The Arcades Project - Operi
The Arcades Project - Operi The Arcades Project - Operi
waHhed everywhere, and maintained order-that is, night. . . . The eye which might have looked from above into that mass of shadow would have caught a glimpse in the distance here and there, perhaps, of indistinct lights, bringing out broken and fantastic lines, outlines of singular constructions, something like ghostly gleams coming and going among ruins; these were the barricades." Oeltvres completes. novels, vol. 8 (Paris, 1881), pp. 522-523.-The following passage is from the chapter "' Faits (P ou l'histoire sort et que I 'histoire ignot·e." "'The meetings were sometimes periodic. At some, there were never more than eight or ten, and always the same persons. In others, anybody who chose to entered, and the room was so full that they were forced to stand. Some were there from enthusiasm and passion; others because 'it was on their way to work. ' As in the time of the Revolution, there were in these wine shops some female patriots, who embraced the newcomers. Other expressive facts came to light. A man entered a shop, drank, and went out, saying: "Wine merchant, whatever l owe, the revolution will pay.' ... A worker, drinking with a (,;omrade, made him put his hand on him to see how warm he was; the other felt a pistol under his vest. ... All this fermentation was puhlic, we might almost say tranquil. ... No singularity was wanting in this crisis-still Imbterrallean, but already perceptible. Bourgeois talked quietly with workers about the preparations. They would say, 'How is the uprising coming along?' in the same tone in which they would have said, 'How is your wife?''' Victor Hugo, Oeuvres completes, novels, vol. 3 (Paris, 1881), pp. 43, 50-51 (Les MisernlJles)." [a11a,l] Barri{ade fighting in Les Miserubles. From the chapter '"Originalite de Paris." '"Outside of the insurgent qu.artiers, nothing is usually more strangely calm than the physiognomy of Paris during an uprising . ... There is firing at the streetcorners, in an arcade, in a cul-de-sac; ... corpses litter the pavement. A few streets away, you call hear the clicking of hilliard halls in the cafes . ... The carriages jog along; people are going out to dine. Sometimes in the very quurti - e,. where there is fighting. In 1831 a fusillade was suspendcd to let a wedding party pass hy. At: the time of the insurrection of May 12, 1839, on the Rue Saint-Martin, a little infirm old man, drawing a handcart l'mrmounted hy a tricolored rag, in which there were decanters filled wit.h some liquid, went hack and forth from the harricade t.o the troops and from the troops to the barricade, impartially offering glasses of cocoa . . . . Nothing is more st.range; and this is thc peculiar characteristic of the uprisings of Paris, which is not found in any ot.her capit.al. Two things are requisite for it: the greatness of Paris and its gaiety. It requires the city of' Voltaire and of Napoleon." Victor I-lugo, Oerwres completes, novels, vol. 8 , PI'- 429-431." [a11a,2] On the motif of exoticism, conjoined with t.hat of emancipation: All the seraglios are opened, The imam finds his inspiration in wine, The Orient learns to read, Barrault crosses the seas.
