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The Arcades Project - Operi

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interior. Events having brusquely removed him from active politics, he devoted<br />

himself to letters, making his debut with several newspaper articles . . . . In Le<br />

Journal amusant, Le Figaro, and some other journals, he published articles deal­<br />

ing mainly with Parisian customs and practices. For some time, at Le Siecle, his<br />

special assignment was t.he Paris town council." During the second half of the<br />

1850s, he was in exile in Belgium, where he had fled to escape a prison sentence<br />

incurred while he was editor of Le Rabelais. Later, he would endure prosecutions<br />

for plagiarism. Information in Pierre Larousse, Grand Dictionnaire universel du<br />

XIX' siec/e, voL 6 (Paris, 1870), p, 385 (article: "Delvau"), [dll,3]<br />

During the reign of Napoleon III, Benjamin Gastineau had already been twice<br />

deported to Algeria. "Under the Paris Commune. M. Gastineau was named inspector<br />

of communal libraries. <strong>The</strong> twent.ieth council of war, charged with t.rying his<br />

case, could find no evidence of any breach of common law. He was nevertheless<br />

condemned to deportation in a fortified cell. " Pierre Larousse, Grand Dictionnaire<br />

universel du XIX" siecle, vol. 8 (Paris, 1872), p. 1062.-Gastineau had be­<br />

gun his career as a typesetter. [dllA]<br />

Pierre Dupont: ""Ine poet, as he says in one of his little poems, 'listens, by turns,<br />

to the forests and the crowd.' And in fact it is the great mstic symphonies, the<br />

voices through which nature in its entirety speaks, as well as the clamor, the<br />

griefs, the aspirations and lamentations of the crowd, that make for his double<br />

inspiration. <strong>The</strong> song such as our fathers knew it ... , the drinking song or even<br />

the simple ballad, is utterly foreigo to him." Pierre Larousse, < Grand> Dictionnaire<br />

universe! du XIX' siecie, voL 6 (Paris, 1870), p. 1413 (article: "Dupont"). Hence,<br />

with Baudelaire, hatred for Beranger is an element of his love for Dupont.<br />

[dUa,l]<br />

Gustave Simon descrihes the scenes that took place in front of Paguerre's hook­<br />

shop when the second and t.hird parts of Les iWiserables were delivered: '''On May<br />

15, 1862,' he writes, 'a little before 6:00 in the morning, a dense crowd was gather­<br />

ing on the Rue de Seine before a shop that was still closed. <strong>The</strong> crowd kept growing<br />

larger and, impatient with waiting, hecame noisy, even riotous . ... <strong>The</strong> pavement<br />

was obstructed by an impassable jumble of delivery carts, private carriages, cabs,<br />

carioles, and even wheelbarrows. People had empty baskets on their hacks . ... It<br />

was not yet 6:30 when the crowd, hecoming more unruly by the minute, started<br />

pushing against the shopfront, while those in the vanguard knocked with redou­<br />

bled force on the door. Suddenly, a window was opened on the second fioor; a lady<br />

appeared and exhorted the assemhled citizens to be more patient. ... <strong>The</strong> shop to<br />

which they were preparing to lay siege was quite inoffensive; only hooks were sold<br />

there. It was Paguerre's hookshop. <strong>The</strong> people hurling t.hemselves at the building<br />

were bookstore clerks, agents, huyers, and hrokers. <strong>The</strong> lady who spoke from her<br />

second-floor window was Madame Paguerre. '" Alhert de Besancourt, Les Pamphlets<br />

contre Victor Hugo (Paris), pp. 227-228; cited in Gustave Simon, '''Les

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