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Walter BeIamin at the card catalogue of the Bibliotheque Nationale in Paris, 1937. Photo by GiseIe Freund. Copyright © GiseIe Freund I Agence Nina Beskow.
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THE ARCADES PROJECT
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CONTENTS T"anslators' Foreword Expo
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A A page of Benjamin's manuscript m
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Saturnring oder Etwas vom Eisenbau"
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The The German German edition of th
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trace in a thousand configurations
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III. Grandville, or the World Exhih
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impinge impinge on on social social
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Paris, Capital of the the Nineteent
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Pericles could ah-eady have underta
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D. D. Baudelaire, or the Streets of
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witnesses its birth. Here we meet t
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plantation owner among his slaves:'
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Overview A Arcades, Magasins de Nou
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The Passage des Panoramas. Watercol
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eaders will be be disturbed by this
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For the first time in history, with
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A branch of La BelleJardiniere in M
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Au Bon Marche department store in P
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B B [Fashion] Fashion: Madam Death!
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Le Pont des planetes (Interplanetar
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case, the woman would have been the
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Sudden past of a city: windows lit
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two lines by Baudelaire could serve
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this idea; for how can we be sure t
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"Eternal return" is the fimdamental
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trated the spirit of the times as a
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This This malicious statement state
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To Tools ols used by HaUSSlllaIm'S
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pas (Paris, 1857), pp. 47-49. These
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Critique sociale, vol. 1, Capital e
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F F [Iron [Iron Construction] Const
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Railroad stations used to be known
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possibilities. H A. G. Meyer Eisen
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Interior of the Crystal Palace, Lon
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marmer .... Each of the twelve thou
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like the tops of Boucher s gates."
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arts-a view which is, unhappily, de
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two words can meet" (p. 25; it rema
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Le 1iiomphe du kaleidoscope, ou Le
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G [Exhibitions, Advertising, Grandv
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course, in the end, the law accordi
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goods? The answer is very simple an
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ments, marble statues, and bubbling
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without the slightest detriment."
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""Despite all the posturing with wh
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Connection of the first world exhib
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Exterior of the Crystal Palace, Lon
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y t.he government against the Inter
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clipped, grain threshed, coal extra
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1851. These precautions included co
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infancy, the Cyclopean period . ...
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its first ordeal." A. Toussenel, L
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queer thing, abounding in metaphysi
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a contest of pastry cooks. The 600,
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"avenue" illuminated at night by ga
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D [The Collector] All these old thi
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at hand through its integration int
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nate for the previous century has c
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of the Holy Sacrament and The Schoo
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forms of argumentation to which the
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How the interior defended itself ag
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Under the bourgeoisie, cities as we
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ooms in coffeehouses. Each coffeeho
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""The drawing rooms of the Second E
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invent some sort of casing for! Poc
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ersP' Victor Fournel, Ce qu'on voit
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you are. The durability of products
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entiation. Changes in fashion disru
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Charles Baudelaire, 1855. Photo by
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Baudelaire-after his enforced sea v
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executed thus: the plate is set upr
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The title originally planned for Sp
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"Madame Bovary, in what is most for
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drawings, in distilling the bitter
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of the delivery was truly striking.
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lllire. -'Bnt your name is BlIudel
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heaven;' Baudelaire, OeuvreJ, vo!'
