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The Arcades Project - Operi

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Everywhere stockings play a starring role. <strong>The</strong>y are found in the photographer's studio,<br />

then in a doll hospital, and, one day, on the side table of a tavern, watched over by a girl.<br />

<br />

<strong>The</strong> arcade may be conceived as mineral spa . Arcade myth, with legen­<br />

dary source. <br />

It is high time the beauties of the nineteenth century were discovered. <br />

Arcade and railroad station: yes / Arcade and church: yes / Church and railroad station:<br />

Marseilles / <br />

Poster and arcade: yes / Poster and building: no / Poster and : open / <br />

Conclusion: erotic magic / Tune / Perspective / Dialetical reversal (commodity-type).<br />

<br />

<strong>The</strong>re is, to speak once more of restaurants, a nearly infallible criterion for determining<br />

their rank. This is not, as one might readily assume, their price range. We find this<br />

unexpected criterion in the color of the sound that greets us when <br />

<strong>The</strong> solemn, reflective, tranquil character of the Parisian mealtime is measured<br />

less by the particular dishes served than by the stillness that surrounds you in the<br />

restaurant, whether it be before uncovered tables and plain white walls or in a<br />

carpeted and richly furnished dining room. Nowhere does one find the hubbub<br />

of a Berlin restaurant, where patrons like to give themselves airs and where food<br />

is only a pretext or necessity. I know a shabby, dark room in the very middle of<br />

which, a few minutes past noon, milliners from nearby shops gather around long<br />

marble tables. <strong>The</strong>y are the only customers, keeping quite to themselves, and<br />

they have little to say to one another during their short lunch break. And yet-it<br />

is merely a whispering, from which the clinking of knives and forks (refined,<br />

dainty, as though punctuated) continuously rises. In a "Chauffeurs' Rendezvous;'<br />

as the small bistros like to call themselves, a poet and tlunker can have his<br />

breakfast and, in an international company of Russian, Italian, and French taxi<br />

drivers, advance his thoughts a good distance. If he wants, however, to enjoy the<br />

undivided sociable silence of a public repast, he will not turn his steps toward any<br />

of tl,e venerable old Paris restaurants, and still less toward one of the newer chic<br />

establishments; rather, he goes to seek out, in a remote quartier, the new Parisian<br />

mosque. TI,ere he finds, along with the indoor garden and its fountains, along<br />

with the obligatory bazaar full of carpets, fabrics, and copperware, three or four<br />

medium-sized rooms furnished with stools and divans and lit by hanging lamps.<br />

He must of course bid adieu not only to French cooking, which he exchanges for<br />

a choice Middle Eastern cuisine, but above all to French wines. Nevertheless,<br />

within months of its opening, the best Parisian society had already discovered the<br />

"secrets of the nl0sque" and now takes its coffee in the little garden, or a late<br />

supper in one of tl,e adjoining rooms.

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