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K.racauer writes that "the boulevardiers . .. eschewed nature . ... N atUl'e was as Plutonic, as volcanic as the people." S. Kracauer, Jacques Offe nbach (Amsterdam, 1937), p. 107."4 [MIla,4] On the detective novel: 'We must take as an established fact that this metamorphosis of the city is due to a transposition of the setting-namely, from the savannah and forest of Fenimore Cooper, where every broken branch signifies a worry or a hope, where every tree trunk hides an enemy rifle or the bow of an invisible and silent avenger. Beginning with Balzac, all writers have clearly recorded this deht and faithfully rendered to Cooper what they owed him. Works like Les Mohicans de Paris, by Alexander Dumas-works where the title says all-are extremely common." Roger Caillois, "Paris, my the moderne," Nouvelle Revue franqaise, 25, no. 284 (May 1, 1937), pp. 685-686. [MIla,5] Owing to the influence of Cooper, it becomes possible for the novelist in an urban setting to give scope to the experiences of the hunter. Ths has a bearing on the rise of the detective story. [MIla,6] "It seems reasonable to say that there exists . . . a phantasmagorical representation of Paris (and, more generally, of the big city) with such power over the imagination that the question of its accuracy would never be posed in practice-a representation created entirely by the book, yet so widespread as to make up . .. part of the collective mental atmosphere." Roger Caillois, 'Paris, my the moderne," Nonvel!e Revnefranqaise, 25, no. 284 (May 1, 1937), p. 684. [M12,1] "The Faubourg Saint-Jacques is one of the most primitive suburbs of Paris. Why is that? Is it because it is surrounded by four hospitals as a citadel is surrounded hy four bastions, and these hospitals keep the tourists away from the neighborhood? Is it hecause, leading to no major artery and terminating in no center, ... the place is rarely visited by coaches? Thus, as soon as one appears in the distance, the lucky urchin who spies it first cups his hands around his mouth and gives a signal to all the inhabitants of the faubourg, just as, on the seashore, the one who first spots a sail on the horizon gives a signal to the others." A. Dumas, Les Moldcans de Paris, vol. 1 (Paris, 1859), p. 102 (ch. 25: "Oil il est question des sauvages du Faubourg Saint-Jacques"). The chapter describes nothing but the arrival of a piano before a house in the district. No one suspects that the ohject is a musical instrument, but all are enraptured by the sight of " a huge piece of mahogany" (p. 103). For mahogany furniture was as yet hardly known in this quartier. [M12,2] The first words of an advertisement for Les Mohicans de Paris: "'Paris-The Mohicans! . . . Two names as discordant as the qui vive of two gigantic unknowns confronting each other at the brink of an abyss traversed by that electric light whose source is Alexandre Dumas." [M12,3]
Frontispiece of the third volume of Les Mohicans de Paris (Paris, Virgin Forest" [of the Rue d'EnferJ. 1863): "The [M12,4] " What wonderful precautions! What vigilance! What ingenious preparations and keen attention to detail! The North American savage who, even as he moves, obliterates his footprints in order to elude the enemy at his heels is not more skillful or more meticulous in his precautions." Alfred Nettement, Etudes sur le feuilleton-roman, vol. 1
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THE ARCADES PROJECT
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CONTENTS T"anslators' Foreword Expo
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A A page of Benjamin's manuscript m
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Saturnring oder Etwas vom Eisenbau"
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The The German German edition of th
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trace in a thousand configurations
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III. Grandville, or the World Exhih
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impinge impinge on on social social
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Paris, Capital of the the Nineteent
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Pericles could ah-eady have underta
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D. D. Baudelaire, or the Streets of
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witnesses its birth. Here we meet t
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plantation owner among his slaves:'
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Overview A Arcades, Magasins de Nou
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The Passage des Panoramas. Watercol
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eaders will be be disturbed by this
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For the first time in history, with
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A branch of La BelleJardiniere in M
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Au Bon Marche department store in P
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B B [Fashion] Fashion: Madam Death!
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Le Pont des planetes (Interplanetar
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case, the woman would have been the
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Sudden past of a city: windows lit
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two lines by Baudelaire could serve
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this idea; for how can we be sure t
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"Eternal return" is the fimdamental
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trated the spirit of the times as a
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This This malicious statement state
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To Tools ols used by HaUSSlllaIm'S
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pas (Paris, 1857), pp. 47-49. These
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Critique sociale, vol. 1, Capital e
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F F [Iron [Iron Construction] Const
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Railroad stations used to be known
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possibilities. H A. G. Meyer Eisen
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Interior of the Crystal Palace, Lon
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marmer .... Each of the twelve thou
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like the tops of Boucher s gates."
