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The Arcades Project - Operi

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Jules Mercier, " Dieu nous Ie rendra," in La Foi nouvelle, p. 15; cited in C. L. de<br />

Liefde, Le Saint-Simonisme dans la poesiefraru;aise , pp. 146-<br />

147. [U13a,7]<br />

George Sand, for whom love entails the unification of the classes, understands the<br />

matter in this way: "A young man of humble station, but genial and good looking,<br />

marries a beautiful and perfect young noblewoman, and voila: the merger of the<br />

classes . ... In Le Meunier d'Angiba.ult, Lemor, the artisan hero, refuses the hand<br />

of a patrician widow becanse she is rich . .. , and then the widow rejoices at the<br />

fire which brings about her ruin, removing thus the last obstacle in the way of<br />

union with her lover." Charles Brnn, Le Roman social en France au. XIX'> siecie<br />

(Paris, 1910) 1'1'. 96-97. [U13a,S]<br />

Enfantin assumes that priests, artists, tradespeople, and so on will exhihit, in<br />

their different capacities, entirely different physical constitutions (and different<br />

ailments as well). [UI3a,g]<br />

Girardin's style: 'Indentation with each new sentence, each sent.ence being hut a<br />

line; the antithesis of ideas enveloped in the similitude of words; rhyme in<br />

prose ... ; all nouns capitalized, enumerations that recall Rabelais, definitions<br />

that often recall nothing at all." Edouard Drumont, Les Heros et les pi.tl'es (Paris<br />

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