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The Arcades Project - Operi

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[Anthropological Materialism, History of Sects]<br />

Gustav: "Your bottom is . .. divine!"<br />

Berdoa: "And immortal as well, I hope."<br />

Gustav: "What?"<br />

Berdoa: "Nothing."<br />

-Grabbe, Herzog Th eodor von Gothland1<br />

<strong>The</strong> grandiose and lachrymose Memoires de Chodruc-Duclos, edited by J. Arago<br />

and Edouard Gouiu (paris, 1843), iu two volumes, are occasionally iuterestiug as<br />

the rudiments of a physiology of the beggar. <strong>The</strong> long preface is unsigned and<br />

says nothing about the manuscript. <strong>The</strong> memoirs could be apocryphal. We read<br />

at one poiut: "Let there be no mistake about it: it is not the refusal that humiliates<br />

so much as the almsgiving. . .. I never stretched out my hand iu supplication. I<br />

would walk more quickly than the man who was goiug to accede to my request;<br />

passiug him, I would open my right hand, and he would slip something iuto it"<br />

(vol. 2, pp. 11-12). At another point: "Water is sustaiuiug! . .. I gorged myself<br />

with water, siuce I had no bread" (vol. 2, p. 19). [pI,I]<br />

Scene in the dormitory of a prison at the beginning of the 18308. <strong>The</strong> passage is<br />

cited in Benoist without indication of author: "In the evening with the dormitory<br />

in an uproar, "the republican workers, before going to bed performed La R{wolution<br />

de 1830, a theatrieal charade they had composed. It reproduced all the scenes<br />

of the glorious week, from the decision of Charles X and his ministers to sign the<br />

July Ordinances, to the triumph of the people. <strong>The</strong> hattIe on the barricades was<br />

represented hy a hattIe with holsters carried on behind a lofty pile of beds and<br />

mattresses. At the end, victors and vanquished joined forces to sing ·'La Marseillaise.<br />

"'" Charles Benoist, '"'L'Homme de 1848," part 1, Revue des deux mondes<br />

(July 1, 1913), p. 147. <strong>The</strong> passage cited presumably comes from Chateaubrial1d.<br />

[pl,2]<br />

Ganneau. '"'"<strong>The</strong> Mapah ... appears to us under the aspect of the perfect dandy,<br />

who loves horses, adores women, and has u taste for the high life but is entirely<br />

impecunious. This lack of funds he makes up for through gamhling; he is a hahitue<br />

of all the gambling dens of the Palais-Royal. ... He helieves himself destined to be

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