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arts-a view which is, unhappily, de
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two words can meet" (p. 25; it rema
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Le 1iiomphe du kaleidoscope, ou Le
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G [Exhibitions, Advertising, Grandv
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course, in the end, the law accordi
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goods? The answer is very simple an
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ments, marble statues, and bubbling
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without the slightest detriment."
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""Despite all the posturing with wh
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Connection of the first world exhib
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Exterior of the Crystal Palace, Lon
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y t.he government against the Inter
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clipped, grain threshed, coal extra
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1851. These precautions included co
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infancy, the Cyclopean period . ...
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its first ordeal." A. Toussenel, L
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queer thing, abounding in metaphysi
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a contest of pastry cooks. The 600,
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"avenue" illuminated at night by ga
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D [The Collector] All these old thi
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at hand through its integration int
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nate for the previous century has c
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of the Holy Sacrament and The Schoo
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forms of argumentation to which the
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How the interior defended itself ag
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Under the bourgeoisie, cities as we
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ooms in coffeehouses. Each coffeeho
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""The drawing rooms of the Second E
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invent some sort of casing for! Poc
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ersP' Victor Fournel, Ce qu'on voit
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you are. The durability of products
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entiation. Changes in fashion disru
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Charles Baudelaire, 1855. Photo by
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Baudelaire-after his enforced sea v
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executed thus: the plate is set upr
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The title originally planned for Sp
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"Madame Bovary, in what is most for
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drawings, in distilling the bitter
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of the delivery was truly striking.
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lllire. -'Bnt your name is BlIudel
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heaven;' Baudelaire, OeuvreJ, vo!'
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"He is always polite to what is ugl
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horrible funk" writes the latter Ba
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makers as they are useless for form
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Thibaudet juxtaposes Baudelaire's '
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eing studiously contemplated, the e
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slowness from its long virtuality:
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of pure imagination, lose the use o
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I ... atin and Greek-in which I did
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Leconte de Lisle s opinion that Ba
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Dne Madone is a Baroque statue in
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The hidden figure that is the key t
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Apropos of "The greathearted servan
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Explore the question whether a conn
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fluttered like the sleeves of a cle
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v . 1 .. The definitive title for t
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Bourdin: son-in-law of Villemessant
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According to Le Dantec, the second
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concentration has caused him to red
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am convinced that, if the syllables
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The following passage shows the cro
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nard." Edmond J aloux, Le Centenair
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past, to think of things which are
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In the Dernieres Lettres (p. 145),
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In his commemorative address, Banvi
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suddenly reopened it under the lamp
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Note the rigor and elegance of the
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o o eo The importance of theory for
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Underneath that dark and fatal claw
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only if one took out a subscription
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""Baudelaire does not give us a lif
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00 o '" ""He was the first . .. to
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women give suck . .. , in their psy
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more deplorable than to be utterly
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and back." Ch. B., Oeuvres complete
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"Stupidity is often the ornament of
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The figure of the lesbian woman bel
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Sainte-Beuve with the words : "They
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v . 1 .. The unique importance of B
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.§ ) ... The mental capacities tha
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The image of petrified unrest, iu t
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On allegory: "L'Amour et Ie crane:
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the public . .. the mechanism behin
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to mention the transfiguration of P
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work of Poe, who thus became irrepl
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Les Fleun du mal may be considered
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forms an obstacle in its path. His
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This image has contributed greatly
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p. 133 ("Equilibrium between the Ae
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judging solely by the lights of a r
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his nonconformity, was in this resp
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The experience of allegory, which h
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o en M haschisch;' Oeuvres, vol. 1,
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no words could convey to the merely
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"On solemn eves of Heavenly harvest
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without jealousy, sympathetic and r
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tionary communists-from the public
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Closing lines of "Le Vin des chiffo
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a thousand splendors, / Is a sumptu
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For the materialist dialectician, d
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understanding its Baroque form. He
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I.I.While the parliamentary party o
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deed of nihilism, which is suicide"
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Modernity, in this work, is what a
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v . ] .. Allegory, as the sign that
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Among the legends which circulated
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No more hees sipping dewdrop and th
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o CO CD "BauclelaiI'c's weighty phr
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existence, to an attitude of patien
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first, vegetable kingdom next, mine
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America. Near the Capitol the roofs
Page 403 and 404: K [Dream City and Dream House, Drea
Page 405 and 406: configuration, they are as much nat
Page 407 and 408: than the nowbeing of "the present t
Page 409 and 410: More than a hundred years before it
Page 411 and 412: to disallow the pretentions of abst
Page 413 and 414: isolation . . . . The temple ought
Page 415 and 416: "There can be no doubt that from ..
