The Arcades Project - Operi

The Arcades Project - Operi The Arcades Project - Operi

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waHhed everywhere, and maintained order-that is, night. . . . The eye which might have looked from above into that mass of shadow would have caught a glimpse in the distance here and there, perhaps, of indistinct lights, bringing out broken and fantastic lines, outlines of singular constructions, something like ghostly gleams coming and going among ruins; these were the barricades." Oeltvres completes. novels, vol. 8 (Paris, 1881), pp. 522-523.-The following passage is from the chapter "' Faits (P ou l'histoire sort et que I 'histoire ignot·e." "'The meetings were sometimes periodic. At some, there were never more than eight or ten, and always the same persons. In others, anybody who chose to entered, and the room was so full that they were forced to stand. Some were there from enthusiasm and passion; others because 'it was on their way to work. ' As in the time of the Revolution, there were in these wine shops some female patriots, who embraced the newcomers. Other expressive facts came to light. A man entered a shop, drank, and went out, saying: "Wine merchant, whatever l owe, the revolution will pay.' ... A worker, drinking with a (,;omrade, made him put his hand on him to see how warm he was; the other felt a pistol under his vest. ... All this fermentation was puhlic, we might almost say tranquil. ... No singularity was wanting in this crisis-still Imbterrallean, but already perceptible. Bourgeois talked quietly with workers about the preparations. They would say, 'How is the uprising coming along?' in the same tone in which they would have said, 'How is your wife?''' Victor Hugo, Oeuvres completes, novels, vol. 3 (Paris, 1881), pp. 43, 50-51 (Les MisernlJles)." [a11a,l] Barri{ade fighting in Les Miserubles. From the chapter '"Originalite de Paris." '"Outside of the insurgent qu.artiers, nothing is usually more strangely calm than the physiognomy of Paris during an uprising . ... There is firing at the streetcorners, in an arcade, in a cul-de-sac; ... corpses litter the pavement. A few streets away, you call hear the clicking of hilliard halls in the cafes . ... The carriages jog along; people are going out to dine. Sometimes in the very quurti - e,. where there is fighting. In 1831 a fusillade was suspendcd to let a wedding party pass hy. At: the time of the insurrection of May 12, 1839, on the Rue Saint-Martin, a little infirm old man, drawing a handcart l'mrmounted hy a tricolored rag, in which there were decanters filled wit.h some liquid, went hack and forth from the harricade t.o the troops and from the troops to the barricade, impartially offering glasses of cocoa . . . . Nothing is more st.range; and this is thc peculiar characteristic of the uprisings of Paris, which is not found in any ot.her capit.al. Two things are requisite for it: the greatness of Paris and its gaiety. It requires the city of' Voltaire and of Napoleon." Victor I-lugo, Oerwres completes, novels, vol. 8 , PI'- 429-431." [a11a,2] On the motif of exoticism, conjoined with t.hat of emancipation: All the seraglios are opened, The imam finds his inspiration in wine, The Orient learns to read, Barrault crosses the seas.

Jules Mercier "L'Arche de Dieu," in Foi nouvelle: Chants et chansons de Barrault, Vinqard , .. 1831 it 1834 (Paris, January 1, 1835), book 1, p. 28. [.12,11 Forge the liberty of the Orient: A cry of Woman, on the day of deliverance, Travels from the harem by repeated echo To break the horrid silence of the West. Vim;ard, "'Le Premier Depart pour l'Odent," in Foi nouvelle: Chctnts et chansons de Barrault, Vinqard . .. 1831 it 1834 (Paris, January 1, 1835), book 1, p. 48. [aI2,2] A strange stanza from "Le Depart;' by Vinard: Cast off from a universe of serfdom, The old swaddling clothesl3 and the jargon; Learn the coarse and plain speech of the People, The light ditty and the oath. Fai nouvelle, 1831 Ii 1834 (Paris,January 1, 1835), pp. 89-90. Our flag has lost patience mth the sky of France; Over the minarets of Egypt it now must wave. Then will they see us, workers adept, With our ribhons of iron Subduing the desert sands; Cities, like pabus, mll spring up everywhere. [.12,3] F. Maynard, "A l'Orient/' in Foi nouvelle (Paris, January l 1835), pp. 85, 88. [aI2,4] In Jacques Arago's pamphlet of 1848, "Aux Juges des insurges;' deportation appears as an mstrunlent of colonial expansion. After the author, in picturesque langoage, has summoned up in tum each of France's overseas possessions with­ out finding a single one suited to be the land of deportation, his eye lights on Patagonia. He gives a very poetical description of the land and its inhabitants. "These men, the tallest on earth; these women, of whom the youngest are so alluring after an hour's swim; these antelopes, these birds, these fish, these phos­ phorescent waters, this sky alive with clouds coursing to and fro like a flock of wandering hinds . . . -all this is Patagonia, all this a virgin land rich and inde­ pendent . ... Do you fear that England will come and tell you that you have no right to set foot on this part of the American continent? ... Citizens, let England gmmble, just let it, ... and if it should arm, ... then transport to Patagonia the men whom your laws have smitten. When the day of battle arrives, those you have exiled will have become staunch mobile barricades, standing implacable at tl,e outposts;' [aI2,5]

