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The Arcades Project - Operi

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use value available to a general and public review by passing that time on the<br />

boulevard and thus, as it were, exhibiting it. [M16,4]<br />

<strong>The</strong> press brings into play an overabundance of information, which can be all the<br />

more provocative the more it is exempt from any use. (Only the ubiquity of the<br />

reader would make possible a utilization; and so the illusion of such ubiquity is<br />

also generated.) <strong>The</strong> actual relation of this information to social existence is<br />

determined by the dependence of the information industry on financial interests<br />

and its aligmnent with these interests.-As the information industry comes into<br />

its own, intellectual labor fastens parasitically on every material labor, just as<br />

capital more and more brings every material labor into a relation of dependency.<br />

[M16a,1]<br />

Simmel's apt remark concerning the uneasiness aroused in the urbanite by other<br />

people, people whom, in the overwhelming majority of cases, he sees without<br />

hearing," would indicate that, at least in their beginnings, the physiognomies<br />

were motivated by, among other things, the wish to<br />

dispel this uneasiness and render it harmless. Otherwise, the fantastic pretensions<br />

of these little volumes could not have sat well with their audience. [M16a,2]<br />

<strong>The</strong>re is an effort to master ti,e new experiences of the city within the framework<br />

of the old traditional experiences of nature. Hence the schemata of the virgin<br />

forest and the sea (Meryon and Ponson du Terrail) . [M 16a,3]<br />

Trace and aura. <strong>The</strong> trace is appearance of a nearness, however far removed the<br />

thing that left it behind may be. <strong>The</strong> aura is appearance of a distance, however<br />

close the thing that calls it forth. In the trace, we gain possession of the thing; in<br />

the aura, it takes possession of us. [M16a,4]<br />

Faithful to my oid estahlished way,<br />

T Like to turn the street into a study;<br />

How often, then, as chance conducts my dreaming steps,<br />

I Munder, unawat'Cs, into a group of pavers!<br />

Auguste-Marseille Barthelemy, Paris: Re1llLe sa,tirique it M. C. Delessert, Prefet de<br />

Police (Paris, 1838), p. 8. [M16a,5]<br />

·M. Le Breton says that it is the usurers, attorneys, and hankers in Balzac, rather<br />

than the Parisians, who sometimes seem like ruthless Mohicans, and he believes<br />

that the influence of Fenimore Cooper was not particularly advantageous for the<br />

author of Gobsecf.:. This is possihle, hut difficult to prove." Remy de Gonrmont,<br />

Promenades litteraires, 2nd series (Paris, 1906), pp. 117-118 ("Les Maitres de<br />

Balzac"). [M17,1]<br />

"<strong>The</strong> jostling crowdedness and the motley disorder of metropolit.an communicat.ion<br />

would . .. he unbearahle without . .. psychological distance. Since contempo-

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