Page 417 and 418: Couldn't one compare the social dif
Page 419 and 420: discover there, where our muscles d
Page 421 and 422: today, in the age of the automobile
Page 423 and 424: they also arranged to have outstand
Page 425 and 426: the next in perspective, offering f
Page 427 and 428: that sheet of' alluvium, subterrane
Page 429 and 430: son of the princess. The intimacy o
Page 431 and 432: M [The FHtueur] A landscape haunts,
Page 433 and 434: pletely distances himself from the
Page 435 and 436: on as we would imagine them to do i
Page 437 and 438: "It is wonderful that in Paris itse
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Page 441 and 442: then ... there was scarcely a tavem
Page 443 and 444: pavement, so as not to delay the op
Page 445 and 446: knowing it; yet notlllng is more fo
Page 447 and 448: was a poor devil whose means forbad
Page 449 and 450: nomy. The difference between this p
Page 451 and 452: torrent where you are rolled, buffe
Page 453: door is closed. 'Dickens himself ha
Page 457 and 458: ""That poetry of terror which the s
Page 459 and 460: In Le 6 o(/obn, in Chapter 17, "Le
Page 461 and 462: Description of the crowd in Baudela
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Page 465 and 466: v Which last is a scheme of ' paper
Page 467 and 468: ahout the same faces, the same appe
Page 469 and 470: who, in the midst of his wanderings
Page 471 and 472: [On the Theory of .Knowledge, Theor
Page 473 and 474: down from the arcades in the readin
Page 475 and 476: Marx lays bare the causal connectio
Page 477 and 478: condition of technology. The old pr
Page 479 and 480: identical with the "now of recogniz
Page 481 and 482: The particular difficulty of doing
Page 483 and 484: these values originated, but of the
Page 485 and 486: fonns of appropriate behavior. What
Page 487 and 488: of the artist reaches back to the p
Page 489 and 490: The dialectical image is that form
Page 491 and 492: The archaic form of primal history,
Page 493 and 494: late, and politics always needs to
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Page 497 and 498: accentuate the rags of mendicants .
Page 499 and 500: tive . . , content hy the historica
Page 501 and 502: The now of recognizability is the m
Page 503 and 504: Focillon on technique: "It has been
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fills all wanton behavior with fate
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"Hirondelles-women who work the win
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of this decline fuses, as though of
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tated, provoked above all by the lo
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that only the superior strength of
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o o "' this woman from passing beyo
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8 '" oneself that the woman who at
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could withstand the exorbitant comm
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Should the flower fashions of the B
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00 o "' "'After the Cafe de Paris c
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strain of knowing that her life is
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way, in that red cotton fabric that
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the Palais-Royal of 1789 . ... In s
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[The Streets of Paris] In short, th
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'Pont d'Austerlitz! Its famous name
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well as their population, and havin
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of the inhabitants." J. B. Pujoulx,
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the bit of blue which the northern
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The importance accorded the traffic
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the coarse moustaches of these infe
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sentation of certain still-life obj
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Principal panoramic representations
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Diorama on the Rue de Bondy, 1837.
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The world exhibition of 1889 had a
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merged with tlus, his image. Even t
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figures . ... Before every door sto
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A look at the ambiguity of the arca
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inely unique-what will never recur.
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only holds good in the space of the
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of this Jugendstil than Barcelona,
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ing, frescoes, decorative tapestry,
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On the upside-down manor house: ""T
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ancient grandeur of painting to its
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This phony in sum knows how to mana
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The fundamental motif of Jug ends t
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In his "Salons;' Baudelaire has giv
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T [Modes of Lighting] Et noctumis f
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D this kind of lighting, which was
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weekly, on Thursdays and Sundays, a
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the glass tubing, and so forth-were
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[;; to this general illumination, u
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"The influence and development of S
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process for producing gas lighting.
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had run aground on metaphysics.' H
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purpose of stock market quotations?