Jules Mercier "L'Arche de Dieu," in Foi nouvelle: Chants et chansons de Barrault, Vinqard , .. 1831 it 1834 (Paris, January 1, 1835), book 1, p. 28. [.12,11 Forge the liberty of the Orient: A cry of Woman, on the day of deliverance, Travels from the harem by repeated echo To break the horrid silence of the West. Vim;ard, "'Le Premier Depart pour l'Odent," in Foi nouvelle: Chctnts et chansons de Barrault, Vinqard . .. 1831 it 1834 (Paris, January 1, 1835), book 1, p. 48. [aI2,2] A strange stanza from "Le Depart;' by Vinard: Cast off from a universe of serfdom, The old swaddling clothesl3 and the jargon; Learn the coarse and plain speech of the People, The light ditty and the oath. Fai nouvelle, 1831 Ii 1834 (Paris,January 1, 1835), pp. 89-90. Our flag has lost patience mth the sky of France; Over the minarets of Egypt it now must wave. Then will they see us, workers adept, With our ribhons of iron Subduing the desert sands; Cities, like pabus, mll spring up everywhere. [.12,3] F. Maynard, "A l'Orient/' in Foi nouvelle (Paris, January l 1835), pp. 85, 88. [aI2,4] In Jacques Arago's pamphlet of 1848, "Aux Juges des insurges;' deportation appears as an mstrunlent of colonial expansion. After the author, in picturesque langoage, has summoned up in tum each of France's overseas possessions with out finding a single one suited to be the land of deportation, his eye lights on Patagonia. He gives a very poetical description of the land and its inhabitants. "These men, the tallest on earth; these women, of whom the youngest are so alluring after an hour's swim; these antelopes, these birds, these fish, these phos phorescent waters, this sky alive with clouds coursing to and fro like a flock of wandering hinds . . . -all this is Patagonia, all this a virgin land rich and inde pendent . ... Do you fear that England will come and tell you that you have no right to set foot on this part of the American continent? ... Citizens, let England gmmble, just let it, ... and if it should arm, ... then transport to Patagonia the men whom your laws have smitten. When the day of battle arrives, those you have exiled will have become staunch mobile barricades, standing implacable at tl,e outposts;' [aI2,5]
- Page 683 and 684: Korsch says very justly (and one mi
- Page 685 and 686: ole of the immediate production of
- Page 687 and 688: eform, working with only their one
- Page 689 and 690: exposure time, I found it difficult
- Page 691 and 692: Among the inventions that predate p
- Page 693 and 694: like Paul Del.roche in his painting
- Page 695 and 696: o 00
- Page 697 and 698: NADAR_ ileValli la Photograpbie it
- Page 699 and 700: not the process. Whoever possesses
- Page 701 and 702: '" ro '" The first photographic int
- Page 703 and 704: an image in the atmosphere, that al
- Page 705 and 706: o m '" happy to have faithfully rep
- Page 707 and 708: hasten to enrich the tourist's albu
- Page 709 and 710: are bewitched, but the evil spell o
- Page 711 and 712: which deals with the material-each
- Page 713 and 714: a [Social Movement] Reveal to these
- Page 715 and 716: o R breaking through walls. As soon
- Page 717 and 718: f2 Episodes in the June Insurrectio
- Page 719 and 720: f2 rigorously monitored the worker
- Page 721 and 722: to him. m Eugene Buret, La Misere d
- Page 723 and 724: ourgeoisie were already fearful of
- Page 725 and 726: We arc nothing but machines. Our Ba
- Page 727 and 728: incendiary deeds, spoke already of
- Page 729 and 730: Chassin, La Legende du Petit Mantea
- Page 731 and 732: I 1) o en Will Look out on an oce
- Page 733: "'I will rouse the people with my u
- Page 737 and 738: f! From Robert (du Var) l Ilistoire
- Page 739 and 740: Adolphe Boyer, De l'Etat des ouvrie
- Page 741 and 742: Ganneau's "Page prophetique ' was
- Page 743 and 744: the author accentuates the "·pecul
- Page 745 and 746: On Buret's De la Miser'e des classe
- Page 747 and 748: g? Poetry . .. has sanctioned the g
- Page 749 and 750: Cuvillier presents Proudhon as a pr
- Page 751 and 752: the Sirens to he crew of his ship a
- Page 753 and 754: symptoms of a disease that today in
- Page 755 and 756: [Daumier] A paradoxical description
- Page 757 and 758: Honore Daumier, ca. 1857. Photo by
