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tion and, on the other hand, by two consecutive bad harvests, in 184.6 and 1847. Once again the city of Paris, . .. as far out as the faubourg Saint-Antoine, was torn hy hunger riots." A. Malet and P. Grillet, XIX" Siecle (Paris, 1919), p. 245. [Y2a,3] Declaration regarding Ludovic Halevy: 'You may attack me on any grounds you like-but photography, no, that is sacred.?? Jean Loize, Emile Zola phot.ographe," Arts et metiers graphiqu.es, 45 (Fehruary 15, 1935)
Among the inventions that predate photography one should mention, in particu lar, the lithograph (invented in 1805 by A10is Senefelder and introduced into France some years later by Philippe de Lasteyrie) and the physionotrace, which, for its part, represents a mechanization of the process of cutting silhouettes. "Gilles Louis Chretien, ... in 1786, . .. successfully invented an apparatus which ... combined two different modes of making portraits : that of the silhouette and that of the engraving . ... The physionotrace was based on the well-known prin ciple of the pantograph. A system of parallelograms was articulated in such a way as to be capable of transfer to a horizontal plane. With the aid of a dry stylus, the operator traces the contours of a drawing. An inked stylus traces the lines of the first stylus, and reproduces the drawing on a scale determined by the relative position of the two styluses:' Gisela Freund, "La Photographie au point de vue sociologique" (manuscript, pp. 19-20). The apparatus was equipped with a viewfinder. Life-size reproductions could be obtained. [Y3,3] 11,e reproduction time with the physionotrace was one minute for normal sil houettes, three minutes for colored ones. It is characteristic that the begitmings of the technologizing of the portrait, as instanced in this apparatus, set back the art of the portrait qualitatively as much as photography later advanced it. "One can see, on examining the quite enormous body of work produced with the physionotrace, that the portraits all have the same expression: stiff, schematic, and featureless . ... Although the apparatus reproduced the contours of the face with mathematical exactitude, this resemblance remained expressionless because it had not been realized by an artist:' Gisela Freund, "La Photographie au point de vue sociologique" (manuscript, p. 25). It would have to be shown here just why this primitive apparatus, in contrast to the camera, excluded "artistry:' [Y3a,1] "In Marseilles, around 1850, there were at most four or five painters of' miniatures, of whom two, perhaps, had gained a certain reputation by executing fifty portraits in the course of a year. These artists earned just enough to make a living . . . . A few years later, there were forty to fifty photographers in Marseilles . ... They each produced, on the average, between 1,000 and 1,200 plates per year, which they sold for 15 francs apiece; t.his made for yearly receipts of 18,000 francs, so that, together, they constituted an industry earning nearly a million. And this same development can be seen in all the major cities of France. ' Gisela Freund La Photographie au point de vue sociologique" (manuscript, pp. 15-16), citing Vidal, Memoire de La seance du 15 novembre 1868 de La Societe Statistique de Marseille. Reproduced in the Bulletin de La Societe fraru;aise de Photographie (1871), pp. 37, 38, 40. [Y3a,2] On the interlinking of technological inventions: ( . When he wanted to experiment with lithography, Niepce, who lived in the country, ran into the greatest difficulties in procuring the necessary stones. It was then that he got the idea of replacing the stones with a metal plate and the crayon with sunlight." Gisela Freund, "La Pho-
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THE ARCADES PROJECT
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CONTENTS T"anslators' Foreword Expo
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A A page of Benjamin's manuscript m
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Saturnring oder Etwas vom Eisenbau"
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The The German German edition of th
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trace in a thousand configurations
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III. Grandville, or the World Exhih
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impinge impinge on on social social
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Paris, Capital of the the Nineteent
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Pericles could ah-eady have underta
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D. D. Baudelaire, or the Streets of
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witnesses its birth. Here we meet t
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plantation owner among his slaves:'
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Overview A Arcades, Magasins de Nou
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The Passage des Panoramas. Watercol
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eaders will be be disturbed by this
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For the first time in history, with
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A branch of La BelleJardiniere in M
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Au Bon Marche department store in P
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B B [Fashion] Fashion: Madam Death!
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Le Pont des planetes (Interplanetar
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case, the woman would have been the
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Sudden past of a city: windows lit
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two lines by Baudelaire could serve
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this idea; for how can we be sure t
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"Eternal return" is the fimdamental
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trated the spirit of the times as a
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This This malicious statement state
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To Tools ols used by HaUSSlllaIm'S
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pas (Paris, 1857), pp. 47-49. These
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Critique sociale, vol. 1, Capital e
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F F [Iron [Iron Construction] Const
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Railroad stations used to be known
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possibilities. H A. G. Meyer Eisen
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Interior of the Crystal Palace, Lon
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marmer .... Each of the twelve thou
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like the tops of Boucher s gates."
