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The Arcades Project - Operi

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essence of the images which the dreaming subject of history engenders. <strong>The</strong> art<br />

that doubts its task must make novelty into its highest value . ..<br />

<strong>The</strong> press organizes the market in spiritual values, in which initially there is a<br />

boom. Eugene Sue becomes the first celebrity of the fiuilleton. Nonconformists<br />

rebel against the commodity character of art. <strong>The</strong>y rally round the barmer of l 'art<br />

pour l'art. From this watehword derives the eonception of the total work of art,<br />

whieh would seal art off from the further development of technology. <strong>The</strong> Ce­<br />

JamtkunJiwerk is a premature synthesis, which bears the seeds of death within it.<br />

<strong>The</strong> solenm rite with whieh it is celebrated is the pendant to the distractions<br />

which surround the apotheosis of the commodity. In their syntheses, both abstract<br />

from the social existence of human beings. Baudelaire succumbs to the<br />

rage for Wagner.<br />

VI. Hanssmann, or the Strategic Embellishment of Paris<br />

... increased the financial risks of Haussmannization.<br />

<strong>The</strong> world exhibition of 1867 marked the high point of the regime and of<br />

Haussmarm's power. Paris is confimled as capital of luxury and of fashions.<br />

Excursus on the political significance of fashion. Fashion's imlOvations<br />

leave intact the framework of domination. For those who are ruled,<br />

it passes the time in which those who rule luxuriate. <strong>The</strong> insights of<br />

F. Th. Vischer.<br />

Haussmall11 attempts to bolster his dictatorship . ..<br />

Fais voir, en dejouant la ruse,<br />

o republique, aces pervers<br />

Ta grande face de Moduse<br />

Au milieu de rouges eclairs.<br />

-Chanson d'ouvriers vel'S 1850<br />

<strong>The</strong> barricade returns to life during the Commune. It is stronger and better<br />

secured than ever. It stretches across the great boulevards and shields the<br />

trenches behind it. If the Communist Maniftsto ends the age of professional conspirators,<br />

then the Commune puts an end to the phantasmagoria according to<br />

which the proletariat and its republic are the fulfillment of 1789. This phantasmagoria<br />

conditions the forty years lying between the Lyons insurrection and the<br />

Paris Commune. <strong>The</strong> bourgeoisie did not share in this eITor . ..

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