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The Arcades Project - Operi

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'"<br />

is called "Le Voyageur du XIX' siec!e" <br />

(p. 65). This voyageur is an apotheosis of the traveler in which, in quite peculiar<br />

fashion, the traits of the Wandering Jew are mingled with those of a pioneer of<br />

progress. Samples: "Everywhere along his path, the traveler has sown the riches<br />

of his heart and his imagination: giving a good word to all and sundry, . . .<br />

encouraging the laborer, rescning the ignorant from their gutter, ... and raising<br />

up the hnmiliated" (p. 78). "<strong>The</strong> woman who seeks a love snpreme: traveler!­<br />

<strong>The</strong> man who seeks a devoted woman: traveler!-. .. Artists avid for new horizons:<br />

travelers!-<strong>The</strong> mad who take their hallucinations for reality: travelers!-.<br />

.. Glory hunters, troubadours of dl0ught: travelers!-Life is a journey,<br />

and every single being who departs the womb of woman to return to the womb<br />

of earth is a traveler" (pp. 79-81). "Humanity, 'tis thou who art the eternal<br />

voyager" (p. 84). [010,2]<br />

Passage from Benjamin Gastineau Llt Vie en chemin defer (Paris, 1861): ""All of a<br />

Budden, the curtain is lowered abruptly on the SUll, on heauty, on the thousand<br />

scenes ofllie and nature which your mind and heart have savored along the way. It<br />

is night and death and the cemetery; it is despotism-it is the tunnel! Nothing hut<br />

beings that dwell in the shadows, never knowing the hright wing of freedom and<br />

truth! ... Nonetheless, after hearing the cries of confusion and dismay from passengers<br />

on the train as it enters the gloomy archway, and their exclamations of joy<br />

on quitting the tunnel, . .. who would dare maintain that the human creature was<br />

not made for light and liberty?" (1'1'. 37-38). [UIO,3]<br />

Passages from Benjamin Gastineau, Let Vie en chemin defer (Paris, 1861): Hail to<br />

you, nohle races of the future, scions of the railway!" (p. 112). All ahoard! All<br />

aboard! <strong>The</strong> whistle pierces the sonorous vault of the station" (p. 18). ""Before the<br />

creation of the railroads, nature did not yet pulsate:; it was a Sleeping Beauty . ...<br />

<strong>The</strong> heavens themselves appeared immutable. <strong>The</strong> railroad animated everything<br />

. ... <strong>The</strong> sky has hecome an active infinity, and nature a dynamie heauty.<br />

Christ is descended from his Cross; he has walked the earth, and he is leaving, far<br />

hehind him on the dusty road, the old Ahasuerus" (p. 50). [UIOa,!]<br />

"Michel Chevalier delighted the students [of the Ecole Poly technique ] when he<br />

retraced, in particular, the great historical epochs, recurring often to Alexander,<br />

Caesar, Charlemagne, and Napoleon, in order to emphasize the role of inventors<br />

and triumphant organizers." G. Pinet, Histoire de l'Ecole pol:rtechnique (Paris,<br />

1887), p. 205. [UIOa,2]<br />

"<strong>The</strong> disciples of Saint-Simon-retruited, for the most part., froIll the Ecole des<br />

Mines, which is to say, from among the best. students of the Ecole Poly techniquecould<br />

not have failed t.o exert a considerahle influenee on their younger comrades<br />

. . . . Nevertheless, Saint-Simonianism did not have time to garner many<br />

converts at the Ecole Poly technique. <strong>The</strong> schism of 183P dealt it a fatal hlowthe

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