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The Arcades Project - Operi

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f2<br />

rigorously monitored the worker is not satisfied with going to the tavern before<br />

the hour when work begins and at his mealtimes, which are at nine 0 ' clock and two<br />

o'clock; he goes there also at four 0 clock and in the evening on the way home . ...<br />

<strong>The</strong>re are women who have no compunctions about following their husbands to<br />

the barriere, in company with their children (who are already able to work), in<br />

order, as they say, to live it up . ... <strong>The</strong>re they spend a large portion of the income<br />

of the entire family, and return home Monday evening in a state bordering on<br />

drunkenness. Indeed, they often pretend-the children no less than their parents-to<br />

be more inebriated than they really are, so that everyone will know<br />

they've been drinking and drinking well." H.-A. Fregier, Des Classes dangere"ses<br />

de la population (Paris, 1840), vol. 1, Pl'. 79-80, 86. [a3a,2J<br />

On child labor among textile workers: '"Unable to meet the costs of food and of<br />

caring for their children on their modest salary, which often does not exceed forty<br />

sous per day (not even when added to the salary of the wife who earns barely half<br />

that amount), . .. workers find themselves obliged . .. to place their children, as<br />

soon as they are old enough to work (ordinarily, at age seven or eight), in the<br />

establishments of which we are speaking . ... <strong>The</strong> workers keep their children<br />

working in the factory or mill until the age of twelve. At that point, they see that.<br />

the children make their first Communion, and then they secure them an apprenticeship<br />

in a shop." H.-A. Fregier, vol. 1, Pl'. 98-100. [a3a,3J<br />

<strong>The</strong>re's }Jrass in our pockets,<br />

Piene, let's go live it up;<br />

On Mondays, don't you know,<br />

I love to knock about.<br />

I know of a sixpenny wine<br />

That's not half bad,<br />

So let's have some fun,<br />

Let's go up to the barriere.<br />

H. Gom'don de Genouillac, Les Refrains de la rue, de 1830 a 1870 (Paris, 1879),<br />

1'.56. <br />

'"And what wine! What variety-from hordeaux to burgundy, from burgundy to<br />

full-bodied Saint-Georges, to Liinel and the South s Frontignan and from there to<br />

sparkling champagne! What a choice of whites and reds-from Petit Macon or<br />

chahlis to Chambertin, to Chateau I,arose, to sauterne, to Yin du Roussillon, and<br />

Ai' Mousseux! Bear in mind that each of these wines produces a different sort of<br />

intoxication? and that with a few bottles one can pass through all the intervening<br />

stages from a Musard quadrille to ,loLa Marseillaise," from the wanton pleasures of<br />

the cancan to the fiery ardor of revolutionary fever ? thence to return, with a hottle<br />

of champagne, to the cheeriest carnival mood in the world! And only France has a<br />

Paris? a city in which European civilization attains its fullest flowering? in which<br />

all t.he nerve fibers of European history are intertwined, and from which arise at

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