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The Arcades Project - Operi

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VVhat was otherwise reserved for only a very few words-a privileged caste of words, the<br />

names-the city has made possible for all words, or at least a great many: to be elevated<br />

to the noble status of name. And this supreme revolution in language was carried out by<br />

what is most general: the street. And a vast order appears in the fact that all names in the<br />

cities nm into one another without exercising any influence on one another. Even<br />

those much-overused names of great men, already half-congealed into concepts, here once<br />

more pass through a filter and regain the absolute; through its street names, the city is<br />

image of a linguistic cosmos. <br />

Only the meeting of two different street names makes for the magic of the<br />

"corner." <br />

Names of streets written vertically (when? book? at any rate German) . On<br />

the invasion of the letters. <br />

<strong>The</strong> structure of books like La Grande Ville, Le Diable Ii Paris, Les Franfais peints par<br />

eux-memes is a literary phenomenon that corresponds to the stereoscopes, panoramas, and<br />

so ford1. <br />

TIle true has no windows. Nowhere does the hue look out to the universe. And the<br />

interest of the panorama is in seeing the true city. "<strong>The</strong> city in the bottle"-the city<br />

indoors. "What is found within the windowless house is the true. One such windowless<br />

house is the theater; hence the eternal pleasure it affords. Hence, also, the pleasure taken<br />

in those windowless rotundas, the panoramas. In the theater, after the beginning of the<br />

perfonnance, the doors remain closed. Those passing through 8Tcades are, in a certain<br />

sense, inhabitants of a panorama. <strong>The</strong> windows of this house open out on them. <strong>The</strong>y can<br />

be seen out these windows but cannot themselves look in. <br />

Paintings of foliage in the Bibliotheque Nationale. 'Ibis work was done in . .. <br />

With the dramatic signboards of the magasills de nouveautes, "art enters the service of the<br />

businessman." <br />

Persian fashion makes its appearance in the mania for magasins.<br />

Fate of street names in the vaults of the Metro. <br />

On the peculiarly voluptuous pleasure in nanling streets. Jean Brunet,<br />

Le MeJsianisme, organisation generale Paris: Sa constitution generale) part 1 (paris,<br />

1858). "Rue du Senegal;' "Place d'Afrique:' In this cOlmection,<br />

something on the Place du Maroc. Monnments are sketched out in<br />

this book, too. <br />

Red lights marking the entrance to the underworld of nan1es. Link between<br />

name and labyrinth in the Metro. <br />

Cashier as Danae.

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