waHhed everywhere, and maintained order-that is, night. . . . <strong>The</strong> eye which<br />

might have looked from above into that mass of shadow would have caught a<br />

glimpse in the distance here and there, perhaps, of indistinct lights, bringing out<br />

broken and fantastic lines, outlines of singular constructions, something like<br />

ghostly gleams coming and going among ruins; these were the barricades." Oeltvres<br />

completes. novels, vol. 8 (Paris, 1881), pp. 522-523.-<strong>The</strong> following passage<br />

is from the chapter "' Faits (P ou l'histoire sort et que I 'histoire ignot·e." "'<strong>The</strong> meetings<br />

were sometimes periodic. At some, there were never more than eight or ten,<br />

and always the same persons. In others, anybody who chose to entered, and the<br />

room was so full that they were forced to stand. Some were there from enthusiasm<br />

and passion; others because 'it was on their way to work. ' As in the time of the<br />

Revolution, there were in these wine shops some female patriots, who embraced<br />

the newcomers. Other expressive facts came to light. A man entered a shop, drank,<br />

and went out, saying: "Wine merchant, whatever l owe, the revolution will pay.'<br />

... A worker, drinking with a (,;omrade, made him put his hand on him to see how<br />

warm he was; the other felt a pistol under his vest. ... All this fermentation was<br />

puhlic, we might almost say tranquil. ... No singularity was wanting in this crisis-still<br />

Imbterrallean, but already perceptible. Bourgeois talked quietly with<br />

workers about the preparations. <strong>The</strong>y would say, 'How is the uprising coming<br />

along?' in the same tone in which they would have said, 'How is your wife?''' Victor<br />

Hugo, Oeuvres completes, novels, vol. 3 (Paris, 1881), pp. 43, 50-51 (Les<br />

MisernlJles)." [a11a,l]<br />

Barri{ade fighting in Les Miserubles. From the chapter '"Originalite de Paris."<br />

'"Outside of the insurgent qu.artiers, nothing is usually more strangely calm than<br />

the physiognomy of Paris during an uprising . ... <strong>The</strong>re is firing at the streetcorners,<br />

in an arcade, in a cul-de-sac; ... corpses litter the pavement. A few streets<br />

away, you call hear the clicking of hilliard halls in the cafes . ... <strong>The</strong> carriages jog<br />

along; people are going out to dine. Sometimes in the very quurti - e,. where there is<br />

fighting. In 1831 a fusillade was suspendcd to let a wedding party pass hy. At: the<br />

time of the insurrection of May 12, 1839, on the Rue Saint-Martin, a little infirm<br />

old man, drawing a handcart l'mrmounted hy a tricolored rag, in which there were<br />

decanters filled wit.h some liquid, went hack and forth from the harricade t.o the<br />

troops and from the troops to the barricade, impartially offering glasses of cocoa<br />

. . . . Nothing is more st.range; and this is thc peculiar characteristic of the<br />

uprisings of Paris, which is not found in any ot.her capit.al. Two things are requisite<br />

for it: the greatness of Paris and its gaiety. It requires the city of' Voltaire and of<br />

Napoleon." Victor I-lugo, Oerwres completes, novels, vol. 8 ,<br />

PI'- 429-431." [a11a,2]<br />

On the motif of exoticism, conjoined with t.hat of emancipation:<br />

All the seraglios are opened,<br />

<strong>The</strong> imam finds his inspiration in wine,<br />

<strong>The</strong> Orient learns to read,<br />

Barrault crosses the seas.

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