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arts-a view which is, unhappily, de
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two words can meet" (p. 25; it rema
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Le 1iiomphe du kaleidoscope, ou Le
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G [Exhibitions, Advertising, Grandv
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course, in the end, the law accordi
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goods? The answer is very simple an
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ments, marble statues, and bubbling
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without the slightest detriment."
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""Despite all the posturing with wh
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Connection of the first world exhib
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Exterior of the Crystal Palace, Lon
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y t.he government against the Inter
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clipped, grain threshed, coal extra
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1851. These precautions included co
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infancy, the Cyclopean period . ...
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its first ordeal." A. Toussenel, L
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queer thing, abounding in metaphysi
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a contest of pastry cooks. The 600,
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"avenue" illuminated at night by ga
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D [The Collector] All these old thi
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at hand through its integration int
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nate for the previous century has c
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of the Holy Sacrament and The Schoo
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forms of argumentation to which the
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How the interior defended itself ag
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Under the bourgeoisie, cities as we
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ooms in coffeehouses. Each coffeeho
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""The drawing rooms of the Second E
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invent some sort of casing for! Poc
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ersP' Victor Fournel, Ce qu'on voit
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you are. The durability of products
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entiation. Changes in fashion disru
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Charles Baudelaire, 1855. Photo by
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Baudelaire-after his enforced sea v
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executed thus: the plate is set upr
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The title originally planned for Sp
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"Madame Bovary, in what is most for
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drawings, in distilling the bitter
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of the delivery was truly striking.
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lllire. -'Bnt your name is BlIudel
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heaven;' Baudelaire, OeuvreJ, vo!'
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"He is always polite to what is ugl
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horrible funk" writes the latter Ba
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makers as they are useless for form
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Thibaudet juxtaposes Baudelaire's '
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eing studiously contemplated, the e
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slowness from its long virtuality:
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of pure imagination, lose the use o
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I ... atin and Greek-in which I did
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Leconte de Lisle s opinion that Ba
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Dne Madone is a Baroque statue in
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The hidden figure that is the key t
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Apropos of "The greathearted servan
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Explore the question whether a conn
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fluttered like the sleeves of a cle
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v . 1 .. The definitive title for t
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Bourdin: son-in-law of Villemessant
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According to Le Dantec, the second
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concentration has caused him to red
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am convinced that, if the syllables
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The following passage shows the cro
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nard." Edmond J aloux, Le Centenair
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past, to think of things which are
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In the Dernieres Lettres (p. 145),
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In his commemorative address, Banvi
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suddenly reopened it under the lamp
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Note the rigor and elegance of the
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o o eo The importance of theory for
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Underneath that dark and fatal claw
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only if one took out a subscription
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""Baudelaire does not give us a lif
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00 o '" ""He was the first . .. to
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women give suck . .. , in their psy
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more deplorable than to be utterly
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and back." Ch. B., Oeuvres complete
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"Stupidity is often the ornament of
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The figure of the lesbian woman bel
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Sainte-Beuve with the words : "They
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v . 1 .. The unique importance of B
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.§ ) ... The mental capacities tha
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The image of petrified unrest, iu t
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On allegory: "L'Amour et Ie crane:
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the public . .. the mechanism behin
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to mention the transfiguration of P
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work of Poe, who thus became irrepl
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Les Fleun du mal may be considered
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forms an obstacle in its path. His
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This image has contributed greatly
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p. 133 ("Equilibrium between the Ae
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judging solely by the lights of a r
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his nonconformity, was in this resp
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The experience of allegory, which h
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o en M haschisch;' Oeuvres, vol. 1,
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no words could convey to the merely
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"On solemn eves of Heavenly harvest
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without jealousy, sympathetic and r
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tionary communists-from the public
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Closing lines of "Le Vin des chiffo
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a thousand splendors, / Is a sumptu
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For the materialist dialectician, d
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understanding its Baroque form. He
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I.I.While the parliamentary party o
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deed of nihilism, which is suicide"
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Modernity, in this work, is what a
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v . ] .. Allegory, as the sign that
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Among the legends which circulated
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No more hees sipping dewdrop and th
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o CO CD "BauclelaiI'c's weighty phr
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existence, to an attitude of patien
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first, vegetable kingdom next, mine
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America. Near the Capitol the roofs
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K [Dream City and Dream House, Drea
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configuration, they are as much nat
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than the nowbeing of "the present t
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More than a hundred years before it
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to disallow the pretentions of abst
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isolation . . . . The temple ought
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"There can be no doubt that from ..