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o 00 "' people who no longer threat
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2,700,000 volumes were put into cir
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only the hanknotes of paradise, and
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'" 00 "' proclaimed itself the wond
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00 00 '" is called "Le Voyageur du
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""Let us put an end to honors for A
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Primate of the Gauls; there was the
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Le Globe (October 31, 1331), with r
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federation, when their hands are no
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00 '" "' women, were in no way the
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o o '0 French bourgeoisie gains too
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N '" co they arrived on the day bef
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mediating power, the good sense of
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guine in character anyway like all
Page 623 and 624:
00 o
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the uniform of Poly technicians, se
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. 1 CJ .. and simple, . .. who want
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Russia can huy the head of the Repu
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(May 1, 1937), pp. 695-696. The Jes
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the Provisional Goverrnnent to regi
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w [Fourier] Seas they fathom! Skies
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the heart, so as to bring the blood
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the sun and the harmonized planets.
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" Heine was well acquainted with so
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he saw it, took its rise from the i
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should govern him. Let us rescue it
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Fourier, Oeuvres, vol. , p. 260: "
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. can eventuate only in Harmony. Al
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since the invention of the chariot;
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those of Paris, who, as workers in
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and his soul fades into the planeta
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plants. m Armand and Maublanc, Four
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· . . on their clothing." ""Althou
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Fourier: 'Every calling has its cou
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Ten million francs would be needed
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quite eccentric in its outward aspe
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than consciousness of existing prac
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Time in technology: " As in a genui
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sanctioned by the so-called univers
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is what Marx is referring to when h
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time. They are nothing more than th
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show that the mythological mode of
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exchange. In fact, this 'equality'
Page 681 and 682:
would he difficult to explain why,
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Korsch says very justly (and one mi
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ole of the immediate production of
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eform, working with only their one
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exposure time, I found it difficult
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Among the inventions that predate p
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like Paul Del.roche in his painting
Page 695 and 696:
o 00
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NADAR_ ileValli la Photograpbie it
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not the process. Whoever possesses
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'" ro '" The first photographic int
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an image in the atmosphere, that al
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o m '" happy to have faithfully rep
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hasten to enrich the tourist's albu
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are bewitched, but the evil spell o
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which deals with the material-each
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a [Social Movement] Reveal to these
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o R breaking through walls. As soon
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f2 Episodes in the June Insurrectio
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f2 rigorously monitored the worker
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to him. m Eugene Buret, La Misere d
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ourgeoisie were already fearful of
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We arc nothing but machines. Our Ba
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incendiary deeds, spoke already of
Page 729 and 730:
Chassin, La Legende du Petit Mantea
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I 1) o en Will Look out on an oce
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"'I will rouse the people with my u
Page 735 and 736:
Jules Mercier "L'Arche de Dieu," in
Page 737 and 738:
f! From Robert (du Var) l Ilistoire
Page 739 and 740:
Adolphe Boyer, De l'Etat des ouvrie
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Ganneau's "Page prophetique ' was
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the author accentuates the "·pecul
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On Buret's De la Miser'e des classe
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g? Poetry . .. has sanctioned the g
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Cuvillier presents Proudhon as a pr
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the Sirens to he crew of his ship a
Page 753 and 754:
symptoms of a disease that today in
Page 755 and 756:
[Daumier] A paradoxical description
Page 757 and 758:
Honore Daumier, ca. 1857. Photo by
Page 759 and 760:
d [Literary History, Hugo] "'Thiel'
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exclusive glory of the triumphant B
Page 763 and 764:
It is worthy of note that the prefa
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L'Artiste et I 'amateur du dix-neuv
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Alexandre Dumas pere, 1855. Photo b
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age of disonler and viee nUlS agt"O
Page 771 and 772:
On Victor Hugo: He placed the ballo
Page 773 and 774:
11,e novels of George Sand led to a
Page 775 and 776:
arm the masses. Cited in eh. Paris
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prudent, will henceforth sap the pi
Page 779 and 780:
the other hand, and that of Murger,
Page 781 and 782:
interior. Events having brusquely r
Page 783 and 784:
which had already come rather far o
Page 785 and 786:
was, as a stupid politician, denyin
Page 787 and 788:
dominating the serial format, and i
Page 789 and 790:
in all seriousness by our salon sav
Page 791 and 792:
hounds and the faxes are yelping, d
Page 793 and 794:
The gargoyles of Notre Dame must be
Page 795 and 796:
which were government bureaucrats.
