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The Arcades Project - Operi

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00<br />

'"<br />

"'<br />

women, were in no way the outcome of an epicurean design." Firmin Maillard, La<br />

Legende de lafemme emancipee (Paris), p. 40.<br />

[U15,5]<br />

Proudhon was a fierce opponent of Saint-Simonianism; he speaks of "Saint-<br />

Simonian rottenness." [U!5,6]<br />

"<strong>The</strong> arts can flourish only as conditioned within an organic age ,<br />

and inspiration is strong and salutary only when it is social and religious."<br />

Thus E. Barrault speaks out, in Aux artistes: Du Passe et de l'avenir des<br />

beaux-arts (Paris, 1830), p. 73, against the barren I."critical ages." [DI5,7]<br />

Last eeho of the idea that inaugurated Saint-Simonianism: "One can compare the<br />

zeal and the ardor displayed by the civilized nations of today in their establishment<br />

of railroads with that which, several centuries ago, went into the building<br />

of cathedrals . . . . If it is true, as we hear, that the word religion' comes from<br />

"eligare, "to hind" . .. ,then the railroads have more to do with the religious spirit<br />

than one might suppose. <strong>The</strong>re has never existed a more powerful instrument for<br />

... rallying the scattered populations." Michel Chevalier, "Chemins de fer/' in<br />

Dictionnaire de l'economie politique (Paris, 1852), p. 20. [UlSa,l]<br />

"<strong>The</strong> government wanted, on its own, to eonstruct the railway system. <strong>The</strong>re were<br />

various disadvantages to this course of action, . .. but, in the end, it would have<br />

given us railroads. <strong>The</strong> idea occasioned a terrific explosion; political rivalries<br />

dominated the scene. Science itself . .. came ont in support of the spirit of systematic<br />

opposition. An illustrious savant was vain enough to lend the authority of his<br />

name to the plot against the railways. Construction by the state was thus rejected<br />

by an overwhelming majority. This occurred in 1838. Favorably disposed, as it<br />

was, toward the project, the government now turned to private industry. Take<br />

these marvelous thoroughfares, it said; I am offering you the concession for them.<br />

And no sooner were these words out than a new storm at'ose. What! <strong>The</strong> bankers,<br />

the capitalists are going to reap a fortune from this venture! ... It is feudalism<br />

reborn from its own ashes!-<strong>The</strong> plans to offer concessions to companies were<br />

accordingly withdrawn, . .. or else spiked with clauses that made aeceptance impossible<br />

for serious investors. We continued like this up until 1844." Michel<br />

Chevalier, Chemins de fer," excerpt from Dictionnaire de ['economic politiqu.e<br />

(Paris, 1852), p. 100. [U!5a,2]<br />

Chevalier already sets up, for the transport of war materials in railroad cars, the<br />

equation: forty men equal six horses. See Michel Chevalier, "Chemins de fer," in<br />

Dictionnaire de l'econonde politiquc (Paris, 1852), pp. 47-48. [UlSa,3]<br />

<strong>The</strong>ory of art in Saint-Simoniamsm. It rests on the division of history "into Organic<br />

or religious ages and Critieal or irreligious ages . ... <strong>The</strong> course of history<br />

treated in this work comprises two organic ages-the first constituted under the<br />

reign of Greek polytheism, the second under that of Christianity-and, in the

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