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Couldn't one compare the social dif
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discover there, where our muscles d
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today, in the age of the automobile
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they also arranged to have outstand
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the next in perspective, offering f
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that sheet of' alluvium, subterrane
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son of the princess. The intimacy o
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M [The FHtueur] A landscape haunts,
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pletely distances himself from the
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on as we would imagine them to do i
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"It is wonderful that in Paris itse
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anonymous engineering, a grade cros
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then ... there was scarcely a tavem
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pavement, so as not to delay the op
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knowing it; yet notlllng is more fo
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was a poor devil whose means forbad
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nomy. The difference between this p
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torrent where you are rolled, buffe
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door is closed. 'Dickens himself ha
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Frontispiece of the third volume of
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""That poetry of terror which the s
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In Le 6 o(/obn, in Chapter 17, "Le
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Description of the crowd in Baudela
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ary urban culture ... forces us to
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v Which last is a scheme of ' paper
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ahout the same faces, the same appe
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who, in the midst of his wanderings
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[On the Theory of .Knowledge, Theor
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down from the arcades in the readin
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Marx lays bare the causal connectio
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condition of technology. The old pr
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identical with the "now of recogniz
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The particular difficulty of doing
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these values originated, but of the
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fonns of appropriate behavior. What
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of the artist reaches back to the p
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The dialectical image is that form
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The archaic form of primal history,
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late, and politics always needs to
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tdalterliche Zeitanschauungen in il
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accentuate the rags of mendicants .
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tive . . , content hy the historica
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The now of recognizability is the m
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Focillon on technique: "It has been
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fills all wanton behavior with fate
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"Hirondelles-women who work the win
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of this decline fuses, as though of
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tated, provoked above all by the lo
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that only the superior strength of
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o o "' this woman from passing beyo
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8 '" oneself that the woman who at
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could withstand the exorbitant comm
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Should the flower fashions of the B
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00 o "' "'After the Cafe de Paris c
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strain of knowing that her life is
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way, in that red cotton fabric that
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the Palais-Royal of 1789 . ... In s
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[The Streets of Paris] In short, th
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'Pont d'Austerlitz! Its famous name
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well as their population, and havin
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of the inhabitants." J. B. Pujoulx,
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the bit of blue which the northern
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The importance accorded the traffic
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the coarse moustaches of these infe
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sentation of certain still-life obj
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Principal panoramic representations
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Diorama on the Rue de Bondy, 1837.
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The world exhibition of 1889 had a
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merged with tlus, his image. Even t
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figures . ... Before every door sto
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A look at the ambiguity of the arca
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inely unique-what will never recur.
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only holds good in the space of the
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of this Jugendstil than Barcelona,
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ing, frescoes, decorative tapestry,
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On the upside-down manor house: ""T
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ancient grandeur of painting to its
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This phony in sum knows how to mana
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The fundamental motif of Jug ends t
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In his "Salons;' Baudelaire has giv
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T [Modes of Lighting] Et noctumis f
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D this kind of lighting, which was
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weekly, on Thursdays and Sundays, a
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the glass tubing, and so forth-were
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[;; to this general illumination, u
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"The influence and development of S
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process for producing gas lighting.
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had run aground on metaphysics.' H
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purpose of stock market quotations?
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o 00 "' people who no longer threat
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2,700,000 volumes were put into cir
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only the hanknotes of paradise, and
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'" 00 "' proclaimed itself the wond
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00 00 '" is called "Le Voyageur du
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""Let us put an end to honors for A
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Primate of the Gauls; there was the
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Le Globe (October 31, 1331), with r
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federation, when their hands are no
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00 '" "' women, were in no way the
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o o '0 French bourgeoisie gains too
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N '" co they arrived on the day bef
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mediating power, the good sense of
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guine in character anyway like all
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00 o
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the uniform of Poly technicians, se
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. 1 CJ .. and simple, . .. who want
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Russia can huy the head of the Repu
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(May 1, 1937), pp. 695-696. The Jes
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the Provisional Goverrnnent to regi
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w [Fourier] Seas they fathom! Skies
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the heart, so as to bring the blood
Page 639 and 640: the sun and the harmonized planets.
