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The Arcades Project - Operi

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hasten to enrich the tourist's album and restore to his eye the precision which his<br />

memory may lack; let it adorn the naturalist's library, and enlarge microscopic<br />

animals; let it even provide information to corroborate the astronomer's hypotheseH.<br />

In short, let it be the secretary and clerk of whoever needs absolute factual<br />

exactitude in his profession-up to that point nothing could be better. Let it rescue<br />

from oblivion those tumbling ruins, those books, prints, and manuscripts which<br />

time is devouring, precious things whose form is dissolving and which demand a<br />

place in the archives of our memory-it will be thanked and applauded. But if it<br />

be allowed to encroach upon the domain of the impalpable and the imaginary,<br />

upon anything whose value depends solely upon the addition of something of a<br />

man's soul, then it will be so much the worse for us!" Charles Baudelaire, Oeuvr"es,<br />

ed. Le Dantec, vol. 2, p. 224 ("Salon de 1859: Le Public moderne et la photographie").1<br />

0 [Yll,J)<br />

Cocteau's LeJ Mariis de La lour EiffoLll can perhaps be considered a "critique of<br />

the snapshot;' insofar as in this piece the two aspects of shock-its technological<br />

function in the mechanism and its sterilizing function in the experience-both<br />

come into play. [Yll,2)

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