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The Arcades Project - Operi

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<strong>The</strong> untranslatable literature of flanerie. "Paris street by street and house by<br />

house"<br />

<strong>The</strong> flaneur and the collector; the archaic Paris of flil.nerie<br />

(<strong>The</strong> flaneur skirts actuality)<br />

(<strong>The</strong> city as a landscape and a room)<br />

(Egalili as phantasmagoria)<br />

(<strong>The</strong> tempo of fliinerie and its cessation; exemplified by the restaurant and<br />

the means of transport)<br />

Indecision of the flil.neur; ambiguity of the arcades; opaqueness of class rela­<br />

tions<br />

(<strong>The</strong> doll in the annex to the cocotte's)<br />

(Sexual-psychological interpretation of the cult of dolls; body and wax figure;<br />

disguise)<br />

Interior and museUll1<br />

(Jugendstil, or the end of the interior (Jugendstil and poster) .}<br />

Emancipation and prostitution<br />

Girardin; the demoiselles of 1830; Fourier and Feuerbach<br />

Emancipation and the Saint-Simonians; the cashier<br />

Cult oflove: attempt to deploy the technical force of production in opposi­<br />

tion to the natural force of production<br />

Rise of the proletariat; its awakening in the June Insurrection<br />

(<strong>The</strong> labor exchanges)<br />

<strong>The</strong> culture of the nineteenth century as a gigantic effort to stem the fo rces of<br />

production<br />

(Premature syntheses. Insurance against the proletariat)<br />

<strong>The</strong> Garde N ationale<br />

Precursors of stocks and bonds<br />

Change in the fonns of property as a result of the railroad<br />

Conuption in the awarding of contracts during construction on the railroad<br />

and during Haussmann's renovations<br />

(Plekhanov on the world exhibition of 1889)<br />

Museums and exhibitions<br />

r<strong>The</strong> enthronement of the commodity (advertising and exhibitions)}<br />

co<br />

o<br />

co

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