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The Arcades Project - Operi

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Expose of 1935, Early Version<br />

<strong>The</strong> e,u'licst preserved draft of the expose of 1935 (it is untitled in the manuscript) may constitute<br />

Benjamin's first draft. Some pages appear to be missing, and for some paragraphs there arc two or<br />

even three separate versions. We have chosen to translate only passages presenting substantial<br />

differences from the definitive text of the expose, which appears on pages 3-13 of tIus volume.<br />

Passages that Benjamin crossed out appear in curved brackets { J. TIle complete draft is printed in<br />

Das PassagclI-Werk, voL 5 of Benjamin's Gesammeite Schrjflcn (Frankfurt: Suhrkamp, 1982), pp.<br />

1223-1237; it is followed by a version which Benjamin sent to Adorno and which, with respect to the<br />

translated texts, contains only minor variants.<br />

I. Fourier, or the <strong>Arcades</strong><br />

Chaque epoque reve la suivante.<br />

Miche1et, ''Avenir! AvenirJ"<br />

Corresponding to the fonn of the new means of production, which in the begin­<br />

ning is still ruled by the form of the old (Marx), are, in the social superstructure,<br />

wish images in which the new and the old interpenetrate in fantastic fasbion.<br />

TIlls interpenetration derives its fantastic character, above all, from the fact that<br />

what is old in tbe current of social development never clearly stands out from<br />

what is new, while tbe latter, in an effort to disengage from the antiquated,<br />

regeneratcs arcbaic, primordial elements. TI,e utopian images whicb accompany<br />

the emergence of tbe new always, at the same time, reach back to the primal past.<br />

In the dream in which eacb epoch entertains images of its successor, the latter<br />

appears wedded to elements of primal history. <strong>The</strong> reflections of the base by the<br />

superstructure are therefore inadequate, not because they will have been con<br />

sciously falsified by the ideologues of tbe ruling class, but because the new, in<br />

order to take the form of an image, constantly unites its elements with those of<br />

the classless society. <strong>The</strong> collective unconscious has a greater share in them than<br />

the consciousness of the collective. From the fmmer come tbe images of utopia

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