Page 641 and 642: " Heine was well acquainted with so
Page 643 and 644: he saw it, took its rise from the i
Page 645 and 646: should govern him. Let us rescue it
Page 647 and 648: Fourier, Oeuvres, vol. , p. 260: "
Page 649 and 650: . can eventuate only in Harmony. Al
Page 651 and 652: since the invention of the chariot;
Page 653 and 654: those of Paris, who, as workers in
Page 655 and 656: and his soul fades into the planeta
Page 657 and 658: plants. m Armand and Maublanc, Four
Page 659 and 660: · . . on their clothing." ""Althou
Page 661 and 662: Fourier: 'Every calling has its cou
Page 663 and 664: Ten million francs would be needed
Page 665 and 666: quite eccentric in its outward aspe
Page 667 and 668: than consciousness of existing prac
Page 669 and 670: Time in technology: " As in a genui
Page 671 and 672: sanctioned by the so-called univers
Page 673 and 674: is what Marx is referring to when h
Page 675 and 676: time. They are nothing more than th
Page 677 and 678: show that the mythological mode of
Page 679 and 680: exchange. In fact, this 'equality'
Page 681 and 682: would he difficult to explain why,
Page 683 and 684: Korsch says very justly (and one mi
Page 685 and 686: ole of the immediate production of
Page 687 and 688: eform, working with only their one
Page 689: exposure time, I found it difficult
Page 693 and 694: like Paul Del.roche in his painting
Page 695 and 696: o 00
Page 697 and 698: NADAR_ ileValli la Photograpbie it
Page 699 and 700: not the process. Whoever possesses
Page 701 and 702: '" ro '" The first photographic int
Page 703 and 704: an image in the atmosphere, that al
Page 705 and 706: o m '" happy to have faithfully rep
Page 707 and 708: hasten to enrich the tourist's albu
Page 709 and 710: are bewitched, but the evil spell o
Page 711 and 712: which deals with the material-each
Page 713 and 714: a [Social Movement] Reveal to these
Page 715 and 716: o R breaking through walls. As soon
Page 717 and 718: f2 Episodes in the June Insurrectio
Page 719 and 720: f2 rigorously monitored the worker
Page 721 and 722: to him. m Eugene Buret, La Misere d
Page 723 and 724: ourgeoisie were already fearful of
Page 725 and 726: We arc nothing but machines. Our Ba
Page 727 and 728: incendiary deeds, spoke already of
Page 729 and 730: Chassin, La Legende du Petit Mantea
Page 731 and 732: I 1) o en Will Look out on an oce
Page 733 and 734: "'I will rouse the people with my u
Page 735 and 736: Jules Mercier "L'Arche de Dieu," in
Page 737 and 738: f! From Robert (du Var) l Ilistoire
Page 739 and 740: Adolphe Boyer, De l'Etat des ouvrie
Page 741 and 742:
Ganneau's "Page prophetique ' was
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the author accentuates the "·pecul
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On Buret's De la Miser'e des classe
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g? Poetry . .. has sanctioned the g
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Cuvillier presents Proudhon as a pr
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the Sirens to he crew of his ship a
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symptoms of a disease that today in
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[Daumier] A paradoxical description
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Honore Daumier, ca. 1857. Photo by
Page 759 and 760:
d [Literary History, Hugo] "'Thiel'
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exclusive glory of the triumphant B
Page 763 and 764:
It is worthy of note that the prefa
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L'Artiste et I 'amateur du dix-neuv
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Alexandre Dumas pere, 1855. Photo b
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age of disonler and viee nUlS agt"O
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On Victor Hugo: He placed the ballo
Page 773 and 774:
11,e novels of George Sand led to a
Page 775 and 776:
arm the masses. Cited in eh. Paris
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prudent, will henceforth sap the pi
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the other hand, and that of Murger,
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interior. Events having brusquely r
Page 783 and 784:
which had already come rather far o
Page 785 and 786:
was, as a stupid politician, denyin
Page 787 and 788:
dominating the serial format, and i
Page 789 and 790:
in all seriousness by our salon sav
Page 791 and 792:
hounds and the faxes are yelping, d
Page 793 and 794:
The gargoyles of Notre Dame must be
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which were government bureaucrats.