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"He is always polite to what is ugl
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horrible funk" writes the latter Ba
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makers as they are useless for form
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Thibaudet juxtaposes Baudelaire's '
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eing studiously contemplated, the e
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slowness from its long virtuality:
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of pure imagination, lose the use o
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I ... atin and Greek-in which I did
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Leconte de Lisle s opinion that Ba
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Dne Madone is a Baroque statue in
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The hidden figure that is the key t
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Apropos of "The greathearted servan
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Explore the question whether a conn
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fluttered like the sleeves of a cle
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v . 1 .. The definitive title for t
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Bourdin: son-in-law of Villemessant
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According to Le Dantec, the second
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concentration has caused him to red
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am convinced that, if the syllables
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The following passage shows the cro
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nard." Edmond J aloux, Le Centenair
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past, to think of things which are
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In the Dernieres Lettres (p. 145),
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In his commemorative address, Banvi
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suddenly reopened it under the lamp
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Note the rigor and elegance of the
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o o eo The importance of theory for
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Underneath that dark and fatal claw
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only if one took out a subscription
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""Baudelaire does not give us a lif
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00 o '" ""He was the first . .. to
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women give suck . .. , in their psy
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more deplorable than to be utterly
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and back." Ch. B., Oeuvres complete
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"Stupidity is often the ornament of
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The figure of the lesbian woman bel
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Sainte-Beuve with the words : "They
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v . 1 .. The unique importance of B
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.§ ) ... The mental capacities tha
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The image of petrified unrest, iu t
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On allegory: "L'Amour et Ie crane:
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the public . .. the mechanism behin
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to mention the transfiguration of P
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work of Poe, who thus became irrepl
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Les Fleun du mal may be considered
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forms an obstacle in its path. His
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This image has contributed greatly
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p. 133 ("Equilibrium between the Ae
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judging solely by the lights of a r
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his nonconformity, was in this resp
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The experience of allegory, which h
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o en M haschisch;' Oeuvres, vol. 1,
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no words could convey to the merely
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"On solemn eves of Heavenly harvest
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without jealousy, sympathetic and r
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tionary communists-from the public
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Closing lines of "Le Vin des chiffo
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a thousand splendors, / Is a sumptu
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For the materialist dialectician, d
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understanding its Baroque form. He
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I.I.While the parliamentary party o
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deed of nihilism, which is suicide"
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Modernity, in this work, is what a
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v . ] .. Allegory, as the sign that
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Among the legends which circulated
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No more hees sipping dewdrop and th
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o CO CD "BauclelaiI'c's weighty phr
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existence, to an attitude of patien
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first, vegetable kingdom next, mine
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America. Near the Capitol the roofs
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K [Dream City and Dream House, Drea
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configuration, they are as much nat
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than the nowbeing of "the present t
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More than a hundred years before it
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to disallow the pretentions of abst
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isolation . . . . The temple ought
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"There can be no doubt that from ..
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Couldn't one compare the social dif
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discover there, where our muscles d
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today, in the age of the automobile
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they also arranged to have outstand
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the next in perspective, offering f
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that sheet of' alluvium, subterrane
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son of the princess. The intimacy o
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M [The FHtueur] A landscape haunts,
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pletely distances himself from the
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on as we would imagine them to do i
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"It is wonderful that in Paris itse
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anonymous engineering, a grade cros
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then ... there was scarcely a tavem
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pavement, so as not to delay the op
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knowing it; yet notlllng is more fo
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was a poor devil whose means forbad
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nomy. The difference between this p
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torrent where you are rolled, buffe
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door is closed. 'Dickens himself ha
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Frontispiece of the third volume of
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""That poetry of terror which the s
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In Le 6 o(/obn, in Chapter 17, "Le
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Description of the crowd in Baudela
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ary urban culture ... forces us to
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v Which last is a scheme of ' paper
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ahout the same faces, the same appe
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who, in the midst of his wanderings
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[On the Theory of .Knowledge, Theor
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down from the arcades in the readin
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Marx lays bare the causal connectio
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condition of technology. The old pr
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identical with the "now of recogniz
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The particular difficulty of doing
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these values originated, but of the
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fonns of appropriate behavior. What
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of the artist reaches back to the p
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The dialectical image is that form
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The archaic form of primal history,
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late, and politics always needs to
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tdalterliche Zeitanschauungen in il
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accentuate the rags of mendicants .
