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The Arcades Project - Operi

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o<br />

'"'<br />

00<br />

<br />

<br />

of Schiller's we read of "the hesitant VYing of the butterBy:'50 This points to that associa­<br />

tion of wingedness with the feeling of indecision which is so characteristic of hashish<br />

intoxication. <br />

Hofmannsthal's plan for <strong>The</strong> Novice and for <strong>The</strong> Fortuneteller.51<br />

Polemic against iron rails, in the 18305. A. Gordon, A Treatise in Elementaryl Locomotion)<br />

wanted to have the "steam carriage" run on lanes of granite. <br />

Great collectors. Pachinger, Wo lfskehPs friend, who has put together a collection that, in<br />

its anay of proscribed and damaged objects, rivals the Figdor collection in Vienna. On the<br />

Stachus, he suddenly stoops to pick up something he has been seeking for weeks: a<br />

misprinted streetcar ticket that was in circulation for only one hour. Gratz in Wuhlgarten.<br />

<strong>The</strong> family in which everyone conects something, for example matchboxes. Pachinger<br />

hardly knows any more how things stand in the world; explains to his visitors-alongside<br />

the most antique implements-the use of pocket handkerdliefs, distorting mirrors, and<br />

the like. "Beautiful foundation for a collection;' Hoerschehnann. A German in Paris who<br />

collects bad (only bad!) art. <br />

Waxworks: mixture of the ephemeral and the fashionable. Woman fastening her garter.<br />

Nadja , p. 52 <br />

Aporias of town planning (beauty of old districts), of museums, of street l1aIIles, of<br />

interiors. <br />

<br />

One can characterize the problem of the foml of the new art straight on: When and how<br />

will the worlds of form which, without our having expected it, have arisen, for example,<br />

in mechanics, or in machine constmction, and subjugated us-when -will they make<br />

whatever nature they contain into primal llistory? vVhen will we reach a state of society in<br />

those arising from them, themselves to us as natural<br />

forms? <br />

On Veuil1ot's "Paris is musty and close." Fashions and the complete antithesis to the<br />

open-air world of today. <strong>The</strong> "glaucous gleam" under the petticoats, of which Aragon<br />

speaks. <strong>The</strong> corset as the torso's arcade. VVhat today is de rigueur among the lowest class<br />

of prostitutes-not to undress-may once have been the height of refinement. Hallmark Q[<br />

yeJterda)

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