Page 797 and 798:
the Stock Exchange, diverted for te
Page 799 and 800:
Balzac's portrait of the speculator
Page 801 and 802:
• I [Reproduction Technology, Lit
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k [The Commune] "The history of the
Page 805 and 806:
Then, in the Assemblies of the Comm
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ACTUAlly[ Actualite (Actuality), a
Page 809 and 810:
A barricade of the Paris Commune, R
Page 811 and 812:
I [The Seine, the Oldest Paris] Aro
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sance des mathematiques pour assnre
Page 815 and 816:
m [Idleness] Noteworthy conjunction
Page 817 and 818:
a product of chance, and have about
Page 819 and 820:
evinced in the theory of "modern be
Page 821 and 822:
"" o 00 often, idleness is the very
Page 823 and 824:
00 o 00 the redeemer of man ' 8 bet
Page 825 and 826:
;:: threshold of the hedroom, a dev
Page 827 and 828:
Publication date of the first issue
Page 829 and 830:
Jesus had yielded to the natural in
Page 831 and 832:
Around the time that "physiologies"
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[Ecole Poly technique ] On commerce
Page 835 and 836:
Poly technique. The student would d
Page 837 and 838:
In Le Cure de village, which Balzac
Page 839:
points. His primer hegins ... with
Page 843 and 844:
Trade and traffic are the two compo
Page 845 and 846:
If one wanted to characterize the i
Page 847 and 848:
stations make good starting points,
Page 849 and 850:
All this is the arcade in our eyes.
Page 851 and 852:
Tl isit, Wagram, Calais, Antwerp, L
Page 853 and 854:
What is une psychi?19 . The city ma
Page 855 and 856:
VVhat was otherwise reserved for on
Page 857 and 858:
Death and fashion. Rilke, the passa
Page 859 and 860:
Hermes, the masculine god. It is ch
Page 861 and 862:
The writings of the Surrealists tre
Page 863 and 864:
00 .". 00 Around the same time, the
Page 865 and 866:
something very characteristic of th
Page 867 and 868:
How Blucher gambled in Paris. (See
Page 869 and 870:
Superposition accordiug to the rhyt
Page 871 and 872:
slot machines, the mechanical fortu
Page 873 and 874:
00 "' 00 It must be kept in mind th
Page 875 and 876:
o '"' 00 of Schiller's we read of
Page 877 and 878:
ance, we have to experience indire
Page 879 and 880:
Concretion extinguishes thought; ab
Page 881 and 882:
Thomasius, Vam Recht des Schlafi un
Page 883 and 884:
Fashion is intention that ignites;
Page 886 and 887:
Arcades This brief essay, dating fr
Page 888 and 889:
These originally untitled texts (G
Page 890 and 891:
on the tip of one's tongue. Nter al
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information bureaus and detective a
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inclined to linger before the trans
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ealized: here, at one time, after P
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superstition. Thus in gambler and p
Page 900 and 901:
The Ring of Saturn or Some Remarks
Page 902 and 903:
allow our steel furnishings of toda
Page 904:
Walter BeIamin at the card catalogu
Page 908 and 909:
Expose of 1935, Early Version The e
Page 910 and 911:
The flaneur as counterpart of the "
Page 912 and 913:
essence of the images which the dre
Page 914 and 915:
Materials for the Expose of 1935 Th
Page 916 and 917:
Gaslight in Baudelaire Passage de l
Page 918 and 919:
The untranslatable literature of fl
Page 920 and 921:
To ols and workers with Haussmann (
Page 922 and 923:
Dialectic of the commodity A canon
Page 924 and 925:
No. 10 (Boredom) EconOll1ic rudimen
Page 926 and 927:
No. 12 Methodological Dialectical i
Page 928 and 929:
No. 198 {The merit of this little v
Page 930 and 931:
No. 21 I Fragments of the general l
Page 932 and 933:
(The cashier as livillg image, as a
Page 934 and 935:
Materials for "Arcades" Among Benja
Page 936 and 937:
How a first-class restaurant comes
Page 938 and 939:
A factory producing cockades for we
Page 940:
A bookstore places together an neig
Page 944 and 945:
Dialectics at a Standstill Approach
Page 946 and 947:
with and finally overgrown by quota
Page 948 and 949:
teenth century, and in it a specifi
Page 950 and 951:
the immersion of what has been into
Page 952 and 953:
various reasons. Retrospectively, h
Page 954 and 955:
(Expose of 1935, section I). To beg
Page 956 and 957:
image. Physiognomic thought was ass
Page 958 and 959:
two meanings in Belamin's texts; th
Page 960 and 961:
clocks, as during the July revoluti
Page 962 and 963:
continued, "told me how to find you
Page 964 and 965:
He said that his decision to spend
Page 966 and 967:
Mter the vineY31-d, we rested on a
Page 968 and 969:
For all that came later. l11en, bac
Page 970 and 971:
Translators' Notes Abbreviations GS
Page 972 and 973:
Expose of 1939 The second expose, "
Page 974 and 975:
2. The Passage du Caire was the fir
Page 976 and 977:
ing; Friederike Kempner (1836-1904)
Page 978 and 979:
3. Benjamin is quoting from an open
Page 980 and 981:
in GlO,l is on p. 239. Benjamin cit
Page 982 and 983:
deavor to maintain a Juste milieu.)