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tive . . , content hy the historica
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The now of recognizability is the m
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Focillon on technique: "It has been
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fills all wanton behavior with fate
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"Hirondelles-women who work the win
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of this decline fuses, as though of
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tated, provoked above all by the lo
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that only the superior strength of
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o o "' this woman from passing beyo
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8 '" oneself that the woman who at
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could withstand the exorbitant comm
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Should the flower fashions of the B
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00 o "' "'After the Cafe de Paris c
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strain of knowing that her life is
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way, in that red cotton fabric that
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the Palais-Royal of 1789 . ... In s
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[The Streets of Paris] In short, th
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'Pont d'Austerlitz! Its famous name
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well as their population, and havin
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of the inhabitants." J. B. Pujoulx,
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the bit of blue which the northern
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The importance accorded the traffic
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the coarse moustaches of these infe
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sentation of certain still-life obj
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Principal panoramic representations
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Diorama on the Rue de Bondy, 1837.
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The world exhibition of 1889 had a
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merged with tlus, his image. Even t
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figures . ... Before every door sto
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A look at the ambiguity of the arca
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inely unique-what will never recur.
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only holds good in the space of the
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of this Jugendstil than Barcelona,
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ing, frescoes, decorative tapestry,
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On the upside-down manor house: ""T
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ancient grandeur of painting to its
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This phony in sum knows how to mana
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The fundamental motif of Jug ends t
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In his "Salons;' Baudelaire has giv
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T [Modes of Lighting] Et noctumis f
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D this kind of lighting, which was
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weekly, on Thursdays and Sundays, a
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the glass tubing, and so forth-were
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[;; to this general illumination, u
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"The influence and development of S
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process for producing gas lighting.
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had run aground on metaphysics.' H
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purpose of stock market quotations?
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o 00 "' people who no longer threat
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2,700,000 volumes were put into cir
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only the hanknotes of paradise, and
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'" 00 "' proclaimed itself the wond
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00 00 '" is called "Le Voyageur du
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""Let us put an end to honors for A
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Primate of the Gauls; there was the
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Le Globe (October 31, 1331), with r
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federation, when their hands are no
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00 '" "' women, were in no way the
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o o '0 French bourgeoisie gains too
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N '" co they arrived on the day bef
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mediating power, the good sense of
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guine in character anyway like all
Page 623 and 624:
00 o
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the uniform of Poly technicians, se
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. 1 CJ .. and simple, . .. who want
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Russia can huy the head of the Repu
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(May 1, 1937), pp. 695-696. The Jes
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the Provisional Goverrnnent to regi
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w [Fourier] Seas they fathom! Skies
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the heart, so as to bring the blood
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the sun and the harmonized planets.
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" Heine was well acquainted with so
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he saw it, took its rise from the i
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should govern him. Let us rescue it
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Fourier, Oeuvres, vol. , p. 260: "
Page 649 and 650:
. can eventuate only in Harmony. Al
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since the invention of the chariot;