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the Stock Exchange, diverted for te
Page 799 and 800:
Balzac's portrait of the speculator
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• I [Reproduction Technology, Lit
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k [The Commune] "The history of the
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Then, in the Assemblies of the Comm
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ACTUAlly[ Actualite (Actuality), a
Page 809 and 810:
A barricade of the Paris Commune, R
Page 811 and 812:
I [The Seine, the Oldest Paris] Aro
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sance des mathematiques pour assnre
Page 815 and 816:
m [Idleness] Noteworthy conjunction
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a product of chance, and have about
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evinced in the theory of "modern be
Page 821 and 822:
"" o 00 often, idleness is the very
Page 823 and 824:
00 o 00 the redeemer of man ' 8 bet
Page 825 and 826:
;:: threshold of the hedroom, a dev
Page 827 and 828:
Publication date of the first issue
Page 829 and 830:
Jesus had yielded to the natural in
Page 831 and 832:
Around the time that "physiologies"
Page 833 and 834:
[Ecole Poly technique ] On commerce
Page 835 and 836:
Poly technique. The student would d
Page 837 and 838:
In Le Cure de village, which Balzac
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points. His primer hegins ... with
Page 843 and 844:
Trade and traffic are the two compo
Page 845 and 846:
If one wanted to characterize the i
Page 847 and 848:
stations make good starting points,
Page 849 and 850:
All this is the arcade in our eyes.
Page 851 and 852:
Tl isit, Wagram, Calais, Antwerp, L
Page 853 and 854:
What is une psychi?19 . The city ma
Page 855 and 856:
VVhat was otherwise reserved for on
Page 857 and 858:
Death and fashion. Rilke, the passa
Page 859 and 860:
Hermes, the masculine god. It is ch
Page 861 and 862:
The writings of the Surrealists tre
Page 863 and 864:
00 .". 00 Around the same time, the
Page 865 and 866:
something very characteristic of th
Page 867 and 868:
How Blucher gambled in Paris. (See
Page 869 and 870:
Superposition accordiug to the rhyt
Page 871 and 872:
slot machines, the mechanical fortu
Page 873 and 874:
00 "' 00 It must be kept in mind th
Page 875 and 876:
o '"' 00 of Schiller's we read of
Page 877 and 878:
ance, we have to experience indire
Page 879 and 880:
Concretion extinguishes thought; ab
Page 881 and 882:
Thomasius, Vam Recht des Schlafi un
Page 883 and 884:
Fashion is intention that ignites;
Page 886 and 887:
Arcades This brief essay, dating fr
Page 888 and 889:
These originally untitled texts (G
Page 890 and 891:
on the tip of one's tongue. Nter al
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information bureaus and detective a
Page 894 and 895:
inclined to linger before the trans
Page 896 and 897:
ealized: here, at one time, after P
Page 898 and 899:
superstition. Thus in gambler and p
Page 900 and 901:
The Ring of Saturn or Some Remarks
Page 902 and 903:
allow our steel furnishings of toda
Page 904:
Walter BeIamin at the card catalogu
Page 908 and 909:
Expose of 1935, Early Version The e
Page 910 and 911:
The flaneur as counterpart of the "
Page 912 and 913:
essence of the images which the dre
Page 914 and 915:
Materials for the Expose of 1935 Th
Page 916 and 917:
Gaslight in Baudelaire Passage de l
Page 918 and 919:
The untranslatable literature of fl
Page 920 and 921:
To ols and workers with Haussmann (
Page 922 and 923:
Dialectic of the commodity A canon
Page 924 and 925:
No. 10 (Boredom) EconOll1ic rudimen
Page 926 and 927:
No. 12 Methodological Dialectical i
Page 928 and 929:
No. 198 {The merit of this little v
Page 930 and 931:
No. 21 I Fragments of the general l
Page 932 and 933:
(The cashier as livillg image, as a
Page 934 and 935:
Materials for "Arcades" Among Benja
Page 936 and 937:
How a first-class restaurant comes
Page 938 and 939:
A factory producing cockades for we
Page 940:
A bookstore places together an neig
Page 944 and 945:
Dialectics at a Standstill Approach
Page 946 and 947:
with and finally overgrown by quota
Page 948 and 949:
teenth century, and in it a specifi
Page 950 and 951:
the immersion of what has been into
Page 952 and 953:
various reasons. Retrospectively, h
Page 954 and 955:
(Expose of 1935, section I). To beg
Page 956 and 957:
image. Physiognomic thought was ass
Page 958 and 959:
two meanings in Belamin's texts; th
Page 960 and 961:
clocks, as during the July revoluti
Page 962 and 963:
continued, "told me how to find you
Page 964 and 965:
He said that his decision to spend
Page 966 and 967:
Mter the vineY31-d, we rested on a
Page 968 and 969:
For all that came later. l11en, bac
Page 970 and 971:
Translators' Notes Abbreviations GS
Page 972 and 973:
Expose of 1939 The second expose, "
Page 974 and 975:
2. The Passage du Caire was the fir
Page 976 and 977:
ing; Friederike Kempner (1836-1904)
Page 978 and 979:
3. Benjamin is quoting from an open
Page 980 and 981:
in GlO,l is on p. 239. Benjamin cit
Page 982 and 983:
deavor to maintain a Juste milieu.)
