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The Arcades Project - Operi

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public halls will be located on the ground floor. <strong>The</strong>re will also be trap doors in the<br />

floors of the dining rooms on the second story. Thus, the tables may be set in the<br />

kitchens below and simply raised through the trap doors when it is time to eat.<br />

<strong>The</strong>se trap doors will be particularly useful during festivities, such as the visits of<br />

traveling caravans and legions, when there will be too many people to eat in the<br />

ordinary dining rooms. <strong>The</strong>n double rows of tables will be set in the street-galleries,<br />

and the food will be passed up from the kitchen. / <strong>The</strong> principal puhlic halls<br />

should not be situated on the ground floor. <strong>The</strong>re are two reasons for this. <strong>The</strong> first<br />

is that the patriarchs and children, who have difficulty climbing stairs, should be<br />

lodged in the lower parts of the huilding. <strong>The</strong> second is that the children should be<br />

kept in isolation from the nonindustrial activities of the adults." Poisson, Fourier<br />

[Anthology) (Paris, 1932), PI'. 139-144.7 [AS]<br />

Yes, parbleu! You You know the power of Tibet.<br />

Implacable enemy of of proud proud innocence, innocence,<br />

Hardly does it appear than it carries away<br />

<strong>The</strong> bookkeeper's wife and the burgher's daughter,<br />

<strong>The</strong> <strong>The</strong> stern stern prude prude and and the the frigid coquette: coquette:<br />

It signals the victory of lovers;<br />

For fashion tolerates no resistance,<br />

And not to have it puts one to shame.<br />

Its fabric, braving the current bon mot,<br />

Softens in its folds the arrows of ridicule;<br />

Seeing it, it, you think of a magical talisman:<br />

It braces the spirits and subjugates the heart;<br />

For it to appeal' is already a triumph, its coming a conquest;<br />

It reigns as conqueror, as sovereign, as master;<br />

And treating its its quiver as as a a burden burden quite useless, useless,<br />

Love has fashioned its bandeau of cashmere.<br />

Edouard [d'Anglemont], Le Cachemire, one-act comedy in verse, performed for<br />

the first time in Paris at the <strong>The</strong>atre Royal de fOdeon, on December 16, 1826<br />

(Paris, 1827), 1'. 1'.30. 30. [ASa,l]<br />

Delvau on Chodruc-Duclos: ""Under the reign of Louis Philippe, who owed him<br />

nothing, he ... did what he had done under the reign of Charles X, who in fact<br />

owed him something .... . ... His bones took more time to rot than his name took to<br />

erase itself from the memory of men." Alfred Delvau, Les Lions du jour (Paris,<br />

1867), 1867), Pl'. 28-29. 28-29. [ASa,2]<br />

"'It was not until after the expedition to Egypt,!l when people in France gave<br />

thought to expanding the use of precious cashmere fabric, that a woman, Greek by<br />

birth, introduced it to Paris. M. M. Ternaux ... conceived the admirable project of<br />

raising Hindustani goats in France. Since then, ... . . . there have been plenty of<br />

workers to train and trades to establish, in order for us to compete successfully<br />

against products renowned through so many centuries! Our manufacturcrs arc

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