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The Arcades Project - Operi

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plants. m Armand and Maublanc, Fourier (Paris, 1937), vol. 1, p. 227; citing<br />

Fourier, Traite de I'association domestique-agricole (Paris and London, 1822),<br />

vol. 1, pp. 24-25, and <strong>The</strong>orie de I'n"i,. n"iverselle (1834), p. 31. [WI3,l]<br />

Fourier reproaches Descartes with having, in his doubt, spared that tree of lies<br />

one calls civilization." See Le Nouveau Monde, p. 367. [W13,2]<br />

Stylistic quirks reminiscent of Jean Paul. li'ourier loves preambles, clsamhles,<br />

transambles, postambles, introductions, extroductions, prologues, interludes,<br />

postludes, cismediants, mediants, transmediants, intermedes, notes, appendixes.<br />

[Wl3,3]<br />

Fourier appears very suggestive before the background of the Empire in this<br />

note: "<strong>The</strong> combined order will, from the outset, be as brilliant as it has been<br />

long deferred. Greece, in the age of Solon and Pericles, was already in a position<br />

to undertake it, having a degree of luxury sufficient to proceed to this form of<br />

organization." Armand and Maublanc, Fourier (Paris, 1937), vol. 1, pp. 261-262;<br />

citing Traite de l'association domestique-agricole (paris and London, 1822), voU,<br />

pp. lxi-lxii; <strong>The</strong>orie de l'unite universelle (1834), voU, p. 75.27 [Wl3,4]<br />

Fourier recognizes many forms of collective procession and cavalcade: storm,<br />

vortex, swarm, serpentage. [W13,5]<br />

With 1,600 phalansteries, the association is already deployed in all its combinations.<br />

[W13,6]<br />

"Fourier put himself body and soul into his work because he could not put into it<br />

the needs of a revolutionary class, which did not yet exist;' F. Armand and<br />

R. Maublanc, Fourier (Paris, 1937), vol. 1, p. 83. It should be added that Fourier<br />

appears, at many points, to prefigure a new type of human being, one conspicuous<br />

for its harmlessness.'" [W13,7]<br />

'In his room, there was ordinarily but one free pathway, right in the middle,<br />

leading from door to window. <strong>The</strong> rest of the space was entirely taken up hy his<br />

flowerpots, which offered in themselves t.he spectacle of a progressive series of<br />

sizes, shapes, and even qualities; there were pots of common day, and there were<br />

pots of Chinese porcelain." Charles Pellarin, Vie de Fourier (Paris, 1871), pp. 32-<br />

33. [W13,<br />

Charles Pellarin, Vie de Fourier (Paris, 1871) report.s (p. 144) that Fourier would<br />

sometimes go six or seven nights without sleeping. This happened heeauRe of excitement<br />

over his discoveries. [W13a,1]

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