- Page 759 and 760: d [Literary History, Hugo] "'Thiel'
- Page 761 and 762: exclusive glory of the triumphant B
- Page 763 and 764: It is worthy of note that the prefa
- Page 765 and 766: L'Artiste et I 'amateur du dix-neuv
- Page 767 and 768: Alexandre Dumas pere, 1855. Photo b
- Page 769 and 770: age of disonler and viee nUlS agt"O
- Page 771 and 772: On Victor Hugo: He placed the ballo
- Page 773 and 774: 11,e novels of George Sand led to a
- Page 775 and 776: arm the masses. Cited in eh. Paris
- Page 777 and 778: prudent, will henceforth sap the pi
- Page 779 and 780: the other hand, and that of Murger,
- Page 781 and 782: interior. Events having brusquely r
- Page 783 and 784: which had already come rather far o
waHhed everywhere, and maintained order-that is, night. . . . <strong>The</strong> eye which<br />
might have looked from above into that mass of shadow would have caught a<br />
glimpse in the distance here and there, perhaps, of indistinct lights, bringing out<br />
broken and fantastic lines, outlines of singular constructions, something like<br />
ghostly gleams coming and going among ruins; these were the barricades." Oeltvres<br />
completes. novels, vol. 8 (Paris, 1881), pp. 522-523.-<strong>The</strong> following passage<br />
is from the chapter "' Faits (P ou l'histoire sort et que I 'histoire ignot·e." "'<strong>The</strong> meetings<br />
were sometimes periodic. At some, there were never more than eight or ten,<br />
and always the same persons. In others, anybody who chose to entered, and the<br />
room was so full that they were forced to stand. Some were there from enthusiasm<br />
and passion; others because 'it was on their way to work. ' As in the time of the<br />
Revolution, there were in these wine shops some female patriots, who embraced<br />
the newcomers. Other expressive facts came to light. A man entered a shop, drank,<br />
and went out, saying: "Wine merchant, whatever l owe, the revolution will pay.'<br />
... A worker, drinking with a (,;omrade, made him put his hand on him to see how<br />
warm he was; the other felt a pistol under his vest. ... All this fermentation was<br />
puhlic, we might almost say tranquil. ... No singularity was wanting in this crisis-still<br />
Imbterrallean, but already perceptible. Bourgeois talked quietly with<br />
workers about the preparations. <strong>The</strong>y would say, 'How is the uprising coming<br />
along?' in the same tone in which they would have said, 'How is your wife?''' Victor<br />
Hugo, Oeuvres completes, novels, vol. 3 (Paris, 1881), pp. 43, 50-51 (Les<br />
MisernlJles)." [a11a,l]<br />
Barri{ade fighting in Les Miserubles. From the chapter '"Originalite de Paris."<br />
'"Outside of the insurgent qu.artiers, nothing is usually more strangely calm than<br />
the physiognomy of Paris during an uprising . ... <strong>The</strong>re is firing at the streetcorners,<br />
in an arcade, in a cul-de-sac; ... corpses litter the pavement. A few streets<br />
away, you call hear the clicking of hilliard halls in the cafes . ... <strong>The</strong> carriages jog<br />
along; people are going out to dine. Sometimes in the very quurti - e,. where there is<br />
fighting. In 1831 a fusillade was suspendcd to let a wedding party pass hy. At: the<br />
time of the insurrection of May 12, 1839, on the Rue Saint-Martin, a little infirm<br />
old man, drawing a handcart l'mrmounted hy a tricolored rag, in which there were<br />
decanters filled wit.h some liquid, went hack and forth from the harricade t.o the<br />
troops and from the troops to the barricade, impartially offering glasses of cocoa<br />
. . . . Nothing is more st.range; and this is thc peculiar characteristic of the<br />
uprisings of Paris, which is not found in any ot.her capit.al. Two things are requisite<br />
for it: the greatness of Paris and its gaiety. It requires the city of' Voltaire and of<br />
Napoleon." Victor I-lugo, Oerwres completes, novels, vol. 8 ,<br />
PI'- 429-431." [a11a,2]<br />
On the motif of exoticism, conjoined with t.hat of emancipation:<br />
All the seraglios are opened,<br />
<strong>The</strong> imam finds his inspiration in wine,<br />
<strong>The</strong> Orient learns to read,<br />
Barrault crosses the seas.