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those of Paris, who, as workers in
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and his soul fades into the planeta
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plants. m Armand and Maublanc, Four
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· . . on their clothing." ""Althou
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Fourier: 'Every calling has its cou
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Ten million francs would be needed
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quite eccentric in its outward aspe
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than consciousness of existing prac
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Time in technology: " As in a genui
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sanctioned by the so-called univers
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is what Marx is referring to when h
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time. They are nothing more than th
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show that the mythological mode of
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exchange. In fact, this 'equality'
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would he difficult to explain why,
Page 683 and 684:
Korsch says very justly (and one mi
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ole of the immediate production of
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eform, working with only their one
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exposure time, I found it difficult
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Among the inventions that predate p
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like Paul Del.roche in his painting
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o 00
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NADAR_ ileValli la Photograpbie it
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not the process. Whoever possesses
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'" ro '" The first photographic int
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an image in the atmosphere, that al
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o m '" happy to have faithfully rep
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hasten to enrich the tourist's albu
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are bewitched, but the evil spell o
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which deals with the material-each
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a [Social Movement] Reveal to these
Page 715 and 716:
o R breaking through walls. As soon
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f2 Episodes in the June Insurrectio
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f2 rigorously monitored the worker
Page 721 and 722:
to him. m Eugene Buret, La Misere d
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ourgeoisie were already fearful of
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We arc nothing but machines. Our Ba
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incendiary deeds, spoke already of
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Chassin, La Legende du Petit Mantea
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I 1) o en Will Look out on an oce
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"'I will rouse the people with my u
Page 735 and 736:
Jules Mercier "L'Arche de Dieu," in
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f! From Robert (du Var) l Ilistoire
Page 739 and 740:
Adolphe Boyer, De l'Etat des ouvrie
Page 741 and 742:
Ganneau's "Page prophetique ' was
Page 743 and 744:
the author accentuates the "·pecul
Page 745 and 746:
On Buret's De la Miser'e des classe
Page 747 and 748:
g? Poetry . .. has sanctioned the g
Page 749 and 750:
Cuvillier presents Proudhon as a pr
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the Sirens to he crew of his ship a
Page 753 and 754:
symptoms of a disease that today in
Page 755 and 756:
[Daumier] A paradoxical description
Page 757 and 758:
Honore Daumier, ca. 1857. Photo by
Page 759 and 760:
d [Literary History, Hugo] "'Thiel'
Page 761 and 762:
exclusive glory of the triumphant B
Page 763 and 764:
It is worthy of note that the prefa
Page 765 and 766:
L'Artiste et I 'amateur du dix-neuv
Page 767 and 768:
Alexandre Dumas pere, 1855. Photo b
Page 769 and 770:
age of disonler and viee nUlS agt"O
Page 771 and 772:
On Victor Hugo: He placed the ballo
Page 773 and 774:
11,e novels of George Sand led to a
Page 775 and 776:
arm the masses. Cited in eh. Paris
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prudent, will henceforth sap the pi
Page 779 and 780:
the other hand, and that of Murger,
Page 781 and 782:
interior. Events having brusquely r
Page 783 and 784:
which had already come rather far o
Page 785 and 786:
was, as a stupid politician, denyin
Page 787 and 788:
dominating the serial format, and i
Page 789 and 790:
in all seriousness by our salon sav
Page 791 and 792:
hounds and the faxes are yelping, d
Page 793 and 794:
The gargoyles of Notre Dame must be
Page 795 and 796:
which were government bureaucrats.
Page 797 and 798:
the Stock Exchange, diverted for te
Page 799 and 800:
Balzac's portrait of the speculator
Page 801 and 802:
• I [Reproduction Technology, Lit
Page 803 and 804:
k [The Commune] "The history of the
Page 805 and 806:
Then, in the Assemblies of the Comm
Page 807 and 808:
ACTUAlly[ Actualite (Actuality), a
Page 809 and 810:
A barricade of the Paris Commune, R
Page 811 and 812:
I [The Seine, the Oldest Paris] Aro
Page 813 and 814:
sance des mathematiques pour assnre
Page 815 and 816:
m [Idleness] Noteworthy conjunction
Page 817 and 818:
a product of chance, and have about
Page 819 and 820:
evinced in the theory of "modern be
Page 821 and 822:
"" o 00 often, idleness is the very
Page 823 and 824:
00 o 00 the redeemer of man ' 8 bet
Page 825 and 826:
;:: threshold of the hedroom, a dev
Page 827 and 828:
Publication date of the first issue
Page 829 and 830:
Jesus had yielded to the natural in
Page 831 and 832:
Around the time that "physiologies"
Page 833 and 834:
[Ecole Poly technique ] On commerce
Page 835 and 836:
Poly technique. The student would d
Page 837 and 838:
In Le Cure de village, which Balzac
Page 839:
points. His primer hegins ... with
Page 843 and 844:
Trade and traffic are the two compo
Page 845 and 846:
If one wanted to characterize the i
Page 847 and 848:
stations make good starting points,
Page 849 and 850:
All this is the arcade in our eyes.
