than on the image (in the case of the Surrealists) Allegory and advertisement (Baudelaire) Police and conspirators; the porte-lanternes Physiognomic digressions the flilneur I (the bohemian) (the gambler) I the (dandy) I (the collector) Snob (the new) the new as antithesis to what conforms to a plan Fourierls serenity Godin and Ford The industrial Christ (Lamartine) Mercmy in Fourier (The Conunune as test of the revolutionary legend) {Construction has the role of the subconscious} Constluction in city planning TIle role of the big city in the nineteenth century Flaubert's style Image and destnlCtion in history Historical anamnesis Not-yet-conscious knowledge of what has been {Abolition of fashion} Effect and expression (The doubt about history) Components of death / Excursus on Proust (Fashion in Apollinaire) (Cabet and the end of fashion), (The city as object of fashion (Lefeuve)) Relation between teclmology and art as key to fashion (The phenomenon of the quartiers (Jules Janin)) Participation of women the nature of the commodity, by virtue of fashion (Connection of fashion with death) (Theories of fashion: Kan I Vischer) Fashion and colportage: "everybodis contemporary"2 (Inclusion of sex in the world of matter) (Razing of the Passage de l'Opera during construction of the Boulevard Haussmann) (Irmption of perspective into city planning: end of the arcades) (Formation of workers' districts in the snburbs) (The end of the quartiers with Haussmann) (The language of the prefect of police) (Decline of the arcades in nuirese Raquin)
- Page 867 and 868: How Blucher gambled in Paris. (See
- Page 869 and 870: Superposition accordiug to the rhyt
- Page 871 and 872: slot machines, the mechanical fortu
- Page 873 and 874: 00 "' 00 It must be kept in mind th
- Page 875 and 876: o '"' 00 of Schiller's we read of
- Page 877 and 878: ance, we have to experience indire
- Page 879 and 880: Concretion extinguishes thought; ab
- Page 881 and 882: Thomasius, Vam Recht des Schlafi un
- Page 883 and 884: Fashion is intention that ignites;
- Page 886 and 887: Arcades This brief essay, dating fr
- Page 888 and 889: These originally untitled texts (G
- Page 890 and 891: on the tip of one's tongue. Nter al
- Page 892 and 893: information bureaus and detective a
- Page 894 and 895: inclined to linger before the trans
- Page 896 and 897: ealized: here, at one time, after P
- Page 898 and 899: superstition. Thus in gambler and p
- Page 900 and 901: The Ring of Saturn or Some Remarks
- Page 902 and 903: allow our steel furnishings of toda
- Page 904: Walter BeIamin at the card catalogu
- Page 908 and 909: Expose of 1935, Early Version The e
- Page 910 and 911: The flaneur as counterpart of the "
- Page 912 and 913: essence of the images which the dre
- Page 914 and 915: Materials for the Expose of 1935 Th
- Page 916 and 917: Gaslight in Baudelaire Passage de l
- Page 920 and 921: To ols and workers with Haussmann (
- Page 922 and 923: Dialectic of the commodity A canon
- Page 924 and 925: No. 10 (Boredom) EconOll1ic rudimen
- Page 926 and 927: No. 12 Methodological Dialectical i
- Page 928 and 929: No. 198 {The merit of this little v
- Page 930 and 931: No. 21 I Fragments of the general l
- Page 932 and 933: (The cashier as livillg image, as a
- Page 934 and 935: Materials for "Arcades" Among Benja
- Page 936 and 937: How a first-class restaurant comes
- Page 938 and 939: A factory producing cockades for we
- Page 940: A bookstore places together an neig
- Page 944 and 945: Dialectics at a Standstill Approach
- Page 946 and 947: with and finally overgrown by quota
- Page 948 and 949: teenth century, and in it a specifi
- Page 950 and 951: the immersion of what has been into
- Page 952 and 953: various reasons. Retrospectively, h
- Page 954 and 955: (Expose of 1935, section I). To beg
- Page 956 and 957: image. Physiognomic thought was ass
- Page 958 and 959: two meanings in Belamin's texts; th
- Page 960 and 961: clocks, as during the July revoluti
- Page 962 and 963: continued, "told me how to find you
- Page 964 and 965: He said that his decision to spend
- Page 966 and 967: Mter the vineY31-d, we rested on a
Influence of industry on language later than on the image (in the case of the<br />
Surrealists)<br />
Allegory and advertisement (Baudelaire)<br />
Police and conspirators; the porte-lanternes <br />
Physiognomic digressions<br />
the flilneur I (the bohemian)<br />
(the gambler) I the (dandy) I<br />
(the collector)<br />
Snob (the new)<br />
the new as antithesis to<br />
what conforms to a plan<br />
Fourierls serenity<br />
Godin and Ford<br />
<strong>The</strong> industrial Christ (Lamartine)<br />
Mercmy in Fourier<br />
(<strong>The</strong> Conunune as test of the revolutionary legend)<br />
{Construction has the role of the<br />
subconscious}<br />
Constluction in city planning<br />
TIle role of the big city in the<br />
nineteenth century<br />
Flaubert's style<br />
Image and destnlCtion in history<br />
Historical anamnesis<br />
Not-yet-conscious knowledge<br />
of what has been<br />
{Abolition of fashion}<br />
Effect and expression<br />
(<strong>The</strong> doubt about history)<br />
Components of death / Excursus on<br />
Proust<br />
(Fashion in Apollinaire) (Cabet and the end of fashion),<br />
(<strong>The</strong> city as object of fashion (Lefeuve))<br />
Relation between teclmology and art as key to fashion<br />
(<strong>The</strong> phenomenon of the quartiers (Jules Janin))<br />
Participation of women the nature of the commodity, by virtue of fashion<br />
(Connection of fashion with death)<br />
(<strong>The</strong>ories of fashion: Kan I Vischer)<br />
Fashion and colportage: "everybodis contemporary"2<br />
(Inclusion of sex in the world of matter)<br />
(Razing of the Passage de l'Opera during construction of the Boulevard<br />
Haussmann)<br />
(Irmption of perspective into city planning: end of the arcades)<br />
(Formation of workers' districts in the snburbs)<br />
(<strong>The</strong> end of the quartiers with Haussmann)<br />
(<strong>The</strong> language of the prefect of police)<br />
(Decline of the arcades in nuirese Raquin)
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