The Arcades Project - Operi

The Arcades Project - Operi The Arcades Project - Operi

07.04.2013 Views

of the grande dame. Yet fashion is in much steadier, much more precise contact with the coming thing, thanks to the incomparable nose which the feminine collective has for what lies waiting in the future. Each season brings, in its newest creations, various secret signals of things to come. Whoever understands how to read these semaphores would know in advance not only about new currents in the arts but also about new legal codes, wars, and revolutions. 3 of the grande dame. Ye t fashion is in much steadier, much more precise contact with the coming thing, thanks to the incomparable nose which the feminine collective has for what lies waiting in the future. Each season brings, in its newest creations, various secret signals of things to come. Whoever understands how to read these semaphores would know in advance not only about new currents in the arts but also about new legal codes, wars, and revolutions.3-Here, -Here, surely, lies the greatest charm of of fashion, but also the difficnlty of making the charming charming fruitful. [B1a,lJ "Whether you translate Russian fairy tales, Swedish family sagas, or English picaresque novels-you will always come back in the end, when it is a question of setting the tone for the masses, to France, not because it is always the truth but because it will always be be the fashion:' , pp. 227-228. Each time, what sets the tone is without doubt the newest, but only where it emerges in the medium of the oldest, the longest past, the most ingrained. Tills spectacle, the unique self-construction of the newest in the medium of what has been, mal

of the grande dame. Yet fashion is in much steadier, much more precise contact<br />

with the coming thing, thanks to the incomparable nose which the feminine<br />

collective has for what lies waiting in the future. Each season brings, in its newest<br />

creations, various secret signals of things to come. Whoever understands how to<br />

read these semaphores would know in advance not only about new currents in<br />

the arts but also about new legal codes, wars, and revolutions. 3 of the grande dame. Ye t fashion is in much steadier, much more precise contact<br />

with the coming thing, thanks to the incomparable nose which the feminine<br />

collective has for what lies waiting in the future. Each season brings, in its newest<br />

creations, various secret signals of things to come. Whoever understands how to<br />

read these semaphores would know in advance not only about new currents in<br />

the arts but also about new legal codes, wars, and revolutions.3-Here, -Here, surely,<br />

lies the greatest charm of of fashion, but also the difficnlty of making the charming charming<br />

fruitful. [B1a,lJ<br />

"Whether you translate Russian fairy tales, Swedish family sagas, or English<br />

picaresque novels-you will always come back in the end, when it is a question of<br />

setting the tone for the masses, to France, not because it is always the truth but<br />

because it will always be be the fashion:' , pp. 227-228. Each time, what sets the tone is without doubt the<br />

newest, but only where it emerges in the medium of the oldest, the longest past,<br />

the most ingrained. Tills spectacle, the unique self-construction of the newest in<br />

the medium of what has been, mal

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