Page 851 and 852:
Tl isit, Wagram, Calais, Antwerp, L
Page 853 and 854: What is une psychi?19 . The city ma
Page 855 and 856: VVhat was otherwise reserved for on
Page 857 and 858: Death and fashion. Rilke, the passa
Page 859 and 860: Hermes, the masculine god. It is ch
Page 861 and 862: The writings of the Surrealists tre
Page 863 and 864: 00 .". 00 Around the same time, the
Page 865 and 866: something very characteristic of th
Page 867 and 868: How Blucher gambled in Paris. (See
Page 869 and 870: Superposition accordiug to the rhyt
Page 871 and 872: slot machines, the mechanical fortu
Page 873 and 874: 00 "' 00 It must be kept in mind th
Page 875 and 876: o '"' 00 of Schiller's we read of
Page 877 and 878: ance, we have to experience indire
Page 879 and 880: Concretion extinguishes thought; ab
Page 881 and 882: Thomasius, Vam Recht des Schlafi un
Page 883 and 884: Fashion is intention that ignites;
Page 886 and 887: Arcades This brief essay, dating fr
Page 888 and 889: These originally untitled texts (G
Page 890 and 891: on the tip of one's tongue. Nter al
Page 892 and 893: information bureaus and detective a
Page 894 and 895: inclined to linger before the trans
Page 896 and 897: ealized: here, at one time, after P
Page 898 and 899: superstition. Thus in gambler and p
Page 900 and 901: The Ring of Saturn or Some Remarks
Page 902 and 903: allow our steel furnishings of toda
Page 906: ADDENDA
Page 909 and 910: that have left their trace in a tho
Page 911 and 912: solves into a legal opposition and
Page 913 and 914: [1] (Balzac was the first to speak
Page 915 and 916: o '" 0> 1870 Plebiscite: 7,350,000
Page 917 and 918: The not-yet-conscious knowledge of
Page 919 and 920: Influence of industry on language l
Page 921 and 922: Attaclllng to the first appearance
Page 923 and 924: 00 o '" Efforts to shed light on t
Page 925 and 926: (Beginning: description of the pres
Page 927 and 928: The now of recognizability is the m
Page 929 and 930: ;': No. 20" 0> Plan of March 1934 +
Page 931 and 932: No. 22 The sex appeal of the commod
Page 933 and 934: tory of humanity-as prophecy-has, a
Page 935 and 936: g '" Parisians on Paris. Pickup, mo
Page 937 and 938: (fA fa Capricieuse/' lingerie de to
Page 939 and 940: .". '" m '. .1j G " '" -*I . '(B
Page 942: "Dialectics at a Standstill" I "The
Page 945 and 946: Gesannnelte Schriften-rarely go the
Page 947 and 948: For the reader endowed with such an
Page 949 and 950: ment with dmgs. Both represented at
Page 951 and 952: image of the "eternal retmn of the
Page 953 and 954: century France-back to what Marx ha
Page 955 and 956:
ture is the expression of the infra
Page 957 and 958:
and, above ail," it feels "this obj
Page 959 and 960:
could employ at any time, For him,
Page 961 and 962:
The Story of Old Benjamin By Lisa F
Page 963 and 964:
were going to cross the border and
Page 965 and 966:
chief, he said: "Oh that. The morni
Page 967 and 968:
oad; through a haze, I see us stand
Page 969 and 970:
Halmah Arendt has "Written about th
Page 971 and 972:
6. Jules Michelet, "Avenir! Avenir!
Page 973 and 974:
17. "The Seven Old Men;' in Baudela
Page 975 and 976:
o '" '" 7. Andre Breton, Niuija, tr
Page 977 and 978:
11. Karl Marx, Capital, vol. 1, tra
Page 979 and 980:
the room-was a spacious, half-open
Page 981 and 982:
Press, 1992), p. 177. Adomo's essay
Page 983 and 984:
II o Z 10. The MilTor of Art: Criti
Page 985 and 986:
8 II Z 71. See Tile Mirror of Art,
Page 987 and 988:
f! m N co N I m '" N 00 0': B 00
Page 989 and 990:
181. See Selected Leiters ofCharies
Page 991 and 992:
251. Ibid., pp. 171, 172, 173. Niet
Page 993 and 994:
325. Baudelaire, Oeuvres completes,
Page 995 and 996:
o 00 '" 392. Baudelaire, Les Fleurs
Page 997 and 998:
454. "Die Modeme hat die Antike wie
Page 999 and 1000:
jarnin's phrase, in the second sent
Page 1001 and 1002:
hashish (GS, vol. 6, p. 564; in Eng
Page 1003 and 1004:
Frisby (London: Routledge, 1990), p
Page 1005 and 1006:
co 0> 0> with reference to dle four
Page 1007 and 1008:
7. Anatole France, The Garden qf Ep
Page 1009 and 1010:
2. Anatole France, The Gmd(''J1 qf
Page 1011 and 1012:
ImjJroved. The preface was extensiv
Page 1013 and 1014:
shameful than fraud." Cicero, De Of
Page 1015 and 1016:
o o o 00
Page 1017 and 1018:
2. Karl Marx and Friedrich Engels,
Page 1019 and 1020:
38. Baudelaire as a LiteraJY Critic
Page 1021 and 1022:
29. Marx, Capital, vol. 1, p. 552n.
Page 1023 and 1024:
00 o o 11. GleicllSclzaltung ('ali
Page 1025 and 1026:
21. Benjamin wrote this sketch in F
Page 1027 and 1028:
3. Alfred Gotthold Meyer, Eisenbaut
Page 1029 and 1030:
or in a desultory fashion, we fll1d
Page 1031 and 1032:
Guide to Names and Terms Abdel Krim
Page 1033 and 1034:
Bairam. Either of two Muslim religi
Page 1035 and 1036:
Blonde!, Jacques Franois (1705-1774
Page 1037 and 1038:
Carnot, Lazare (1753-1823). Statesm
Page 1039 and 1040:
lections of folklore and popular ta
Page 1041 and 1042:
Delord, TaxiIe (1815-1877). French
Page 1043 and 1044:
Enfantin, Barthelemy-Prosper (1796-
Page 1045 and 1046:
founded the religion known as Evada
Page 1047 and 1048:
2 information about his parentage.
Page 1049 and 1050:
Jehuda Uudah) ben Halevy (ca. 1085-
Page 1051 and 1052:
La Hodde, Lucien de (1898-1865). Po
Page 1053 and 1054:
.9 Loban, Georges (1770-1838). High
Page 1055 and 1056:
Mehring, Franz (1846-1919). German
Page 1057 and 1058:
Les Mysteres de Londres. Novel by P
Page 1059 and 1060:
acquired the patent, and developed
Page 1061 and 1062:
Prevost, Pierre (1764-1823). French
Page 1063 and 1064:
guages at Erlangen and Berlin. Auth
Page 1065 and 1066:
scent. Author of Nouveaux PrincijJe
Page 1067 and 1068:
Unold, Max (1885-1964). German writ
Page 1070 and 1071:
Index Abele! Krim, 531, 878 About,
Page 1072 and 1073:
377; Toussenel and, 2111-242; trans
Page 1074 and 1075:
Borme, Daniel, 617618 Bome, Ludwig,
Page 1076 and 1077:
Degas, Edgar, 688 D'Eichthal, Gusta
Page 1078 and 1079:
Galeries de Bois, 39 Galignani, Le,
Page 1080 and 1081:
Ingres,Jean Auguste Dominique, 556,
Page 1082 and 1083:
Lucas-Dubrctol1,J, 47, 523, 744, 75
Page 1084 and 1085:
Paris, Gaston, 549 Paris Chronicle,
Page 1086 and 1087:
Romains,jules, 99, 266,373, 443-444
Page 1088 and 1089:
Varlil1, Louis-Eugene, 795 Varnhage
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