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The Arcades Project - Operi

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America. Near the Capitol the roofs already reached to the level of the hill-saddle.<br />

But always the splendid mass-cities harhor lamentahle poverty and degraded hahits,<br />

and the attics and mansards, the cellars and back courts are breeding a new<br />

type of raw man . ... Diodorus tells of a deposed Egyptian king who was reduced<br />

to living in one of these wretched upper-floor tenements of Rome." Oswald<br />

Spengler, Le Declin de l'Occident , voL 2 (Paris, 1933),<br />

p. 143.'"'' [J91a,3]<br />

On the decline in the birthrate: ""When the ordinary thinking of a highly cultivated<br />

people begins t.o regard 'having children' as a question of pro's and con's, the<br />

great turning point has come . ... At that point hegins prudent limit.ation of the<br />

number of births . ... In subsequent Roman t.imes, it became appallingly generaL<br />

At first explained by the economic misery of the times, very soon it eeased to<br />

explain itself at all." Oswald Spengler, Le Declin de l'Occident, voL 2 (Paris),<br />

p. 147. Compare p. 116: the peasant feels himself to be a link in the chain of<br />

forebears and deseelldants.499 [J91a,4]<br />

Concerning the t.itle, Les Flenrs lin mal: ""During naive epochs, and as late as 1824,<br />

the title of a volume of poetry simply indieated the genre taken up by t.he author.<br />

<strong>The</strong>re were odes, epistles, light verse, heroic verse, satires. Today, the title is a<br />

symhoL Nothing is more refined. When the author harbors lyric intentions, he<br />

gives his eollection a sonorous and mnsical label: Melodies, Prelndes . .. Tenderhearted<br />

friends of nature prefer to take their titles from <strong>The</strong> Good Gardener's<br />

Almanac. Thus, we have Dead Leaves, ... Branches of Almond . . . . We have<br />

Palms and Cypresses . . . . And then the flowers: Flowers of Noon, Flowers of<br />

Provence, Flowers of the Alps, Flowers of the Fields ." Charles Louandre, "Statistique<br />

litttraire: La Poesie depuis 1830," Revue des deux mondes, 30 (Paris, June<br />

15, 1842), p. 979. [J92,1]<br />

<strong>The</strong> original title of "'Les Sept Vieillards"; "Fantomes parisiens. ??:"i()()<br />

[J92,2]<br />

"From the beginning, the proclamation of Equality as a constitutional principle<br />

was not only an advance for thought, but a danger as well:' (Max Horkheimer,<br />

"Materialismus und Moral;' Zeitsdcriflfor Sozia.fforschung [1933], no. 2, p. 188.)50'<br />

Within the zone of this danger lie the absurd uniformities in Poe's description of<br />

the crowd. <strong>The</strong> hallucination of the seven identical old men is in the same mold.<br />

[J92,3]<br />

It is only as commodity that the thing has the effect of alienating human beings<br />

from one anothel: It produces this effect through its price. What is decisive is the<br />

empathy with the exchange value of the commodity, with its equalizing substrate.<br />

(<strong>The</strong> absolute qualitative invariance of the time in which labor that gener·<br />

ates exchange value runs its course-such absolute equality is the grayish<br />

background against which the gaudy colors of sensation stand out.) [J92,4]

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