Page 984 and 985:
42. Baudelaire, "The Painter of Mod
Page 986 and 987:
96. Baudelaire, The Complete verse)
Page 988 and 989:
145. Baudelaire, CotTespondance (Pa
Page 990 and 991:
ice . ... [He] thinks he has been v
Page 992 and 993:
287. Ibid. 288. Ibid., p. 230. "Ill
Page 994 and 995:
tion between the jack of hearts and
Page 996 and 997:
In English in The Complete Time, p.
Page 998 and 999:
was a site in Paris occupied by wor
Page 1000 and 1001:
Frederick A. Blossom) . The lines b
Page 1002 and 1003:
29. Ibid., pp. 45-46. "Drifting" is
Page 1004 and 1005:
2. Reference is to Louis Aragon, Le
Page 1006 and 1007:
50. TIlls passage is not found in t
Page 1008 and 1009:
different parts of the world. But t
Page 1010 and 1011:
26. Paul Valery, HIstory and Politi
Page 1012 and 1013:
aid of two other young republicans.
Page 1014 and 1015:
36. As a child, Fourier would fill
Page 1016 and 1017:
56. Ibid., pp. 198-199. 57. Ibid.,
Page 1018 and 1019:
15. Honore de Balzac, Eugenie Grand
Page 1020 and 1021:
"workshop" and "graverll or 'burin"
Page 1022 and 1023:
The siege lasted until the end ofJa
Page 1024 and 1025:
(destroyed in 1919) took in a numbe
Page 1026 and 1027:
49. Proust, A la Recherche du temj}
Page 1028 and 1029:
trans. Manfred R. Jacobson and Evel
Page 1030 and 1031:
Benjamids in more than mere nuances
Page 1032 and 1033:
tion and was minister of war in the
Page 1034 and 1035:
Belleville. Wo rking·class neighbo
Page 1036 and 1037:
Buchez, Philippe (1796-1865). Frenc
Page 1038 and 1039:
in French, no confessional, and mar
Page 1040 and 1041:
Crepet,Jacques (1874-1952). Son of
Page 1042 and 1043:
Du Camp, Maxime (1822-1894). Writer
Page 1044 and 1045:
Flotte, Etienne-Gaston, baron de (1
Page 1046 and 1047:
Grand Chatelet. Ancient fortress in
Page 1048 and 1049:
laire and Rimbaud. Author of Umbra
Page 1050 and 1051:
Hebrew at the College of Rome. In 1
Page 1052 and 1053:
er of Deputies from 1841. A leader
Page 1054 and 1055:
Makar!, Hans (1840-1884). Austrian
Page 1056 and 1057:
Mode, comte Louis (1781-1855). Prem
Page 1058 and 1059:
Nisard, Desire (1806-1888).journali
Page 1060 and 1061:
La Plmlauge. Fourierist newspaper p
Page 1062 and 1063:
Restif de la Bretonne. Pseudonym of
Page 1064 and 1065:
Sarcey, Francisque (1827-1899). Fre
Page 1066 and 1067:
Taylor, Frederick Winslow (1856-191
Page 1068:
Villiers de l'Isle-Adarn, Auguste (
Page 1071 and 1072:
Balzac, Honore de (colltinued) cult
Page 1073 and 1074:
Baudelaire, Charles (wl1timwd) de 1
Page 1075 and 1076:
Chatelain, U.-Y., 250 Chaudes-Aigue
Page 1077 and 1078:
Escholier, Raymond, 225, 429, 442,
Page 1079 and 1080:
Hallays-Dabot, Victor, 695, 706, 78
Page 1081 and 1082:
754, 757, 758, 764, 765, 767, 768,
Page 1083 and 1084:
Millotaure, 549 Mirabeau, Honon::,
Page 1085 and 1086:
Pouson du Te rrail, Pierre-Alexis,
Page 1087 and 1088:
Soumct, Alexandre, 575 Soupault, Ph
Page 1089:
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