Page 984 and 985:
42. Baudelaire, "The Painter of Mod
Page 986 and 987:
96. Baudelaire, The Complete verse)
Page 988 and 989:
145. Baudelaire, CotTespondance (Pa
Page 990 and 991:
ice . ... [He] thinks he has been v
Page 992 and 993:
287. Ibid. 288. Ibid., p. 230. "Ill
Page 994 and 995:
tion between the jack of hearts and
Page 996 and 997:
In English in The Complete Time, p.
Page 998 and 999:
was a site in Paris occupied by wor
Page 1000 and 1001:
Frederick A. Blossom) . The lines b
Page 1002 and 1003:
29. Ibid., pp. 45-46. "Drifting" is
Page 1004 and 1005:
2. Reference is to Louis Aragon, Le
Page 1006 and 1007:
50. TIlls passage is not found in t
Page 1008 and 1009:
different parts of the world. But t
Page 1010 and 1011:
26. Paul Valery, HIstory and Politi
Page 1012 and 1013:
aid of two other young republicans.
Page 1014 and 1015:
36. As a child, Fourier would fill
Page 1016 and 1017:
56. Ibid., pp. 198-199. 57. Ibid.,
Page 1018 and 1019:
15. Honore de Balzac, Eugenie Grand
Page 1020 and 1021:
"workshop" and "graverll or 'burin"
Page 1022 and 1023:
The siege lasted until the end ofJa
Page 1024 and 1025:
(destroyed in 1919) took in a numbe
Page 1026 and 1027:
49. Proust, A la Recherche du temj}
Page 1028 and 1029:
trans. Manfred R. Jacobson and Evel
Page 1030 and 1031:
Benjamids in more than mere nuances
Page 1032 and 1033:
tion and was minister of war in the
Page 1034 and 1035:
Belleville. Wo rking·class neighbo
Page 1036 and 1037:
Buchez, Philippe (1796-1865). Frenc
Page 1038 and 1039:
in French, no confessional, and mar
Page 1040 and 1041:
Crepet,Jacques (1874-1952). Son of
Page 1042 and 1043:
Du Camp, Maxime (1822-1894). Writer
Page 1044 and 1045:
Flotte, Etienne-Gaston, baron de (1
Page 1046 and 1047:
Grand Chatelet. Ancient fortress in
Page 1048 and 1049:
laire and Rimbaud. Author of Umbra
Page 1050 and 1051:
Hebrew at the College of Rome. In 1
Page 1052 and 1053:
er of Deputies from 1841. A leader
Page 1054 and 1055:
Makar!, Hans (1840-1884). Austrian
Page 1056 and 1057:
Mode, comte Louis (1781-1855). Prem
Page 1058 and 1059:
Nisard, Desire (1806-1888).journali
Page 1060 and 1061:
La Plmlauge. Fourierist newspaper p
Page 1062 and 1063:
Restif de la Bretonne. Pseudonym of
Page 1064 and 1065:
Sarcey, Francisque (1827-1899). Fre
Page 1066 and 1067:
Taylor, Frederick Winslow (1856-191
Page 1068:
Villiers de l'Isle-Adarn, Auguste (
Page 1071 and 1072:
Balzac, Honore de (colltinued) cult
Page 1073 and 1074:
Baudelaire, Charles (wl1timwd) de 1
Page 1075 and 1076:
Chatelain, U.-Y., 250 Chaudes-Aigue
Page 1077 and 1078:
Escholier, Raymond, 225, 429, 442,
Page 1079 and 1080:
Hallays-Dabot, Victor, 695, 706, 78
Page 1081 and 1082:
754, 757, 758, 764, 765, 767, 768,
Page 1083 and 1084:
Millotaure, 549 Mirabeau, Honon::,
Page 1085 and 1086:
Pouson du Te rrail, Pierre-Alexis,
Page 1087 and 1088:
Soumct, Alexandre, 575 Soupault, Ph
Page 1089:
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